I talk about the ugly Mr. Xiao Changhua

Mr. Xiao Changhua was born on the eighth day of the first month of December in the fourth year of Guangxu (1878), and died on April 26, 1967 (the seventeenth day of the third month of the lunar calendar).

One

"Four generations of my family have been practicing art." Mr. Xiao himself said. Elder Xiao's father, whose name was "Zhen Kui", served as an ugly foot under the boss of Cheng Changgeng of the 'Three Love Class'. Originally from Jiangxi, which province, which state and which county? Presumably, Mr. Xiao himself may not know. Their brother was born in Beijing. At the age of eleven, he taught his skills, and at the age of twelve, he introduced a doll student, and then learned to be ugly. In the era when he was practicing art, there were famous ugly Song Wantai, Huang Sanxiong, Liu Chaisan and other people, and Xiao Changhua inherited the skills of these famous masters.

At that time, there was a well-known old student of the Beijing Dynasty, named Lu Shengkui, who was also from Jiangxi. In a certain yamen of the Beijing Division, he served as a recorder, originally a ticket friend, and later went to the sea, and his skills on the stage were "living Kong Ming" Elegant. Because they are fellow villagers in Jiangxi, the two families have close contacts. And because of the Lu family's literacy and the Xiao family's literary affairs, from time to time, Lu was asked to help. For example, on the twenty-second day of the first month of the first year of Guangxu, Xiao Zhenkui gave birth to the eldest son and asked the Lu clan to name it, and Lu Sui named it "Evergreen" because the Xiao family was a cursive character, which was intended to flourish forever. Moreover, it left a follow-up, saying that if it is reborn, it will be named "Changhua", and two years later, Xiao Changhuasheng will continue this name of Lu Shengkui. Later, the Xiao family's hall name was also changed to "Ronghua Hall".

When Mr. Niu Xiao wrote about this incident, he said: "The original name of Xiao Jia Tang was "Qing Tang". After Xiao Laokunzhong entered Xu Wenbo's door, Xu Shi believed that there was a dead character in the "畹" character in the "Qiqingtang" and proposed to replace it. It was named "Jingxiangtang" by Zhang Naichen, the righteous father of Evergreen(the first person to raise the first person in the late Qing Dynasty). It was not adopted because it did not hit the intention of the master (Zhen Kui). The last word in the name of the second son was formed into "Ronghua Hall". ”

In the book "Xiao Changhua Opera Talks" written by Mr. Niu Biao, it is recorded that Xiao Shi said that "taking a class is like reincarnation". This ancient idiom spoken by the dramatist tells that in the past, it was not easy for drama artists to survive, and it was difficult to enter and exit the performing arts group after learning art and leaving the teacher. Hitching a ride, such as no special art, is welcomed by the audience, can be seated, some people are on the scene, want to get a few money from it, support the family, it is not easy. He said: "Even if you can take a team, you have to work for half a year, eat at home, and go back hungry after singing." In the past six months, I have been singing to people for half a year, and I have not received a penny. No matter how poor the family is, they have to tighten their pants and belts to survive before they can land a name on the water sign in this team. He also said: "Like we sing the little flower face, we can dress up as a husband and newspaper, and when people in the background see it, they will announce to you that you are glad that you can go on stage." ”

It's easy to wait until half a year has passed, and you can get points. However, the "tower gray money" (half of the reward of the "church meeting money" is shared by the actors). At that time, the drama was divided, after the play was performed every day, one by one, when, you could receive a hanging money on the day, even if you stayed up to a point. If you want to get two pieces of money, you have to stay up for at least three years. Therefore, low-level actors, who live on stage alone, cannot support their families, so they have to do small business at the same time. Xiao Shi said, "I have been a peddler, coming in the wind and going in the rain, rushing and toiling, but asking for a full meal." ”

"Hitch a ride on the shift, but also pay attention everywhere." In the background, it is even more necessary to be obedient to the steward and swallow the anger. Whatever foot color he sends you, you have to wear what foot color, and you can't offend him. If you offend him, you will not be able to stay with this team. ”

Xiao's words refer to the difficulty of taking the class that year, taking the class, and always having to be careful to listen to the support in the background. The old-fashioned class rules, the backstage manager is the most authoritative, this character is "six" transparent, if there is a foot miss, the scene on the field, must be "behind the horse" (extend some performance time, or pad a small play, in order to save the scene. Sometimes, I feel the drama on the field! He saw that the audience under the stage did not react well, hoping to end him a few minutes earlier, so he beckoned the actors on the stage to end early in advance), and the actors played slowly in the background, and he would always remind the actors of the time to play, do not miss. If he sees that the actor's dress is not right, he will also prompt the box tube to change quickly. Sometimes, the costumer on the masquerade stage can't remember how to tick a certain foot color's face, and will also go to the backstage manager. Even if the gong and drum ideas in the front court were wrong, he would write them down.

In addition, in the past, in addition to the science class, all the self-organized class clubs performed at the feet (or went to the docks in other places), and the theaters in various places had their own teams (the flag gong umbrella newspaper below the feet of the second road and the dragon set of each church) for the drama class that ran the docks. There are also drama class clubs, who charter theaters in various places, but each class club has a front desk manager and backstage manager. The front desk manager, on behalf of the boss, contacts the outside world about various problems related to the performance, and the backstage manager is in charge of various problems of the backstage drama before the performance. When rehearsing the play, it is the work of the manager to suggest the arrangement of the foot color to the boss (the main foot), as well as the diligence and character examination of the actors on and offstage. Therefore, the actors of the third and fourth roads are all timid to manage things, and they are paying attention to the eyes and voice of the manager at any time. Mr. Xiao Changhua said that he took the "Tongqing Class" that year, and one day in the Fourth Arch Building, he performed a hall meeting, and all the foot color he served in his job was completed, and the steward sent him to accompany He Jiu (Guishan) to perform a wine seller of "Drunken Mountain Gate". After the play, he was not allowed to go, and asked him to accompany Chen Delin's "Zhaojun Out of the Plug" to play Wang Long, and only replied: "This is a big drama, I dare not act, you send someone else!" With this sentence, his name was written off on the same day and he was dismissed.

If you are dismissed, you have to be removed. I want you to find another place to make a living.

Two

Mr. Xiao Changhua entered science and art at the age of eleven, died at the age of ninety, and spent eighty spring and autumn in the theater art world. At the age of eighty-one, he described himself: "I began to learn art at the age of eleven, and until now, I have eaten seventy-two years of drama, of which the last fifty-five years (plus eight years for sixty-three years) have not been out of the circle of 'teaching drama'. "Counting up, being an actor on the stage, only seventeen years, from the age of twenty-eight, I have devoted myself to educating the younger generations." If you seriously examine it, only in the days when Fulian Chengcheng class was teaching, in order to devote himself to the teaching curriculum, for a total of eight years, he refused to perform and quit the class. However, there are still no less than a dozen ugly dramas left by Elder Xiao that can be listened to and watched. For example, Jiang Gan of "Heroes of the Crowd", Tang Qin of "Trial Head Thorn Soup" (with sound matching), "Lianshengdian" shopkeeper, Jin Xiangrui of "Lost Seal and Fire Fighting", Jia Gui of "Famen Temple" (with sound tape circulation), Pan Guan of "Golden Terrace", Pan Laozhang of "Cuiping Mountain", Wang Banxian of "Qingshi Mountain", Chonggong Dao of "Female Solution", General of "Rainbow Pass", Brother of "Farewell to the King", Liu Gaoshou of "Lao Wang Asks for Medical Treatment", Zhang Beigu of "Wu Peng Ji", Uncle of "Visiting Mother", Cui Yi of "Velvet Flower Scheme", he is like Cai Dan Jia Ma of "Changing Sheep", Dou Shi of "Puqiu Mountain", as well as the little monk of Su Ugly Drama "Golden Mountain Temple", Li Junfu of "Swinging Lake Boat", and the messenger of "Five Righteous People" are all Xiao's absolute sounds.

In the "Dictionary of Peking Opera Knowledge", Xiao Changhua Shike said: "There are not many ugly actors who use singers to express characters, and it is even more rare for good singers to perform." Xiao Changhua has a tall, wide, round, bright voice, and quite resistant to singing, he often uses a kind of fluttering and uncertain singing method, in the high pitch area with muffled tones, fine tones, and good use of virtual tones and vibrato, forming a special style. The singing cavity takes the Sun (Juxian) school as the main body, and takes the characteristics of Zhang Erkui and Wang Guifen's singing voice, usually in the main singing, the use of convergence, release, opening, closing, wide, thin, curved, straight, clever, clumsy and other strong contrast contrasts and techniques such as leisure, throwing up and down, adding a large number of lining words and imaginary characters to form the characteristics of ugly singing. For example, the two yellow plains board in "Please Doctor" and the Two Six Plates of Xipi in "Rainbow Pass" are all wonderful and understanding. In particular, "Thorn Soup" is the best, and the erhuangyuan plate singing section when it appears on the scene appropriately expresses the inner uneasiness and the sense of guilt that is fleeting at the moment when Tang Qin is drunk. It also shows the viciousness and treachery of his intention to frame the benefactor and vent his anger and fill in the private. There is a brief hesitation in the singing voice, and there is a cunning meaning. This kind of treatment highlights the inner contradictions of Tang Qin, a despicable character. In addition, the scattered chants are also fully concentrated. Sing a lot of swaying and fun! "As for the recitation of white, it is even more characteristic of ugly feet. For example, the dialogue between Jiang Gan and Zhou Yu when drinking in "The Gathering of Heroes", the dialogue between Tang Qin and Lu Bing in "Trial Head", the dialogue between the shopkeeper and Juzi in "Lianshengdian", and the panguan of "Golden Terrace", the Chonggong Dao of "Female Solution", Jia Gui and Xiao Changhua of "Famen Temple" have all left classic benchmarks. In this century, the famous and ugly people of literature and martial arts, such as Geng Xibin, Ru Fuhui, Ma Fulu, Xiao Shengxuan, Ye Shengzhang, Sun Shengwu, Guan Shengji, Zhang Chunhua, Ai Shiju, Zhan Shifu, and Liu Binkun, were all influenced by Xiao Changhua's artistic salary.

Speaking of which, although Xiao Changhua's artistic practice is ugly, his abdomen is vast, and the other life and death are all exquisite. For the play, he is the whole book of singing and reciting words, all memorized, the number of sets of the whole play, is not all familiar. Therefore, he served as the head of the Fulian Chengke class, and he was taught and influenced by Teacher Xiao in all walks of life. He presided over the drama education in Fuliancheng for half a lifetime.

Three

Judging from his book "Cong Tan", in addition to some of the difficult years when he was studying art, as well as many stage life that is no longer known to today's dramatists, as well as the jargon in the drama population, and more important conversations. There is also the "talking drama" pile. Among them, the most detailed paragraph is the recitation of the Famen Temple. Because of the thoughts in this play, it is Xiao Lao's own line.

At the beginning, first of all, the children who learned ugly behavior were enlightened, practicing Jingbai was Fan Zhonghua of "Zhao Zhou Bridge" and Lin Jiang of "Yulongguan", and Yunbai was Bukit of "Weishui River". These plays are not very complicated in content and technology, and are suitable as a ladder for beginners to get started. Today, Zhang Yi, who has been changed to "Fishing for Golden Turtles", Hou Le and Soap Li Kaimeng of "Panguan" in "Golden Terrace". After that, he studied Li Xing of Huai'an Province, Liu Sanchao of "Damaged Son", or "Shepherd Scroll" was sent. The chanting of "Famen Temple" can be learned by the children's wisdom after they can learn the art of chanting, which is called "Big Shape".

This statement has a total of 299 words.

"In the early years, the number of words was even higher," Mr. Xiao said. "Not only is it verbose and wordy, but there are also inappropriate places." However, because Geng Xibin (stage name "Little Hundred Years") who was a student of the first subject of "Fu Lian cheng" that year, played Jia Gui of "Famen Temple", the form of reading was full of praise, because this shape had been rewritten by people, the words were concise and coughing, the sound was sonorous, and the pronunciation was undulating, and it sounded very smooth. Ask him where this form came from? Only to know that there was a last-generation lifter, Mr. Ye Xiaozhai, who was very excited about Geng Xibin's child's play, and knew that Geng Xibin was sent to play Jia Gui in "Famen Temple", so he threw some thoughts into it and rewrote this form. After Mr. Xiao knew, he made this form the teaching criterion for the "Fu Lian Cheng" class. It has been passed down from salary to now, and no one has done anything more, generally speaking, it is the word of this form.

Elder Xiao taught the pronunciation of this form, dividing the five levels of "words", "things", "qi'er" and "energy", and "taste", layer by layer. Speaking characters (about the flatness of the sound of the characters into the four voices), saying things (about the plot of the play and the family lineage of the characters in the play), saying qi (that is, the breath of nianbai), saying the strength (that is, the strength of the recitation of the white), and saying the taste (that is, the charm of the art of Peking Opera), these tricks, it seems, are exactly the literary scholars (especially the Tongcheng School) who demanded that yu Wen's text, which should emphasize the "style, law, sound, and color" of "god, reason, qi, and taste", "the text is mainly qi, and the qi is clear and turbid" (Cao Zihuan's "canonical theory").

(The Gaitong City School regards prose, and should also sing out of the lattice song sound like music also.) ）

Speaking of which, this piece of the Famen Temple, in the body of the treatise, is prose.

This form, at the level of the performing arts of the play, uses "reading" instead of "singing", and is also treated as prose. The "jargon" of the dramatist is cloudy: "A thousand pounds read white four two singing", depending on the difficulty of reading white, there is a proportion of thousand pounds and four two. Then, in literature, the "grammar" of prose is also difficult to rhyme. Rhymes have the rules of the leaf law of rhyme, and prose has no rhymes, and the imaginary words "the one who cares about it is also yan" comes out of the spirit of the text. Looking at this large form of "Famen Temple", the whole text is three hundred words, the virtual word shed "zhi" is used as a preposition four times, only one "矣" word is used in the conclusion, and the most easy to use "also" word is not used. why? The complaint should be concise and concise, and it is true that the words are repulsed, and this complaint is a handwriting, ancient writer!

Mr. Xiao Changhua is an artist, but the first thing he noticed is that the pronunciation of the characters cannot be mispronounced. He corrected the word "borrowed" in the sentence "Suitable for Liu Zhongbo to peek from the side, so as to remove a Jade Jiao embroidered shoe", knowing that this is a false loan word, and the false loan word should "break its original pronunciation to read its false loan". Teach students to pronounce "borrow", not "i.e." The other sentence ,"In accordance with the law, the word "example" of the regulations shall not be pronounced as the word "list"; the word "letter" of "once you smell this letter" shall not be mispronounced as the word "speech"; and the "taste" of "one taste" shall not be mispronounced as the word "ambiguous". Correct them one by one when teaching, and do not mispronounce them according to the common words. It can really be said that it is more serious than the average Chinese language teacher.

Although, this large shape, I think that the imaginary word is rarely used. However, Mr. Xiao Changhua is still very concerned about the imaginary characters in the text, and he understands that the virtual words are an important part of the tone of the words to adjust the tone of the text, so he pays special attention when teaching students to read the letters. He said: "In this document, many words and false words are used, and the reader must be different in weight, such as the "zhi" characters of "daughter of the Song Guoshi", "on the street", "between the night", and "the private of the knot". The word "nai" of "Shifu Is a Weak Scholar" is located in the sentence, between words and words. Readers should be slightly lighter and faster, not clumsy and late. He such as "is to be anxious", "is", "to", "to", "and", "to", "to", "to be The word "矣" for "never be extreme". At the end of the sentence, you can spit it out firmly, not vainly. If the weight is inverted, the speed is not appropriate. It's bound to be hard to hear. "Moreover, this large shape is pronounced with an accent. The so-called upper accent is a special sound in the official dialect, so Elder Xiao instructed the students to pronounce the "black" word for "black night" as "drink." These all belong to the phonological pronunciation, and Mr. Xiao Lao has noticed it when he is teaching.

In this large section of "Qi'er" and "Vigor", the height of the sound momentum is rapid, light and heavy, word by word, everything is said. In addition, in his teaching, he not only talks about theory, but also demonstrates to students with his own work on the stage. Such a teaching method can do more without half the effort! For "talking drama", Mr. Xiao Changhua served as the head coach for decades in the "Fu Lian Cheng" class, and he taught the net ugliness of life. Judging from his "Cong Shu", the scene he has the most experience in throwing down his heart and dying the most is the three kingdom drama "Red Bi Bing" (also known as "Heroes of the Crowd"). He said that when he was still sitting in the department, he heard the masters talk about the story of the Three Kingdoms. He said: "When Master rehearsed "Ji Yu" for Master Xu Baofen, I always sat down and listened to it honestly, and the dramas that Master said were silently remembered in my mind. In this way, after years and years of experience, I have feelings for the "Three Kingdoms" drama as if I were making friends. So I had the idea, how nice it would be if I could get a general lecture on this play (including the characters in the whole play, etc.)! Within a few years, my long-cherished wish had been granted. Finally, from Mr. Zhou Changshan, he got the general lectures of twelve consecutive "Three Kingdoms" plays. Thirty years later, when he was teaching at Fu Lian Cheng, he had the opportunity to sort out this drama.

Because he got the general lecture, it was not complete, even though in the following many years, he saw many performances of the "Three Kingdoms" drama, and together, it was still incomplete. Mr. Xiao said that he had sorted out this book during the years when Guangxu had collapsed and could not be moved. Therefore, this "Romance of the Three Kingdoms" was divided into six days and performed in GuangheLou. That's how the play was handed down.

After that, it was changed again and again, and changed to today's "Red Bi Soldier" (or "Heroes of the Crowd" performed in one day, but it has been revised many times. What is worth reading is that the repeated revision of this play, to the period of making a movie, the editors are Mr. Xiao Changhua. During this period, even if others participated in Wen Mo, the people in the scene, etc., they still could not do without Elder Xiao's opinion. For example, the two folds of "Yokozuna Fu poem" and "Farewell" that are particularly appreciated today are all the painstaking efforts of Mr. Xiao Lao.

Four

For the collation and revision of "Red Bi Bing" (Qun Ying Hui), not only did it move the number of scenes, increase the plot, but even the lyrics in the old book have been changed, or only the song cards have no lyrics, and they have also tried to make up for it. In his article "Sorting Out the Memories of the Peking Opera "Chibi Soldiers"", it is said that Jiang Gan crossed the river, the "Yuanlin Hao" in the banquet room and the brand "Wind into the Pine" when dancing the sword, the old Ben did not fill in the big characters (did not write the lyrics), and when singing on the field, the original words of the Kunqu opera "Qianjin Ji" were used. "When the song of sorrow began, everyone said that I was dead. I want to return to my hometown; I feel that I have been honored with the prize. I am afraid that it will be difficult for the general. The Great General of Worship is just the same. "The meaning of the words is incompatible with this drama. So I refilled it as "Cup song, drink good wine, I will be hometown in the camp today." It is really difficult for the Lord to weigh the overseers and be a great general. The Great General of Worship is just the same. (The last sentence jiang gan sang) "After that, he changed the "cup song" to "sheng song", changed "hometown" to "hometown", and changed "supervisor" to "solo palm". That's the final word. As for Zhou Yu's "Wind into the Pine" sung when he danced his sword, the old book did not have big characters. Xiao Shi said: "I and the musician Huo Wenyuanjun worked together to fill in the form of "Fellow Hometown Friends Association Qunying, Jiangdong Haojie shakes the mighty wind." Even if he has ten thousand male divisions, he will contend with the enemy in the Yangtze River and show his son's miraculous feats. He also said: "Later, he changed the 'shaking mighty wind' to 'the mighty wind,' changed the 'male lion' to 'male soldier,' and changed the 'in the Yangtze River' to 'according to the Yangtze River.'" With such a correction, it can really be said that the text is much more elegant.

In particular, Zhou Yu's Xipi original board in the play of feasting on Jiang Gan, the old words are "Life is unpredictable in the world, today we will meet and make friends; when the heroes of the crowd are drunk (it should be a full word), they will drink and brew mash." Rich and glorious people are created, and they watch the Zhongyuan wine disappear by itself. "At first glance it reads (not to mention at first glance). I don't feel anything wrong. But Mr. Xiao felt that this text, "some of the literary reasoning is not clear, some of the meaning is unclear, and some are for the sake of making up a mistake." So it was changed to "Life encounters are really unpredictable, today we will meet and make friends, and the heroes will be drunk at the meeting." Drink and sing high tonight. The wine is less than a thousand cups of confidant, and the wine in the central plains is self-extinguishing. "Compared with each other, this change is clear in language, and the meaning is consistent and the words are more than enough! From the perspective of Mr. Xiao Lao's lyrics of revising the script, we can be amazed that this old artist has worked hard all his life in drama art, even in literature. Literature, rhyme, exhortation, righteousness, as well as lexicon and evidence, are also all incomprehensible. The sages have a saying: "If the true accumulation of strength is long, it will enter." Sincerely, I can praise it. Mr. Xiao Changhua said: "Since I was a child, I like to copy and write. "At the age of fourteen, he was able to transcribe the script of the "Romance of the Three Kingdoms" and the drama of the stage. It can be said that as soon as Xiao'er entered the line of drama, he knew that the root of drama was a literary matter, so he accumulated strength in literature all his life, so he had the ability to rehearse plays, and he must first work on the script.

Five

Mr. Xiao Changhua is an actor in the ugly line, and in the four major trades of Peking Opera, Life, Dan, Purity and Ugliness, it is the most difficult line to learn and the most difficult to perform. Therefore, in Mr. Xiao's article, there is a short article "Long Talk about the Small Flower Face of Peking Opera", he said: "In terms of the small flower face, the character to be played is really three teachings and nine streams, all-encompassing. Genders range from male to female, old and young, with status as princes and generals, as well as small people in the city; occupations such as scholars, farmers, industrialists, and merchants, as well as monks and nuns; and physically defective, such as short, hunchbacked, blind, and lame, all dressed by small flower faces. All characters who speak the dialect of a foreign country are also guilty of ugly deeds. The personalities to be performed are even more complex and diverse; there are treacherous and cunning villains, such as Tang Qin; there are righteous and kind elders, such as those who revere justice, there are mediocre and despicable city servants, such as shopkeepers ("Liansheng Dian"), and there are also gentle and elegant sour Confucians, such as Jiang Gan ("Heroes of the Crowd")." ...... Actors on stage to pretend who is like whom, to have all aspects of talent, to master the procedures of each industry (that is, the procedures of birth, dan, purity, and ugliness). From the point of view of clothing, there are all kinds of colors, everything is proficient, and it is not easy. In addition, there is also the distinction between literature and martial arts, and there is a difference between playing women and mother-in-law (the old man) and Cai Dan (less). In addition to the so-called "three small plays" (Xiaosheng, Xiaodan, and clowns) are often the main plays of ugly behaviors, but in other big dramas, there is no shortage of ugly feet, and it is a variety of identities, rich and poor, men and women, young and old, loyal and treacherous and deceitful and other personalities, all of which are played by ugly acts. Wenxing can sing and read, wuxing can turn and jump, and there must be a variety of wentao martial arts, otherwise, it is not worthy of wenwu to have feet. As soon as there is less drama, the rice bowl is smaller than that.

Although Mr. Xiao Changhua himself is a literary ugliness in the industry, in terms of skills, the performance of "Little Tomb" must be accompanied by dan foot singing and carrying wu, and Wu Dalang, who plays "Water Margin", has to go short, (he wrote that when it comes to exercising the work of walking shorts, wen and martial ugly must be trained well). Ugly feet in the play are like licorice in Chinese medicine prescriptions, almost all of which are indispensable.

Finally, I would like to quote Mr. Xiao Lao when he thought of several things that happened on the stage when he was a child, which are worth remembering by actors. The first is "slacking off", speaking of his brother Xu Baofang (the father of the famous violinist Xu Lanyuan), Han Guangwu, who sang "On the Roof", and his father Xu Wenbo took the stage for him. A section of two yellow plains board, got a lot of applause. After getting dressed, I danced with interest, thinking that today's play was very pleasing and exciting along the way. I didn't want to go home, as soon as I entered the door and saw my father sitting there with a straight face, when he saw him coming, he split his head and said, "Move the bench." When he heard this, his heart was shocked and he thought, "This is going to be beaten!" What did I do wrong? He didn't dare to disobey, so he moved the bench and said, "Lie down." "I was hit ten boards. Then he asked, "You think, why did you hit you?" Xu Baofang said with tears in her eyes: "I don't know." So he told his son: "Why didn't you walk into the curtain, and your shoulders collapsed and pulled down!" Does that look good? Without waiting for his son to answer, he scolded loudly: "Don't relax!" Hit you today next time. Remember! "According to the rules, the actor must take the scene to the end, until the body is not in the curtain of the next door. In his "Casual Love", Li Kasa-wong once said that actors should "bring the drama to the scene and bring the drama to the end." "Today's actors, who have not entered the curtain, have unloaded the scene on their bodies and walked into the curtain with loose skin, which is not uncommon.

Once again, Wang Lengxian played Zhou Yu in "Yellow Crane Tower", zhuge liang sang in the front scene, and the scene was "taped" and turned into a "long hammer". Four white Wentang dragon suits stood on the door with the gong and drum. He was just about to play, and the drumming gave him a "four-hit head" idea, and as soon as he listened, he quickly withdrew his steps and stepped straight back. The drummer saw that Xiaosheng did not appear, plus a "filament edge", Xiaosheng still did not go. At this time, the drummer under the stand is going to shout down. This is the "long hammer", and Zhou Yu is only playing in the "long hammer" point. This situation, according to theory, was not coordinated in advance, and this drumming person added a "four-hit head" for Zhou Yu's play, which was intended to please Xiaosheng and strengthen Zhou Yu's momentum on the field. But in the plot, Zhou Yu stood on the door of the four dragon sets, and Zhou Yu sang and sat outside. There is no need to add a "four-hit head" idea to play. Xiaosheng is reluctant to play in the "four blows", with the intention of not making a big mistake that violates the plot.

Another is "Sunny House" Gordon, originally played by Wu Jing, the main foot of this play is Wusheng Hua Fengchun. This is still the case during the same light year. Once, Wujing Gao Delu, who played Gordon, missed the scene. Yu Jusheng, who plays Hua Fengchun, said: "I play Gordon. He immediately went to tick his face and sent another flower fengchun, not wanting to come from this, the main foot of this "Yanyang Bridge" was transposed, and from then on, Gao Deng, of "Yanyang Lou", was transferred to Wu Shengxing. Speaking of which, it is also a dramatic slap in the face.

Six

The elderly masters of craftsmanship, in addition to the art of singing and writing on the stage, there are few people who pass on their technical doctrines with words, and the elders before the four famous Dan and the Southern Qi and Northern Horses, there are those who have written books and passed them on to the world, Mr. Xiao Changhua alone.

So when I write this article, I can find a lot of golden words and macros that are beneficial to the art of drama in later generations.