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The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

There are countless fantasy dramas, which are very fresh at first glance, but they are somewhat lost after watching them for a long time, and the gods and mortals in the play are no different, except that they live longer.

Living for 30,000 years is still a child, living for 100,000 years is just to fall in love, back and forth, that is, love and love, the most important thing is that they will not disappear, the front foot falls, and the back foot returns in a reincarnation.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

Watching a group of immortal fairy fairies fall in love, once or twice, but for a long time, I always feel that there is something less, after all, it is not mortals, they are in a magnificent world, only in love, too wasteful.

Finally, the thousands of calls for "Jade Bone Haruka" came out.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

Whether a work is good or not, the core is very important, Yu Bone Yao's original work is Cangyue's "Mirror Zhu Yan", many years ago industrial saccharin was not popular, whether it was feelings or careers, they all paid attention to the natural success, but more importantly, at that time, the characters written by the author really had wind bones and real feelings.

They love their country, but they also have their own limitations, as a mackerel martyrdom to the country, for the mackerel race to buy time, although it is the origin of the tragedy of the sairai, but from the perspective of the maiden, she is a hero.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

Empress Bai Wei was framed and bullied, and protected her son with death, but the will was to let Shiying practice spells and protect the world, without mentioning revenge.

Time shadow is so powerful that he can be alone in the clouds, even if the sky and the earth change color, he can be alone, but in the end, he sacrificed to protect Kongsang, but he gave up his life, took off his divine robe, and went to love alone, these feelings are the great righteousness that fantasy should have, and it is the origin of people's blood stirring.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

Film and television dramas are not books, just imagination by the reader, film and television works should visualize the imagination of the audience, the upper poor blue falls down the yellow spring, whether it is outside the colorful clouds or the mundane night scene, it must be beautifully displayed.

The scene of "Jade Bone Haruka" is atmospheric enough.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

Flowers really have the aura that blooms between heaven and earth.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

The scenery can really have the beauty of the four seas and eight barren stars, and the special effects can be chaotic.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

What is even more rare is that the desert grassland, blue sea and blue sky in the play are all field shots.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

Every frame has the Heavenly Gate interrupting Chu Jiangkai's spirit, and every set is full of the charm of Chinese freehand landscape painting.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

With beautiful scenery and stories, in the end, it depends on people to present, fairy or fantasy, the male protagonist has always been a difficult point, costume dramas, the male protagonist's appearance and temperament acting skills determine the quality of the series to some extent.

Shiying's character is very good, there is flesh and blood, both righteousness and feelings, the force value is bursting and warm as jade, but the character is too perfect, and the actor is difficult to choose.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

In contrast, the cold and handsome character is easier.

Fortunately, there is also Xiao Zhan, Xiao Zhan and ordinary idols have the same handsome appearance, the difference is that in the current popular cool, trendy temperament, he has a rare bookish atmosphere, gentle and thick, this temperament just coincides with the time shadow, the time shadow has not only good looks, but the core of a gentleman.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

Xiao Zhan's performance in the play is not hurried, calm, but at the beginning it is somewhat worrying, after all, whether such a warm temperament and expression can be qualified for the subsequent fierce development needs to be examined, after all, acting is not just good-looking.

But Queen Bai Wei died, and the plot of Time Shadow was grief-stricken and almost wanted to go crazy, which made people feel stable.

Acting, "explosive" crying is certainly not easy, but relatively speaking, there are still methods to follow, but it is difficult to express the emotions of disappointment, grief and collapse little by little and let the audience feel it.

At first, when I heard the bad news of my mother, Empress Bai Wei, I was sad and wept.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

Slowly coming back to my senses, I remembered the culprit and the ingratitude, and I was sad and indignant.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

Completely occupied by the pain, from sadness to anger, bent on revenge, almost went crazy, and looked determined and forging ahead.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

The same is true of the plot of Walking into Hell, from the plot point of view, the time shadow should be heart-wrenching at this time, but as the character's consistent personality, if he shouts, crying bitterly will seem too shallow and fragmented.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

Therefore, his expression of pain is more restrained than before, and his demeanor is more determined, this love is what he wants, this path is his own choice, such a mentality and expression, can be described as accurate.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

The emotional rhythm is right, and what is even more rare is that Xiao Zhan's facial muscles are very beautiful, this kind of beauty is not good-looking in the usual sense, but to do the expression face without deformation, does not affect the beauty.

There are many actors who are also very beautiful, but they are all static and acceptable, the dynamics are slightly inferior, and they can maintain their expressions in dynamics, either the expression control ability is very strong, the business is solid, or God rewards food, and the skeletal muscles trend is good.

But no matter which one, Xiao Zhan's acting skills and image in the play have stood tall.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

Prior to this, there has always been a saying that idol drama actors do not need acting skills as long as they are good-looking, and the public is accustomed to it.

But in fact, idol dramas are also stories, and they also need to start and turn, but also to express love and hatred, don't express their acting skills, Xiao Zhan's explosiveness and plasticity are refreshing, and his acting skills are remarkable.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

The young actors made extraordinary shots, and the performance of the senior actors was equally amazing, especially the Empress Bai Wei played by Zeng Li, who did not appear much, but stood up the character of Empress Bai Wei with a limited shot.

It also sets the tone for the centuries-old story of the entire "Mirror" series.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

Zeng Li in the film is dignified, her beauty is noble and elegant, known as "the most beautiful in Chinese drama in 200 years" is undoubted, the acting skills are more natural and smooth, although only three short episodes are offline, but every appearance has achieved the effect.

As the queen when she was snubbed, she maintained her elegance in order to protect the reasoning of the time shadow, and even the final swallowing of charcoal.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

There is no noise, no hysteria, but the eyes are clear and make people see regret and pain.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

It is precisely this temperament that makes Shi Ying's later actions have a basis to follow, after all, Shi Ying grew up with the great master who was full of hatred, and when he grew up, he could be so peaceful and have the world in mind, which was inseparable from the influence of Empress Bai Wei on his childhood.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

Whether a play is good or not, whether it is sincere or not, in fact, there is no need to say more, the film comes out, and the audience can feel it.

A sincere work such as "Jade Bone Haruka" created with pure Chinese aesthetics is not only a fantasy work, but also contains the wisdom of life in Chinese philosophy.

Compared with animals, human beings are not strong enough in physical strength or vitality, but they have survived thousands of years of natural elimination, relying on sacrificing themselves to help the weak, relying on the pursuit of beauty and love, and relying on the persistence of never giving up in adversity.

These precious qualities have enabled mankind to overcome various disasters for thousands of years and pass on the torch of life.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

That's exactly what Time Shadow does, not so much that he is a character, but that he embodies the proudest qualities of human beings, and we love him, in fact, we love the amazing ourselves.

In the ending, Zhu Yan stood alone under the Xuehanwei tree and said to himself: "You said yes, you want to make up a grand wedding for me, travel all over the clouds, we are like two stars of palace merchants, never separated, but this year, you have refused to enter my dream once." ”

In the snow chill, the image of Time Shadow slowly emerged.

The ending of "Jade Bone Yao" is high-energy and sadistic, and under BE aesthetics, Xiao Zhan's acting skills are too moving

They love each other so much, and Time Shadow loves the world so much, but they are still separated forever.

But the shadow of time is everywhere, because this mountain, river, earth and grassland are all him.

What do you think of Xiao Zhan's acting skills, among young actors, among idol actors, is it considered an idol ceiling?

Is this open-ended ending Zhu Yan's imagination, or is Time Shadow really back?

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