Between the shadows, the flowers blossom and fall, the past is treasured in the pen and ink, leaving a piece of affectionate ink, and the fragrance of each other meets briefly in this world. Waiting as before, watching the world between the shadows, who is bound to the life of the unrelated wind and moon? The sweet melody not only stands in the bustling seal, but also hides in the double portrait of "Famous Painting, Little Knowledge".
<h1 class="pgc-h-center-line" data-track="4">Jean Honoreé Fragonard</h1>
Jean Honoreé Fragonard (1732–1806) was a French painter and printmaker whose work was dominated by a passionate and hedonistic Rococo style. In 1738, he moved to Paris with his father and studied for four years under the French painter Francois Boucher. In 1756, he received a royal scholarship and went to the Institut de France in Rome for further studies. Five years later, he returned to Paris and was elected a fellow of the Royal Academy of Fine Arts.
Fragonard's works are slender in lines and light in color, and although they have a similar sense of morbid charm, they also have a unique brightness of the Rococo style. The work, Titled The Young Sisters, dates back to 1760, when the artist first showed a full-body portrait of a girl sitting on a wooden horse, he later changed the work to two little girls sitting together playing with a paper horse with wheels, and the girl in the back row was pushing the wheel while clutching the horse's head in her hand. The girl in the painting is wearing a gorgeous dress, and the pastel colors are a good interpretation of the delicacy and cheerfulness of the Rococo style.
<h1 class="pgc-h-center-line" data-track="4">Giovanni Boldini</h1>
Light smoke and clouds, the city is mottled, time is staggered, and the shadows are fragrant.
Giovanni Boldini (1842 – 1931) was the most fashionable portrait painter living in Paris at the end of the nineteenth century. In 1889 he attended the Paris World's Fair and was awarded the French Legion of Honor. In 1897, he held a solo exhibition in New York and rose to fame ever since.
Giovanni's work is imbued with the rhythm of color and the vitality of lines, and is known as the "Master of Swish" for his fluid and dashing painting style. At the same time, he was also a pioneer of Italian Impressionism. The painting, titled On the Terrace, is one of Giovanni's masterpieces. In his work, he cleverly depicted the intricate lace and folds on the figure's dress, and even added gray pearl earrings and gold cuff bracelets to the girl. In addition, the plants in the background that strive to climb outward give the painting a unique vitality and energy.
The ink of red dust, holding a pen, paints the silk thoughts into a painting that never retreats, never disturbs this life, only waits for the next life, and expresses a kind of heart...
Les Parisiennes, painted in 1873, is one of the most impressive works in the Giovanni series. This series of works truly reveals the private space of aristocratic families and the laid-back daily lives of women.
In this work, two stylishly dressed young ladies spend a quiet afternoon in a lavishly decorated study. The dark-haired woman in the background leaned forward and looked out the window, as if to escape from this elegant confinement. The blonde girl beside her looked silently at France's oldest newspaper, Le Figaro. Holding a lit cigarette in her hand and placing her feet on a black patterned pedal, the casual and relaxed posture shows a confident, elegant temperament. In addition to the necessary decorations, the viewer can also see the upright writing cabinet and chair in the painting, as well as the woven tapestry used to decorate the walls. The sets in the work are extremely traditional, but the two laid-back women show a distinctly modern feel.
<h1 class="pgc-h-center-line" data-track="4">Théodore Chasseriau</h1>
Theodor · Théodore Chasseriau (1819-1856) was a French nineteenth-century Romantic painter. He studied under the classicist painter Jean Auguste Dominique Ingres. At the age of 16, Vacsario began exhibiting his paintings in major art salon exhibitions. His paintings not only strive for excellence in lines and colors, but also have their own pursuit and exploration of classicism and Orientalism. Most of the women he writes about have a delicate posture and marble-like soft skin, which is very classical and beautiful.
The 23-year-old Chasserio created the work called The Two Sisters in order to prove himself to Ingres. The twin sisters in the painting wear gorgeous and identical dresses, with sister Adele (left) 33 years old and sister Arlene (right) 21 years old. The work was exhibited in the Salon in Paris in 1843 and is now in the Louvre Museum in Paris, France.
<h1 class="pgc-h-center-line" data-track="4">Eugene de Blaas</h1>
Eugene de Blaas (1843–1931) was a late 19th-century Italian academic classicist painter who excelled at creating realistic paintings with the theme of real life. Brass's father was a professor at the Venetian Academy of Fine Arts and his painting teacher. Venetian customs and customs often appear in his paintings, and through these works, people have a more thorough understanding of the life of the plebeian class in Europe at the end of the 19th century.
Brass believed that painting should be expressed in platonic form or ideas, so that the viewer could see in ordinary depictions a deeper abstract meaning and the eternal truth that the author wanted to express. The painting, titled Curiosity, was painted in 1892 and features a woman dressed in light clothes and a strong sense of the times. The girls are curious about the world outside the wall, and the ladders placed on the wall seem to be the only way for them to communicate with the outside world.
The beautiful scenery shows the classical meaning, light steps, slender waist, plump posture, interpreting the unique charm.
Brass liked to capture the beauty of Venice, but he wanted to depict not the famous architectural landscapes, but the most ordinary everyday beauty. This painting, titled Two Venetian Women, is one of the best examples. Although the background of the painting is dominated by slightly mottled walls, the warm smiles on the girls' faces and the elegant clothing matching also hide the richness and tranquility of Venice from the side.
<h1 class="pgc-h-center-line" data-track="4" > Harunobu Suzuki</h1>
Suzuki Harunobu (1725-1770) was an early representative of ukiyo-e, whose real name was Hojijiro Hyobe. He was an outstanding ukiyo-e master under Shigenaga Nishimura. Influenced by the "arch flower" printing method in the late Ming and early Qing dynasties of China, a relief-type impression is often pressed out when rubbing, which is its own style, known as the "Chunxin style" in history. His "Nishiki-e" is often made with ornate multi-color folding prints, and the beauty of the painting is yanagina, which is all the rage in Japan. Most of the figures in the painting are slender and light, as if they can go with the wind, and the face has almost no expression, but the overall picture creates a kind of implicit and introverted sadness, which makes people feel pity.
The work, titled "Double Hu Bow" (English translation), is one of The most iconic works by Harunobu Suzuki. The colors of the painting are light and fresh, and the lines are restrained and smooth. Very different from the gorgeous and graceful beauty images created by other ukiyo-e masters, the beauties in his paintings have willow eyebrows, narrow eyes, cherry mouths, and shoulders and slim bodies to give people a graceful and pitiful feeling.
<h1 class="pgc-h-center-line" data-track="4">Gaetano Bellei</h1>
Gaetano Bellei (1857–1922) was an Italian Romantic painter. Born in Modena, he was the proudest student of the narrative painter Adeodato Malatesta. At the age of 24 he received the Porte prize and was given the opportunity to study in Rome.
Belle's work is known for depicting attractive women, who always have vivid expressions and elegant gestures, no matter what environment they are in. The painting, Titled "In the Theatre," is set against a backdrop of a theater in which two stylishly clad women with masks appear to be about to go to a theatrical performance. As depicted in the background of the painting, this gorgeous stage performance is not only the daily life of high society, but also a true portrayal of the fashion and aesthetics of the time.
<h1 class="pgc-h-center-line" data-track="4">Madeleine Lemaire</h1>
Madeleine Lemaire (1845–1928) was a French painter who devoted herself to watercolor and floral still lifes, especially roses and portraits, hence the name Empress of Roses. In 1864, she was first presented at the Paris Salon, and in 1877 and 1900 she won several art prizes, including the silver medal at the World's Fair.
Painted in 1905, the protagonist, Fairies, is a beautiful-looking, ornate costume and elegance that embodies the unique charm of the era.
<h1 class="pgc-h-center-line" data-track="4">Édouard Bisson</h1>
Édouard Bisson (1856–1949) was a French academic painter and a student of the French historical painter Jean-Léon Gérôme. He excelled at drawing elegant women known for their glamour, especially in the classical atmosphere, soft and brisk Rococo style. Most of Bissen's works are collected by many art galleries and private collectors around the world.
The painting, titled Love's Capture, was painted in 1902 with a woman with gentle eyes and a straight ahead, always inadvertently revealing the delicacy of a girl. Beessen transforms the warmth and softness of the girl into soft lines, the romance and ease permeate the clear colors in the paintings, and the flowing tulle is blown by the wind, and there seems to be a delicate fat powder sweet fragrance in the wind.
The years are unmatched, the time has frozen you and me, coming and going like shuttles, who is still there? The gentle flow of fingertips, on the long street full of greenery, laying a staircase like a blue cloud and a poem like water, that is the distance I can reach you. In the past, I was the shadow of you, and in the future, I only hope that the shadows will meet again. We'll see you next time!
Eye Edge Art Chronicles Part 731 is an artistic gift dedicated to life.
Text Writing: Eye Edge Art Zhi
If you need to reprint, please obtain authorization first, and please indicate the source after reprinting