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Chinese calligraphy is the process of the evolution of Chinese characters from a single calligraphy to a diversified art, and the inner meaning of Chinese characters is expressed in calligraphy through the structure of Chinese characters on the appearance of Chinese characters. In different calligraphy, the artistic evolution of Chinese characters is also changing, compared with the stable is the letter, lishu, seal book, the change of their brushwork is relatively fixed, pay attention to the stability. The most varied are xingshu and cursive writing, and a Chinese character has at least several ways of writing, and there are many styles. The most obvious is cursive writing, for example, a "I" word has more than a dozen ways to write. In Chinese characters, the various fonts formed in various historical periods have their own distinct artistic characteristics. For example, the seal book is simple and elegant, the lishu is quiet and dynamic, rich in decoration, the cursive script is galloping, the structure is compact, the calligraphy is neat and beautiful, the line is easy to read and easy to write, the practicality is strong, and the style is diverse, and the personality is different. The evolution of Chinese characters from pictographic drawings to line symbols and strokes adapted to brush writing and printed fonts that facilitate engraving, its evolutionary history provides rich inspiration for us to Chinese typeface design. In the text design, if you can give full play to the characteristics and style of various Chinese character fonts, use cleverly, and conceive uniquely, you will be able to design exquisite works.
<h1 class="pgc-h-arrow-right" > contemporary calligraphy everyone Xiong Boqi exquisite calligraphy works appreciation:</h1>
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<h1 class="pgc-h-arrow-right" > booker introduction:</h1>
Xiong Boqi: Formerly known as Guanghan, Rongsheng, Tianfumin, Zai Sanyan Room, Beizhu Yuleixuan, born in 1944 in Jingyan, Sichuan. He is currently a director of the China Calligraphers Association, a member of the Creation Review Committee of the China Book Association, a director of the Calligraphy and Painting Art Center of the China Federation of Literary and Art Circles, a vice president of the Peony Calligraphy and Painting Art Committee of the China Federation of Literary and Art Circles, a director of the Xiling Printing Society, a vice president of the Beijing Printing Society, a deputy editor of Chinese Calligraphy and Painting, an executive editor of Chinese Seal Carving, and a national first-class artist. Good at seal engraving, calligraphy, freehand flowers and poetry. His works have been exhibited in previous national calligraphy and seal engraving exhibitions and other major domestic and international exhibitions, and have served as judges for many times. He has held many solo exhibitions at home and abroad, published several publications and several papers, and his works have been collected by many institutions at home and abroad.
Xiong Boqi's thin gold book has been well-known in China for a long time, and has the reputation of "the first person to thin gold". However, Mr. Xiong said that he did not have a special interest in thin gold when he first came into contact with it, but used thin gold inscriptions when painting. "If you have to find someone else's inscription for your own paintings, some of them can't be said." I figured out this font myself. Xiong Boqi introduced.