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Qu Dajun, one of the "Three Great Masters of Lingnan", used poetry to record and inherit Lingnan culture, which is indispensable, the embodiment of Lingnan commercial culture in Qu Dajun's poetry II. The conclusion of Lingnan style and objects portrayed by Qu Dajun's pen:

author:The morning sea is blowing

When we mention the three Lingnan people, we will think of Chen Gongyin, Liang Peilan and Qu Dajun, three celebrities. In the process of Lingnan cultural inheritance, there is one person whose contribution can be said to be indispensable, and this is the honorary Lingnan cultural celebrity we want to talk about today: Qu Dajun.

Qu Dajun, one of the "Three Great Masters of Lingnan", used poetry to record and inherit Lingnan culture, which is indispensable, the embodiment of Lingnan commercial culture in Qu Dajun's poetry II. The conclusion of Lingnan style and objects portrayed by Qu Dajun's pen:

Qu Dajun

Qu Dajun not only achieved immortal achievements in literature, but also laid half of Lingnan culture in poetry. Without further ado, let's take a look directly at his poetic works.

<h1 class= "pgc-h-arrow-right" > the embodiment of Lingnan commercial culture in Qu Dajun's poetry</h1>

《Guangzhou Bamboo Branch Words》

Qing Qu Dajun

The foreign ships competed for the official businessmen, and the cross door opened to the second ocean.

Five silks and eight silks are wide satin, and the silver money is piled up in thirteen rows.

Qu Dajun, one of the "Three Great Masters of Lingnan", used poetry to record and inherit Lingnan culture, which is indispensable, the embodiment of Lingnan commercial culture in Qu Dajun's poetry II. The conclusion of Lingnan style and objects portrayed by Qu Dajun's pen:

Thirteen lines in Guangzhou

In this poem, Qu Dajun shows us a noun, "Thirteen Lines." "The Thirteen Lines are actually the Qing Dynasty specializing in foreign trade, because Guangzhou's geographical location is relatively superior, the transportation is convenient, and the Qing government closed the customs of Fujian, Zhejiang and other customs at that time, and implemented a mouth of the same in Guangzhou, so during this period, Guangzhou's economy and culture developed to its peak.

Although Qu Dajun was one of the main figures in the anti-Qing struggle in Lingnan, this did not affect his inheritance of Lingnan's commercial culture through poetic expression, and the thirteen lines are typical of Lingnan's commercial culture in his poems. This allowed more people to understand the booming Guangzhou at that time.

<h1 class= "pgc-h-arrow-right" > second, the Lingnan style depicted by Qu Dajun</h1>

"Pearl River Pan Spring"

The waves of the pearls are long, and the spring tide is slightly glowing with sunset light.

Yellow fish make three rivers rain on the day, and the egret leaves a frost on the day.

Zhou loves pipa style foreign language, sand pity jasmine moon incense.

The spotted branches are red innumerable, and the sunset depends on this.

Qu Dajun, one of the "Three Great Masters of Lingnan", used poetry to record and inherit Lingnan culture, which is indispensable, the embodiment of Lingnan commercial culture in Qu Dajun's poetry II. The conclusion of Lingnan style and objects portrayed by Qu Dajun's pen:

Pearl River

China's three important rivers: the Yellow River, the Yangtze River, and the Pearl River, have been praised by many gorgeous poems since ancient times. The Pearl River can be said to be the mother river of the Lingnan region, and in this poem, the poet Qu Dajun depicts to us a beautiful scenery of the Pearl River boating in spring.

On the surface of the misty river, the light is dotted, and the yellow fish in the river complement the egret in the sky, forming a harmonious and beautiful picture. Pipa Chau in the river and Jasmine Sand on the river side echo each other, and all these scenery will vividly express the charm of the Pearl River, which is unforgettable.

Qu Dajun's love for the landscape of his hometown is rarely matched, and he has a special love for Luofu Mountain, and he has written many poems about Luofu Mountain, such as the following poem:

"Luofu Road as one"

Plum blossoms greeted each other everywhere, and no one asked for names at the mouth of the cave.

Several flying springs fell from the sky, chaotic with the wind and rain as autumn sounds.

Qu Dajun, one of the "Three Great Masters of Lingnan", used poetry to record and inherit Lingnan culture, which is indispensable, the embodiment of Lingnan commercial culture in Qu Dajun's poetry II. The conclusion of Lingnan style and objects portrayed by Qu Dajun's pen:

Luofu Mountain

In this poem, the poet describes to us the beauty of Luofu Mountain, which is full of beautiful plum blossoms, and the waterfall between the mountains pours down, blending with the autumn mood of the mountain.

In the poet's pen, the landscapes and rivers of Lingnan seem to be given life, becoming vibrant, fresh and natural. This also allows more people to understand the tourism culture of the Lingnan region, and in this regard, his contribution is remarkable.

<h1 class="pgc-h-arrow-right" > concluding remarks:</h1>

Qu Dajun is unique in the inheritance of Lingnan culture, and he shows Lingnan culture to more people through poetry creation, so that people can further understand this beautiful place.

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