The famous acting scenes of Hao Lei and Song Dandan dismantled the crazy mode of family dramas
The mother-in-law was dissatisfied with her daughter-in-law being too busy, and went directly to the office to challenge her daughter-in-law's boss, and involuntarily asked the other party's boss to reduce her work, which also made the daughter-in-law face being forced to leave.
For her mother-in-law's vexatious behavior, the daughter-in-law who just wanted to find a sense of security for herself by working eventually collapsed, and under the dual pressure of being promoted by her mother-in-law and being unable to be taken care of by a single mother, she thought that she could not get the face of her in-laws, so she simply snatched the door and left.
On June 7, in the 19th episode of the hit "Mature Year", Wu Eryu played by Song Dandan and Liu Hongyan played by Tang Yixin made people want to lift the table in place.
But don't worry! There is another side to this mother-in-law and daughter-in-law conflict, which seems irreconcilable, but it reflects that even if this family has their own calculations under the problems of life, they will provoke the problems of life together and block crazy literature out of the house.
Behind the "evil mother-in-law"
Wu Ersu (played by Song Dandan) in "Mature Year" really makes people want to sigh every minute.
In order to save a down payment for her son, she saved (cut) to eat (door) thrift (to) use (pole), and when she went to visit her sick mother-in-law, she would only bring three bananas and two apples, and she was also called for the sake of the old man's body.
Even, she used the method of fake hiring a nanny to pocket the nanny fee given by her sister-in-law Chunmei, and then disguised herself as a nanny to go into battle herself.
On the one hand, she was worried about her son's new house, and on the other hand, she stared at her daughter-in-law's lower abdomen, determined that she would not buy a house without her grandson, and exuded a strong sense of oppression with her.
For her son's new house, Wu Ersu heard that her mother-in-law was suffering from Alzheimer's disease, and hurriedly asked the old lady to make a will, thinking that she would marry her sister-in-law Weizhen and let her son and daughter-in-law live in her mother-in-law's old house.
Wu Ersu is really depressing!
But "Mature Year" also shows another side of Wu Ersu. As Wu Eryu said, she gave up the role of a good person to her husband Ni Weimin and left all the bad to herself.
Because of the early death of his father-in-law, Ni Weimin, the husband of the eldest brother Ru Father, helped his mother pull the eldest siblings. Wu Ersu began to marry Ni Weimin and willingly followed her husband to revitalize the Ni family.
The family of three lives in an old and dilapidated school, and the 200 yuan monthly living expenses for their younger brother Ni Weiqiang have never fallen behind.
In the end, the younger brother became a professor and his sister became a TV producer, Ni Weimin worked on the stove until retirement, and worked hard for half a life but could not make up a down payment for his son's new house, so the old couple lived in bunk beds and left the bedroom to her daughter-in-law, she was eager to change her struggling life, but she was unable to parry, so she cut back on a diet, and worked hard to save every penny of income like most mothers.
Wu Eryu looks fierce, but she has a sensible side.
The little uncle Ni Weiqiang wants to divorce his sister-in-law Chunmei, one by one, his own life is controlled, looking at the Ni family all look at each other, but Wu Ersu directly tears his face and directly denounces the little uncle for being selfish, when he is young and in love, he can't be separated from each other, but when he is middle-aged, he claims that his life is controlled, and she can't understand this kind of thinking.
These words hit the nail on the head, but her husband Ni Weimin couldn't help but give her a thumbs up on the way home.
Wu Ersu's scheme to hire a nanny was discovered by Chunmei, and she did not argue, but lowered her head in shame to apologize.
She is not unreasonable, but a middle-aged person forced into a corner by life.
She is trying to find a way to solve difficult problems, and does not complain about life or her husband's lack of ability. Watching her husband deliver takeaway after retirement, Wu Ersu stopped him from continuing with tears.
This woman is sincere, but her kindness is also clear and obvious.
If many current family dramas only focus on crazy literature full of chicken feathers, "Mature Year" portrays Wu Ersu's human essence and market, but it also shows her lack of choice in front of life.
It is said that it is difficult for Qing officials to decide family affairs, and the difficulty is because family problems are not black and white, nor are they simply good and evil, but the difference in habits and angles rubs out differences, and each has its own reason.
They used their acting skills to blow up chicken feathers all over the ground
Except for Wu Ersu, life's difficulties for every member of "Mature Year" are all flat.
Hao Lei, Wang Ou, Tang Yixin, Song Dandan, Liu Yijun, Zhang Guoqiang and Cao Cuifen, the famous scenes of actors and actors, show how the family fights separately, but supports each other to cross various pits in life.
Wu Ersu pretended to hire a nanny to get his sister-in-law's remuneration, and although Chunmei was angry and puzzled by her sister-in-law's behavior, she did not first intuitively imagine splitting her head and covering her face, but after taking a few deep breaths, she asked why she was going around in circles like this, and if there was a difficulty, she should say it, and the family could share it with each other.
Hao Lei's performance in this scene is not at all the pattern of splitting her head and covering her face in ordinary family dramas, and her tone is softened after every deep breath, but this expression reflects the real life of too many people.
Because it is a family, but in the future, it is still not seen to look up, and it is a smart choice to solve problems and solve them. As a senior editor who works hard in the workplace, Hao Lei pinches Chunmei's calm and restraint, and the method of discussing things not only avoids Wu Ersu's disgrace, but also avoids the escalation of family conflicts.
From Chunmei's micro-expression, it is not difficult to detect the dissatisfaction in her heart, but in the face of family life between concubines, restraint and euphemism are the state of living.
In the face of Hao Lei letting Chunmei quickly soften her attitude in the short conflict, Song Dandan also quickly asked Wu Ersu to let go of her defense, confessing that because of her good face, she did not want her family to see her difficulties, so she chose to lie.
Wu Eryu, who has been a sister-in-law for thirty years, with a bit of elder thinking, instantly did not know where to put her eyes, her shame and stubbornness could be felt through the screen, and she could only choose to leave in a hurry with her head bowed after apologizing.
You think that there must be "The Legend of Zhen Huan" between you and you, Hao Lei and Song Dandan use acting details to maintain the dignity that a family should have, completely abandoning the crazy mutual tearing mode commonly used in family dramas.
The family's affairs are said by the family behind closed doors, and the ultimate need is to solve it by themselves.
After a confrontation, Chunmei did not remember hating Wu Ersu, she understood the other party's difficulties, so she privately stuffed her nephew with a sum of her own savings to supplement her needs to buy a house.
Hao Lei silently interpreted that in the family dispute, she is dissatisfied with her sister-in-law for failing to take care of her mother-in-law, but she also understands the helplessness of the other party, which is the pattern that the family should have.
Turning around, she met Wu Ersu, who came to visit in the hospital corridor, pulled him to the bench on the side, apologized for refuting the other party's face before, and took the initiative to ask him to take care of her mother-in-law with her salary.
This made Wu Ersu's eyes change from embarrassment and surprise to self-contained;
In the face of her sister-in-law's generosity, she also calmly admitted her mistake, and admitted that her mother-in-law's body needed professional housekeeping staff, and took the initiative to ask to retrieve the previous nanny.
In this drama, Hao Lei and Song Dandan's emotions are turbulent but calm on the surface, from which you can read the mutual concessions between Youjiao, and see the goodwill given by the other party, and the contradictions are dispersed lightly.
They are not just about easing the relationship with the donkey under the slope, but really understand each other's difficulties, and face up to the difficulties and need to carry them together, which is the meaning of home.
Home should be the end of mad literature
Regarding the difference between family members and outsiders, it is always said on the Internet today: others only care whether you fly high or not, and only family members care whether you are tired or not.
Although this sentence is vulgar, it speaks to the meaning of family.
Family, not necessarily the ability to open a golden finger to solve all the difficulties in your life, but willing to know how to share the challenges of life together, this is the cohesion of the family.
The Ni family, where all the members of "Mature Year" are powerful actors, and such scenes abound.
The sister-in-law Weizhen played by Wang Ou was also calculated by her sister-in-law to live in after experiencing the trough of unemployment. The original aunt and sister-in-law were conflicted immediately, but after hearing Wu Ersu's helplessness after being discovered as a fake nanny, she took the initiative to give up her mother's old house to her nephew and niece-in-law.
She not only understood her sister-in-law's predicament, but also felt sorry for her brother, who had grown up with her, to deliver food after retirement.
She was not overly sensational, she just asked her brother to arrange for her nephew to live in, which was the maximum understanding and help between the family.
The sister's sensibility made Ni Weimin, played by Zhang Guoqiang, stunned in place, unable to answer for a long time.
Habitually facing life silently, he responded to his guilt and gratitude for his sister with a choked smile, without too many lines, let alone the emotion of scratching the horse, but touched from the bottom of his heart.
Wei Zhenshan became pregnant unexpectedly after marriage, but her husband, who was still working in a café, was not ready to be a father.
Overwhelmed, she called her second sister-in-law in the middle of the night, and Chunmei did not speak fiercely, but calmly told her that she should not give up the child in her womb, no matter how difficult it was, there were also family members to carry with her.
Hao Lei and Wang Ou also resolved the plot that most often appeared in the bloody bridge in a quiet way. The mutual understanding and support between this family is the source of warmth in people's hearts.
As the core of the Ni family, the old lady Ni played by Cao Cuifen will insist on making a meal for her daughter-in-law Chunmei and waiting for her to leave work even after the eraser in her mind has been turned on. Even if you just look at each other and smile, the chicken feathers will be blown away.
Silently using love as a support, supporting each other to overcome the problems of life, this is the context of the Ni family in "Mature Year" that has not deliberately carved into details.
In recent years, family dramas have been considered to be a gathering place for crazy literature, and all kinds of chicken and dog contradictions have been collectively brought to the table, and a word can make people mad.
But "Mature Year" broadcast to the 19th episode, gradually shredding these roads, the chicken feathers of life are never partial to any family, but not crazy but a more advanced choice, each with its own calculations, but also can face the challenges of life together, which is the warmest core of the home, and it is also the core that makes people not afraid of the difficulties of life.