When it comes to the three "godfathers" of Taiwanese music, Li Zongsheng and Luo Dayou have no controversy, and when it comes to the third person, it seems that they are not completely determined. The creative talent of both Luo Dayou and Li Zongsheng is undoubted, and both caused huge musical highlights in the eighties and nineties.
In the entire Taiwanese music scene, there are not many achievements that can do Luo and Li, so it is always said that the three godfathers of Taiwanese music, but this third person is quite controversial, some people say it is Xiao Bug (Chen Huanchang), some say it is Qi Qin, some say it is Zhang Yusheng, some say it is Wang Jie, and even say Zhou Huajian, Tong Ange, Jay Chou, Wu Bai, Xiaogang... There are too many, which really reflects that there were too many excellent musicians in Taiwan in the early days.
Who is the third godfather of Taiwanese music? The editor personally believes that it is the little bug Chen Huanchang, many music fans have heard the name of the little worm, but how powerful is this person? He is a completely underrated master of music. In a certain period of time, it can be said to dominate the Chinese music scene, and basically half of the popular pop songs of that era are from his pen, just say a few songs you must have heard.
"Heart Too Soft", "Ren Xiaoyao", "Sad Pacific", "Can I Hold You", "Intimate Lover", "Love Jiangshan Loves Beauty More", "As long as you have a better life than me"... These are all created by him, and his works have made a lot of people. There are more or less reasons why such a master of the Chinese music scene has not reached the height of Li Zongsheng and Luo Dayou.
Little Bug's music, there is no doubt that it is undoubtedly very successful commercially, but it seems to be unable to reach Luo Dayou and Li Zongsheng in terms of artistic height, at that time, insiders still called him the "godfather of saliva song", followed by Little Worm's singing in front of the stage is very little, Luo Dayou and Li Zongsheng In addition to creation, the singing in front of the stage also accounts for a large part, and it is more advantageous to be able to write and sing.
Then in 2005, there was a big economic dispute, perhaps the blow was too big, resulting in little worm leaving Rolling Stone and rarely appearing works, it can be said that he withdrew from the Chinese music scene in the past 20 years. These reasons may make Xiao Bug a marginal figure of the godfather of Taiwanese music, of course, it doesn't matter if he is the godfather of music, what matters is how many musical works he leaves for everyone.
Classic music is not forgotten. Many of the songs he composed are what we like, and even any one of them we can sing along. Maybe everyone had a bug song in their hearts during that period!