What kind of influence did "Femme Fatale" (1) have on the European art scene?
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"Femme Fatale" was depicted in European painting in the second half of the 19th century as an image of charm, charm, seduction, danger, seduction, danger.
This imagery was commonly used in European painting and was seen as a romantic expression.
●(Background analysis)
In the late 19th century, Europe underwent tremendous changes, including the Industrial Revolution, political changes, cultural changes, and the atmosphere of change was fully reflected in the fine art of that era.
During this period, a figure called "Femme Fatale" began to emerge in European painting scenes, and gradually developed into a romantic symbol, which was widely used in various artistic fields.
During this period, the European cultural and social structure underwent drastic changes, and with the advancement of industrialization, gradually changed from the traditional production mode dominated by manual to the production mode dominated by machinery.
In such a large environment, people have produced a new art form that can express their thoughts and feelings in nature, tradition, human nature, and human nature.
Why such a vicious woman?
The formation of the image of "snake" and "snake" is determined by the artist's own aesthetic concept, social environment, cultural background and other factors.
In the late 19th century, European artists launched a profound transformation of traditional aesthetic concepts brought about by the Industrial Revolution, science and technology, etc.
Under such circumstances, the beautiful image of "snake" and "snake" becomes a tool to express the beauty of "strange" and "dangerous".
There are a large number of myths and legends related to femme fatales in European culture, which have a great influence on the formation and circulation of the character "femme fatale".
In Greek mythology, Medusa is a woman with a snake head, a pair of eyes can turn people into stone, and in Christianity, snakes are considered a sign of evil and seduction, which has given painters a lot of creative inspiration and allowed them to better use their imagination.
The images of the "snake" and the "scorpion" also reflect a perception of women in European society in the second half of the 19th century, when women had a low status in European society and were often weak.
The danger and mystery of women shown by "snake", "snake" and "snake" reflect the fear and discrimination of women in society at that time, and it is also an exploration and challenge to sex.
The image of the femme fatale is derived from the Greek legend of "Medusa", and "Medusa" is one of the three women she targeted, and when she stares at it, it will immediately turn into stone.
Medusa is one of the most common figures in medieval European art, and by the Renaissance, Medusa was fused with figures such as "snakes and scorpions".
In this new image, the beauty and mystery of women, and the danger and elusiveness of poisonous scorpions, constitute a new aesthetic form.
From the late 18th century to the early 19th century, the beautiful images of "snakes" and "snakes" began to appear in a large number of European art works, and were considered to be a romantic expression method, with strong personal and strong emotional colors, but also a supernatural expression method.
"Viper" and "Scorpion" are a rebellion against tradition and reason, emphasizing the power of sensibility and intuition.
"Snake" and "snake" were a major theme in European art in the late 19th century, and were widely used in painting, literature and music.
The images of "snake" and "scorpion" were widely used in this era, and gradually formed a new art form, showing a profound impact on society and culture, and the image of "snake", "snake" and "snake" was also greatly developed in this era, and formed a major feature of European art in the late 19th century.
They are seen as representatives of "symbolism", a genre that advocates the fusion of art and spirituality, and explores in depth the spiritual beauty and deep symbolism of the heart.
In European painting in the second half of the 19th century, two types of figures, "snake", "snake" and "snake", were used extensively, both of which focused on the beauty and seduction of women, and associated them with danger and death.
Behind them, there is a poisonous snake or a scorpion, representing their danger and unreliability.
Austria's Göstel is represented by "The Witch", France's Courbet is represented by "Summer", and Britain's Waterhouse is represented by "The Story of Gille Brolock".
In these works, the beautiful images of "snake" and "snake" are portrayed vividly, unique and full of seduction, which is difficult to resist.
In their creations, some of them show their strength and independence, while others show their weakness and helplessness, and they show their social and cultural changes in their own way, as well as their different understanding of women.
The female image created by Poe in his novel "Black Cat" is like a viper-like beauty, her beauty and seduction, giving people a viper-like feeling and ending in tragedy.
Musically, "The Gold of the Rhine" by German Richard Wagner is the most striking highlight of the whole work, because Krent is a woman with many styles and styles.
As for movies, in classic thrillers such as "Werewolf" and "Vampire", the images of "snakes" and "scorpions" are also common.
The film "Salome's Temptation", released in 1953, was based on her experience and was hailed as a classic in the 50s
Many films are based on "snakes" and "scorpions", such as Caitlin in "The Butterfly Effect", she is a "snake" and "scorpion" with extraordinary powers.
