King fried! As soon as Pan Yueming made a move, another suspenseful explosion was stable?

The summer file finally ushered in a blockbuster suspense drama.

The super out-of-the-loop hit at the beginning of the year, "Crazy" has been a few months later.

Q2's super word-of-mouth masterpiece, "The Long Season", whose rating once soared to 9.5, has been more than two months since the finale.

For a long time after that, there was no phenomenal suspense/anti-black blockbuster drama.

In terms of movies, although the score of "Disappearing Her" has fallen all the way, the box office is still soaring, and it has exceeded the 3.1 billion mark;

In terms of plays, we finally waited for "The Disappearing Eleventh Floor".

Six years ago, Pan Yueming's "Chasing the Murderer in the White Night" seemed to have a stunning debut sense of "high-quality era of domestic entertainment online dramas";

Six years later, this "Vanishing Eleven Floors" may be more solid, thick and painful.

Come, let's elaborate.

First, it does not stay on the large scale of the sensory surface

The story of "The Disappearing Eleven" is very large-scale.

The real large-scale is not that there is a lot of plasma on the scene and a special lack of clothing;

Those are at most large scales of the sensory entertainment dimension of the surface.

The real "large-scale" is how deep the story tears into the cold depths of human nature, to the hypocrisy to the mask of greed and lawlessness.

This is the large-scale scale of human nature that "The Disappearing Eleven" revealed from the beginning.

The content of the narration is appalling, and the way it is told is remarkable.

First, the contrast between evil and hypocritical faces.

"The Vanishing Eleventh Floor" begins with a mining disaster.

The chaotic fighting above the ground, the gushing floods under the deep wells, the bloody struggle between different interest groups, the tension between life and death, and the high density of information.

The people who survived in the deep pit under the mine wailed bitterly, and the ambitious boss who lost his conscience announced the closure of the well.

Cover up the fact of blood, lie that "there is no eleven layers".

Even creepier was the press conference that followed.

In the news picture, the hypocritical and vicious appearance of well-dressed and well-spoken, and the real deeds of rushing people's lives and causing disasters but deliberately not saving or even sealing off others' ways to live, one good and one evil, one true and one false, several lives and deaths, there is a strong contrast.

Secondly, six years of dust, the suspense and superimposed pain of adding cases to cases, mistakes to mistakes, and injustices to injustices.

At the beginning of the play, the editing juxtaposes many core key content, and the information density is very high.

The conventional method of "juxtaposing similar pictures with sound" is used several times, and the technique itself is not unusual, but the content is very impactful.

For example, the people on the ground are noisily fighting, raising hammers and fighting, and another frame that comes out with the sound is the underground river artificially exploded below the ground;

Another example is that the Qiu Society on the ground here raised the stolen gun, and the next frame presented by the sound of the gun is Meng Chuansheng holding a hammer, and there are suspected people who came to report for help.

The blood-red benefits flowed silently and roared madly.

This paragraph highlights the "appalling and heinous" nature, but it cannot explain the cause and effect of the huge incident in just one or two minutes.

To unravel the truth six years ago, the play is bound to repeatedly return to this time and space node to do more detailed disassembly and presentation.

The play gives emotions and reveals the main line, while burying many unknown hooks: Why do two groups of people fight?

How do unscrupulous mine owners get their hands and eyes to the sky?

Where are the bitter lords, why don't they say a word?

How the chief of the bureau who enforced the law impartially was framed and driven away, and so on.

How can the shocking case quietly "disappear", and the serial case behind the case is even more frightening.

Again, listen to the thunder at the thunder.

The ability of some film and television dramas is to "see the stormy waves in ordinary places", which produces unusual expressiveness in seemingly ordinary content.

"The Disappearing Eleventh Floor" belongs to another category, and the story itself is terrifying and terrifying: many people are buried deep in the well of the collapse accident, but there are no casualties at the press conference.

At first glance, "listening to thunder at the place of thunder" is a sick sentence, and it is not true.

But in the chaos of various dramas and strange "shooting thunder and dumb fire", being able to shoot thunder well is already an ability to praise online.

Second, the juxtaposition of daily atmosphere and sense of déjà vu

The first paragraph of the play's 2013 timeline is presented as a skull at the Garden Lake construction site and the police come to deal with it.

If the play is presented inappropriately, this is a waveless manual, and "The Disappearing Eleven" is relatively solid and effective.

First, a long shot briefly sketches the bustling panorama of the construction site, and then focuses on the passerby who finds the skull, showing him shouting in horror "There is a skull!" Dead".

The next picture is a top-down shot, where countless little yellow hats are instantly gathered and come to watch from a high place.

The muddy and muddy construction site, the dense little yellow hats, pulled up and pulled up to see from afar, as if they couldn't help themselves passivity and control.

There is even a faint hint of desolation and compassion for fate.

The male protagonist Qu Jianghe played by Pan Yueming went online, and first a handheld shooting of the back followed the picture.

The camera shakes all the way, which is a common technique for pseudo-documentaries to increase realism.

Split and look closely, each section is not an earth-shattering accidental operation, but it is all solid and in place, the whole is organically put together, and the texture is good.

Pan Yueming's state at the beginning of his launch, relaxed and daily.

Along the way, I listened to the introduction of the police station and the two people in charge of the project.

It does not show the mountains and does not show water, and does not deliberately perform "there is a murder case and is so tense", but it is sharp when it is intimidating, and quickly constructs a layered sense of "three points of joy on the surface and three points of daily cuteness, and the inside is sharp and transparent".

Qu Jianghe inquired about the forensic situation at the scene, and after asking, he also greeted "you are busy", which is also very daily.

The less everyday murder scene, and the relatively daily performance of Qujianghe, there is quite a tension between the elastic ups and downs.

Meng Chuansheng and Qu Jianghe, the two brothers are one black and one white, one right and one evil.

This is a regular setting, which has appeared countless times in various film and television dramas.

Although it is the background of the five-cent example brand dish, the plot of the two brothers getting along and the actual viewing of the landing are very high.

The trivial warmth of real daily life, the tension of each other's temptation, the two-way action of one behind the moth pressure, and the other trying to find out the truth, the details are quite interesting.

For example, Qu Jianghe said "explosive package".

Qu Jianghe went home after investigating the case all night, and he didn't remember his daughter's drama performance that day, but his eldest brother Meng Chuansheng made breakfast for his niece in Zhang Luo and sent her (with a lot of drama props) to school.

Qu Jianghe casually held his daughter's props, and said "explosive pack" very "daily" and "casually".

Six years ago, Meng Chuansheng ignored the danger, disregarded human life, and insisted on going his own way, brazenly wanted to use explosives and explode a monstrous disaster;

Six years later, he appeared as a kind and gentle uncle, happy and happy carrying his little niece's "dynamite bag" to school.

The terrifying demon, with a gentle and loving face, holding his little niece's harmless prop explosive bag, wanders into the world, and the great evil is hidden in the city.

Another example is that the two brothers are drinking, and Qu Jianghe asks "Are you familiar with Qiu society?"

I subconsciously thought that the other party would clear up: unfamiliar.

(Sure enough, I don't have enough position and don't know enough about all kinds of bad guys)

Meng Chuansheng answered "too familiar" very naturally, and sighed a long paragraph.

On the surface, they cooperated with solving the case and secretly exerted pressure, from the mayor to the foreign guests to the workers, and played a good hand.

Meng Chuan's murderous scenes in the play, such as the scene at the end of the first episode, in which he warned people around him that "there is no door on the lips."

From the hilarious tone of jokes to the fierce and threatening lessons, the silky contrast of seamless switching, the contrast between the warmth of daily life and the extreme evil (carrying many lives), are very memorable.

Third, multi-fronted and multi-party forces are glued, and chaos is chaotic

The play follows the question of the "Savage Mountain" of the Qujiang River and turns the picture to Savage Mountain.

The fake Lin Dashan, the excellent duo who didn't have a clue, the so-called wild man who was unidentified, and the summer midday who stuck a bar in the cross, there are many characters who appear.

In just one scene, savages, the police, the self-media who invited themselves to mix blindly, and the real murderer in the fake skin of the mountains and forests (defending as twins in subsequent episodes) and other forces, between chasing and escaping, in the real and false surfaces, the density of one link and one ring is quite high.

For example, the fake Lin Dashan deceived for the first time.

Controlled by the excellent two with guns, raised their hands to surrender to claim their own identity, and pretended to show each other their documents to show their innocence, what happened?

Recognized by Excellence as a murderer of the year, he attacks each other and flees.

In this part of the play, there is foreshadowing and suspense of "why is he like that" in the front, and the slow motion of the rain falling slowly, prolonging this strange sense of contrast and tension.

Expressed in place.

At the beginning of the second episode, he explained that Qiu Society robbed and killed people in the past.

The picture of the machine printing the wanted warrant is very textured.

Six months ago, when I was not a fake forest mountain, the turbid state of drunken dreams and death, the garbage state of wine bottles and box lunch leftovers in my home;

The fierceness and caution of preparing to escape after six months has both the graininess of the details of life and the tension of the contrast of different states.

Although the terrier of the real and fake Qiu Jianjian Qiu society's twin brothers in the interrogation room is old-fashioned, this sometimes greasy, sometimes vicious, and sometimes a little funny painting style is quite interesting.

The two people in the office who went to "cry" are also cute and loving laughter.

The sense of rhythm interspersed with laughter in the tense suspense, and the sense of proportion embellished with bright colors in the somber story, are mostly appropriate.

Fourth, texture

Particularly famous scenes worth boasting, such as the funeral arrest in the second episode, and the subsequent Zhao Mingming's family building.

Let's start with the funeral.

A murderer who has been on the run for many years has actually turned into a forest policeman?

After the matter was revealed, Qu Jianghe and others wanted to arrest people, but it was actually difficult?

The late father of the Qiu family was described locally as the "Emperor of the Earth".

The rural clan concept, emotional blood bond, and solid interest binding relationship make this village feel like an iron barrel.

Qu Jianghe wanted to arrest people, and even wanted to make a big move to invite the local governor of the giant district, who actually said, "I'm afraid I don't have this face" and wanted to find the mayor of the town, Zhao Liangming, who came out of this village.

(Of course, both have since been exposed as misbehaving and suspected of crimes)

In the arrest stage, the actions of Excellence and others under the stage, and the flow of the martial arts spear on the stage, it is very interesting to echo and contrast.

The crowd of the on-site accompaniment group scattered in shock, and some young and middle-aged people in the village quickly gathered into a pile and formed a confrontation, and there was tension in singing, chanting, and fighting.

From the perspective of confrontation, this section has a backward shift of gravity.

The people brought by Qu Jianghe, the people who were not convinced by Ma Yu Village and did not let go, the two forces were tense, but the solution was Qu Jianghe and Zhao Liangliang fluttering a few words?

The contradiction is very large, and the way to break the contradiction does not seem to match it.

Of course, this mismatch is not really "designing a hundred points of the problem and then solving it with five points", but just putting the contradiction behind.

The son of the Qiu family was indeed taken away, but whether it was the follow-up identity or interrogation, there were layers of problems and thunder.

Another example is this paragraph where Zhao Liangliang is tracked.

An ordinary house, the overhead shot shows a cold and cruel sense of oppression.

People walk out of the long corridor, and the camera keeps zooming away.

The picture is not just an instruction manual "explain what happened", but a very immersive sense to outline the emotional atmosphere.

Another example is Zhao Liangliang, who was followed upstairs after that.

People go up one floor, lights on one layer, and background music bangs like a heavy hammer.

Similar techniques are not uncommon in suspense drama thrillers, but overall the degree of completion is still very high.

Fifth, the ultimate pain point and the trump card of reason, good and evil

"The Disappearing Eleventh Floor" opens with trump cards, the surface of which is the mystery of who is the umbrella, and the deep is the condemnation of those who "do not seek to govern in their place".

From "In the Name of the People" to "Icebreaking Action" to "Anti-Black Action", and then to the explosive "Crazy" at the beginning of the year, who is the umbrella of the underworld forces in the public servant team has always been an important point of suspense.

On the other hand, why some "parent officials" do not do personnel has been the core pain point told by folk tales for thousands of years.

(The lip shape and lines of "Crazy" are not matched, and the second half is suspected to have changed a lot, and the texture of another line in the story is "forced up Liangshan" is another matter)

All of them are condensed with concern for people's livelihood and the complex of Qingping rulers.

From this point of view, "The Disappearing Eleventh Floor" may have become an innate cornerstone for a blockbuster and general attention.

Of course, the back of the double-edged sword of this theme is very difficult to shoot.

The texture of the first six episodes of "The Disappearing Eleven" is very good, but it is unknown how familiar it will be.

At the beginning of the play, the profiteer is revealed, and Meng Chuansheng's villain card is a clear card play;

The story of Qu Jiang Heyi and Meng Chuan's biological father and brother, the division of good and evil, and the great righteousness and annihilation of relatives, is an important point of interest in the play between human love and jurisprudence, personal friendship and morality.

And behind Meng Chuansheng, who is the umbrella that covers and assists him in making such a shocking case, the play has not yet been specifically unfolded.

The suspected umbrella suspect who was thrown at the beginning of the game, the more obvious the suspect writing, the more people feel that it is just a smoke bomb with a false shot.

At the executive level, the known bad guys in the water are Zhao Liangliang and Ju District Chief.

But Zhao Liangming, who sacrificed the heavenly box lunch on the first night of the broadcast, is obviously just a small chatter.

The characters involved in the original novel are quite high-level, and it is unknown how much reservation the final presentation of the play can be.

The first six episodes look and feel weaker the further you go.

I don't know if it is the objective presentation of the play "heavy and amazing content forward", or the fatigue of subjective experience caused by watching for a long time.

Some of the content is not completely seamless, and some characters even make people wonder "why do they exist", but the overall texture is good, at least the opening is the right way.

epilogue

Six years after the former miners who were brutally buried in deep wells, their bones have not yet been recovered;

They don't even qualify as "wrongful convictions."

They are erased, non-existent, disappeared eleven layers.

Broken bones, blood and tears in the deep well;

The soul is deeply locked and the dust is difficult to return home.

Unscrupulous merchants (and the evil people behind them) used the blood and tears of the miners to build gilded gold caves.

When did the beloved brother become a human demon stained with blood;

Long road on earth, mourning is often bitter;

What disappears with grievances and hatred will eventually be revealed to the world.