"Micro Swift Double Flight" premiered, story routine, character face, typical of the positive wind costume drama
On the evening of June 5, the TV series "Micro Swift Double Flight" was launched on Youku for multiple episodes, officially opening the premiere mode. Starring Zhang Nan and Wang Yuwen, this TV series tells the story of how the two heroines harvest love and ride the wind and waves in the historical struggle in the overhead costume historical environment.
The play is produced by Zheng Teacher's company, which is a typical costume idol drama work in the aesthetic style. At the story level, typical of formal routines. In terms of character shaping, it is a typical face creation. Audiences who are familiar with the main drama can see the fun in the play. And audiences who don't like Yu Zheng drama will definitely feel tacky when they watch an episode.
Let's start with a typical formal routine. Yu Zheng's team's TV series have an "advantage", that is, in the plot, there is no basic aesthetic difficulty, and their TV series is for young people with junior high school and below education, especially young women. An important way not to set the difficulty of the plot is to continue to use a routine for narrative, and this routine is fascinated by some young audiences - in the overhead costume environment, break through the resistance of various routines and fall in love.
For example, in "Micro Swift Double Flight", one of the two heroines is to be accepted as a righteous daughter and married to an "anti-thief". Both heroines are scared and worried about the future. And audiences familiar with costume idol dramas know that this is a routine, and next, "anti-thief" must be handsome, and it is very positive. The heroine who wants to marry is too late to be happy.
For example, the father of the two heroines is a small official, and the couple went to the banquet and were tricked by their superiors. This narrative is also often seen in the vast number of costume idol dramas. If you watch too many vulgar costume idol dramas, the storytelling of this "Micro Swift Double Flight" will make people feel inadequate - because as soon as it raises its butt, the audience knows what excrement it pulls. Of course, young female audiences who like Yuzheng style are not afraid of routines.
Why? Because it is these routines that will make this group of children who have just watched TV series feel familiar and feel that aesthetics are not difficult. If some TV series that do not play cards according to the routine tell a unique story, maybe this group of children will feel that this TV series is too difficult to understand. We often say that the creation of TV dramas cannot underestimate the aesthetic level of the audience. But at the same time, the creation of TV series cannot overestimate the aesthetic level of another group of audiences.
Let's talk about character faceting. This is actually for the established audience. Only when the characters are face-painted can the aesthetic difficulty be low, and the established audience can get the happiness of chasing dramas. In "Micro Swift Double Flight", the face of all employees is basically realized. As soon as the heroine played by Zhang Nan appeared, her father did not love her mother, which belonged to the tragic category of "orphans". As soon as the heroine played by Wang Yuwen appeared, she was not assertive, and a typical daughter was not as good as her son.
For example, in this TV series, this mother is also highly facetious. For the son, it is a face that pleases and favors, and for the girl, it is a face that can be sacrificed at any time. This kind of patriarchal face is actually to the established young female audience. It can even be said that this routine of Yu Zheng drama is very suitable for some female audiences in their thirties and forties.
Why do you say that? Because this group of female audiences in their thirties and forties, especially those with low education, their aesthetic ability can only stay at the level of the main drama, and at the same time, their teenage years happened to encounter what happened to the heroines. For example, in the opening plot of "Micro Swift Double Flight", the heroine played by Wang Yuwen has to go to school and pay tuition, but her mother does not give it. This play, although it is routine and cheeky is serious, it is effective for the established audience.
Why? Because many female audiences who dropped out of junior high school, in fact, when they went to school, their parents did not give money and did not support, resulting in them having a good mind, much better than boys, but in the end they were slack, did not work hard, and could not enter high school. The problem of son preference exists in this group of female audiences in their thirties and forties, and they are victims. Therefore, when this kind of content appears in the main drama, this group of viewers will feel that this kind of TV series is helping them speak.
In fact, for this group of female audiences, what I want to say is that this kind of plot is just stirring your cheap tears. Really excellent TV series will make you think about it when you see the unwise. This group of female audiences who were once patriarchal, after becoming mothers themselves, did they not value sons over women? Can it be done for sons and daughters? To a son's marriage room, but also to a daughter? Why don't you keep your daughter's bride price for yourself?
If the TV series taught them this, they would feel bad. Because their aesthetic level is junior high school and below. Yu Zheng's clever place, which is here, only provokes them with the sad things of this established audience, but categorically does not educate them, does not tell them what the right direction is. This kind of cleverness is disdained by serious TV series creators.
Teacher Yu Zheng, who is despised by many film and television drama workers, is also here. (Text/Ma Qingyun)