15-year-old was photographed on the street, "true colors" starred in Daji? Who can learn Wen Bixia's amorous style
A few days ago, Wen Bixia endorsed a mobile game and reproduced the classic role of Wang Daji, which caused a wave of embarrassment from netizens.
Wen Bixia was 35 years old when she filmed "Feng Shen List" in 2001, and 22 years later, we all began to shout about the first old age when we watched TV, but she did not fall for years.
I wrote before that the role of "Daji" is legendary in domestic film and television, and there are no less than four or five versions of classics.
Piao once praised Fu Yiwei, Luo Haiqiong and the animated version of Daji
But in these many excellent interpretations, Wen Bixia's version is undoubtedly a classic among classics.
Speaking of which, Wen Bixia's real life and this version of Daji do have some secret matches.
In the public perception, the stunning Wen Bixia always has a strong vase feeling, but once you pull up the context of her life, you realize that this woman has more than one face.
After all, actresses of her contemporaries have long retired to the rivers and lakes, only she has never really faded out. And once it appears, it can easily set off a wave of nostalgia.
Why should she? Let's talk.
The first thing that has to be mentioned is, of course, the posture.
Wen Bixia is indeed beautiful. Her representative roles also left classic moments in stunning film and television history.
At the age of 15, Wen Bixia was caught in the street by director Li Dawei and screenwriter Wen Jun.
Shang has a baby fat face plate and clear big eyes, which is completely a naïve child's face configuration.
But if only cuteness is too simple. She has thick lips and exposed eyes, adding a bit of style and sensuality to her adulthood.
She in 1986's "Underground Love" is at first glance a pure girl.
But the hot screen character has already appeared at this time.
As soon as he appeared, he used his fingers in the bar toilet to help a strange man (Tony Leung) induce vomiting; When we meet again, we take the initiative to kiss each other's tongues.
Such a bold act reveals a desire that is difficult to ignore.
Wen Bixia's early beauty was ignorant and bold pure desire.
To be honest, Wen Bixia in 1986 was lucky, you know, the director of this movie is Guan Jinpeng. There are also delicate scenes. In the same year, Maggie Cheung was still working as a vase in "Happy Ghosts Hit Ghosts", wasn't it?
But no matter how special the pure desire girl is, in the Hong Kong entertainment industry of that year, it is inevitable to fall into the shackles of vases.
Being a "vase" is naturally related to the actor's own abilities. But what many people don't see is that the "vase" is also a product of power shaping.
For the beauty Wen Bixia, the directors will never let go of discovering her hue.
Looking at these two pictures, both of them depict Wen Bixia as a beautiful landscape from a male perspective.
Image source |"Barbaric Fairy Tale" "Underground Love"
Gradually, this depiction became more deliberate.
In her second work "Can't Stop Love", she only inadvertently shows a touch of snow muscle when she is picked up, seductive but restrained.
But by 1991's "Wild Fairy Tale", the exposed sense of choreography was too hard to help.
Wen Bixia's skirt was torn off by a crocodile, and the camera close-up this process, and specially arranged for her to ride on the male protagonist's neck, showing erotic meaning.
It's not hard to see that she's being labeled step by step to become a standard sexy meat bomb.
In the 92nd Radio Television Hong Kong celebration, Wen Bixia and Ye Yuqing cosed sexy little wildcats together.
In 96's "Shock", she played a noblewoman who took the initiative to take off her clothes in front of the kidnappers in order to save her infant child, and there are still people who revisit the film to get a glimpse of her large-scale.
At the same time, she knows her beauty and is good at playing with this style.
She is familiar with the sexy screen images Daji and Haichao, and the impression is very hot and enchanting, but now looking at it, it is only a slight scale of showing her shoulders.
The cow is, she is really good at bringing sexiness to the extreme through a smile and a sense of atmosphere, even beyond straightforward nudity.
Wen Bixia's original hardware is gorgeous, coupled with the tendentious perspective of the times to gaze at women, a strong sense of vase is inevitable.
Partner Wen Zhaolun bluntly said that he "couldn't help it" when he met her.
But the outside, or the beauty of the flat and straightforward, will get tired of seeing too much, and it will not last for so many years.
The reason why Wen Bixia's beauty has a sense of timelessness is that she is beautiful enough, so it is not easy to be bored, and it adds to the aftertaste.
To talk about the "aftertaste" of an actor, you have to start with the role.
In fact, counting down, Wen Bixia has played many "vase" roles since her debut, but as long as it becomes a classic, it must be contrary to the stupid personality implied in "vase".
Her best roles are all brain-powered, scheming under her eyes.
15-year-old Wen Bixia's first play "Beautiful Girl" is about a little sister who is mixed in the gray area. At a young age, she knew how to play with her skin and flirt with strange men in bars.
But this does not mean being controlled by patriarchy. For her, who has no relatives to rely on, finding a man as a meal ticket for the second half of her life is the same as stealing things at the right time in the mall, not for love, but for survival.
This kind of precocious scheming is a young girl who has not been involved in the world to deal with the cleverness of deep society.
The bright sea tide in "Fire Rose" is also not a stupid beauty. Her mind is full of meticulous plans to avenge her family, and Hue is just bait.
And this kind of beauty is bloody and seals the throat.
Then there is the "God Sealing List" Daji.
The red face and misfortune are misunderstood by the world, and the majestic strategy is her eyes in the city.
Even the B-grade film "Shock" with no connotation and only showing flesh is thought by the public, and the rich wife Miao Keyi played by Wen Bixia is also the master of the scheme.
In fact, the biggest highlight of this film is not "erotica", but suspense.
The police finally realized that she was not a weak woman, she suspected that her husband was cheating, took advantage of the kidnapper's feelings for her to kill with a knife, used the police to help her investigate evidence as a victim, and took revenge on her cheating husband in the most silent way, and won a big victory.
Wen Bixia looks delicate and intoxicating, and the brilliance of these character images lies precisely in the scheming and ruthlessness that contradict their appearance.
This contrast between soul and appearance, with the mystery of unpredictability and reality, is still half-covered by the pipa, which is undoubtedly more gripping than the external beauty of flat and straightforward.
I always remember that in "Barbaric Fairy Tale", when the male protagonist advised to drink and gestured to take advantage of the female protagonist's skirt, the female protagonist said:
This passage is a secret deviation between the public mentality and her own charm. The public only wants to spy on her skin, and always ignores her mystery is the real attraction of the secret.
This self-described white description is the reason why her beauty is not easy to get tired:
You can never figure out her heart. And the reason why her character can be established in this characteristic is even more because Wen Bixia herself is like this.
Looking at her origins, you will know that she cannot be a boring blank piece of paper.
When I was a child, my family of 10 lived in a very small house in Tiu Keng Ling, Tseung Kwan O, New Territories, Hong Kong, and was very poor. Her father was a soldier and had a strict tutor.
And just as Daji's father listened to a fortune teller and thought that Daji would bring disaster to the country and the people and mistreat her, pushing her onto the road of resistance, Wen Bixia's childhood hardships also planted the seeds for her future resistance.
Wen Bixia was 15 years old walking on the street and was photographed, in addition to her beauty, but also because she was very rebellious at that time, she was indeed a little sister who mixed up bars and KTV, and "beautiful girl" belongs to her true colors.
As soon as she got paid, the 15-year-old immediately rented a house and moved out to achieve "freedom".
Just as Daji was ignored by her own sister, Wen Bixia has also experienced abandonment by her loved ones. When she was a child, her family was so poor that her mother planned to give her to a rich uncle.
She cried so hard that her uncle was moved, and she was finally able to stay in Ben's house.
Daji interfered in political affairs with hue, causing attacks from the harem of the former dynasty; And she once filmed large-scale "Shock" in order to break through, and was attacked by public opinion and almost withdrew from the circle...
Her childhood and early experiences in the entertainment industry are all secretly in line with Daji before blackening. They have all seen the extremely dark and dark abyss.
It's just that she is different from Daji.
Daji was suppressed to the point of bottoming out and becoming paranoid. She desperately tried to prove that women are also capable of wielding power, trying to hold power, but being trapped by power.
Daji is not without talent. It's just that the general trend of the Shang Dynasty is the end of fate, and even if she has ambition and skill, it is difficult to confront the will of God.
Wen Bixia, on the other hand, is much more worldly and sleek. Although you want to fight fate, you will never let yourself become a trapped beast. She does not give up like Daji, but is willing to give in to the world and leave the green mountains to warm up in the future.
More precisely, also living in the gaze, what Daji wants to do is fight back until he switches his position with the patriarchy; Wen Bixia, on the other hand, chose to use the gaze of others as her stepping stone, climbing against the gaze to a high place.
Autonomy is the ultimate truth that her beauty will not easily fall through the years.
When Wen Bixia first entered the entertainment industry at the age of 15, she seemed to be an assertive dragger.
Being handed a business card by a big director on the street, there is no sincere fear, only vigilance and disapproval. Knowing that it was just an audition, she was so grinning:
Just try it.
Later, she made the much-criticized large-scale movie "Shocking Change", and she did not regret it. She felt that it was just a scene that showed the degree of love between men and women, nothing remarkable.
Years later, she had exactly the same attitude as she had back then: do it, do it.
This kind of heaven is not afraid, since she came out.
Seeing the big brother and big sister who have become famous, do not be daunted; Seeing the smoky side of the entertainment industry, I also know how to avoid it safely.
When she signed her to an entertainment company, her mother signed it while crying, thinking that her daughter entered the big dye vat, which was equivalent to signing the deed of sale.
But she has self-respect and self-love, Leng is not sticky to the dirt, but won the Golden Image New Actor Award for her supporting role in "Beautiful Girl".
In "No Defense Tonight" she once said that she doesn't care what others think, and if she always cares about other people's opinions, she will be very tired. The three bigwigs Huang Xiao, Ni Kuang and Cai Lan applauded these words and called out that they liked her.
Even if, like many beauties in Hong Kong, she finally entered the process of "marrying a wealthy family", Wen Bixia also proved that a wealthy family does not necessarily have to raise canaries, she can still be an eagle with assertiveness and vision.
In 2017, because Wen Bixia worked for a long time, she was exposed to live apart from her husband for 4 months. It can be seen that she did not give up her work after marriage, and commercial performances and film contracts have always continued.
Eventually, her marriage didn't really break down either.
But not because she finally decided to "return to the family". Instead, she turned herself into a spinning top, constantly moving between work and family.
It is said that now Wen Bixia really has no worries about life, why can't she let go of her work?
Because there is no sense of security.
She entered the entertainment industry at the age of 15, always seemed fearless, sophisticated, but in fact, she had no choice but to survive.
Drag, just survival protection color.
When asked about family conditions in her early years, her statement was polished: average, but not rich.
She could see that she knew she couldn't show her hole cards. But you can also feel that material deprivation extends from her childhood to the early days of her debut, becoming a source of insecurity between the lines.
When she reached middle age, she let down her vigilance a little, occasionally revealing the details of her childhood poverty:
I know that I can't afford to buy a TV, and if I want to watch TV, I can only go to the neighbor's house to listen to the sound. The only entertainment is to go to the nearby beach.
She said that playing by the sea is her happiest time.
Extreme poverty and sinister childhood experienced. Even if conditions are better later, work is still her greatest source of security. She always believes that only the gains she has worked hard to obtain are at ease when she holds them in her hands.
However, she must have pity and apologies for the little girl who stepped into the life of a sound dog and horse at the age of 15.
You see, until now, the location where she traveled was often her favorite beach as a child.
The dream of a princess that she had no time to enjoy in her childhood, she now realizes with her hands.
Dragging a sister or wife is to some extent just a superficial state that Wen Bixia caters to the stage of life.
In the first half of her life, she did not have the conditions to give birth to innocence and coquettishness that matched her face, but was quickly ripened, allowing her to show people with complex beauty.
Now her charm is no longer skin.
The helpless little girl who cried to ask her mother not to give herself to someone else's house always understood that the fairy tales she wanted could only be written by herself.
Now, she is really capable of loving that little girl.
This autonomy is the source of her now secret seduction.
She doesn't care what others portray her. She is now painting herself before she was 15 years old, the pen that paints life,
Always held quietly in her hands.