When it comes to the "Four Greats of the Early Tang Dynasty", although it is not as famous as the "Four Great Masters of the First Tang Dynasty", the "Four Greats of the First Tang Dynasty" still left remarkable achievements and guided the direction of the entire Tang Dynasty calligraphy.
Today we will talk about Chu Suiliang in the "Four Greats of the Early Tang Dynasty". Chu Suiliang, Zi Dengshan, a native of Yuzhou, Henan, was born in a family of scholars, involved in literature and history since childhood, was good at calligraphy, and worked under Kai. It was also with his profound calligraphy that he entered the court.
Chu Suiliang's "Big Character Yin Rune Sutra."
Chu Suiliang was promoted by Wei Zheng because of his calligraphy, and only then did he have the opportunity to join the court and accompany the king. Legend has it that after the death of the calligrapher Yu Shinan, Tang Taizong lamented that no one could discuss calligraphy with him anymore.
Wei Zheng then recommended Chu Suiliang to the emperor. Wei Zheng praised: "Chu Suiliang's pen is vigorous, and even Wang Yi is less physical. ”
Wei Zheng believed that Chu Suiliang had a deep understanding of Wang Xizhi's characters and could distinguish between the true and false characters of Wang Xizhi. Indeed, since Chu Suiliang accompanied the king, no one outside the palace dared to send fakes to ask for merit.
Chu Suiliang has many representative works, such as "Fang Xuanling Monument", "Yanta Sacred Order", "Big Character Yin Rune Classic", etc., of which "Big Character Yin Rune Classic" can be said to be his peak period of work, his calligraphy strokes are thin and strong, but the body is wide and broad, and the pen meaning of the lishu is still retained.
Looking at the overall style of the volume, it can be seen that its overall structure is more square, with flattened in the square, more horizontal, wide and atmospheric, which appears full of spirit and full of the meaning of the book. In addition, this sticker has a strong sense of line, skimming and opening, sometimes slender, sometimes thick, dense and orderly, and endlessly changing between twists and turns.
This post concludes with the words 欹正生, allegorical ingenuity, changeable, not falling into the wrong path, the pen is tied to the thread, the speed is extremely fast, the pitch echoes, each has its own basis, the breath is full, and the wonderful pen is full of flowers. With an unfettered pen, the calligrapher makes the turn subtle and the escapement freely, which has the meaning of the "two kings", the meaning of the northern monument and the beauty of the ancient li.
Li Zonghan: "The li is like Yu, the strength is like Ou, and the luck is divided into relics." More than six generations of wind regulation Zhen, gao gu nearly two kings or more, and The early years of Dengshan were extremely intentional. "
It is worth noting that the reason why Chu Suiliang's "Big Character Yin Rune Classic" is known as the "mirror of the demon" in the calligraphy world is because of its brushwork, the light pen abounds in the text, which is a highlight of the post, and it should be known that the light pen is a difficult to master penmanship, which can be called the "Mount Everest" in the book.
Liang Wei (yǎn), a famous calligrapher of the Qing Dynasty, commented on this: "Chu Shu mentions the pen 'empty', and the pen 'ling'. Skinny and stiff, it is a gem. "
Chu Suiliang's "Big Character Yin Rune Classic" calligraphy has a very high standard, is an important model for the study of calligraphy, influenced the future generations for 1300 years, and is known as the "divine product" in the history of calligraphy.
Today, the original volume will be copied in 1:1 high definition, whether it is color or handwriting, it is no different from the original work, and it is given to all calligraphy enthusiasts.
Chu Suiliang's "Big Character Yin Rune Sutra"
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Chu Suiliang's "Big Character Yin Rune Sutra" Fine Framed Hand Scroll HD Simulation Calligraphy Rice Paper Calligraphy Long Scroll ¥88 Purchase
——Edited by Qian Yuan