What kind of backstage did she actually let Zhao Lusi back the pot?

To say that domestic industry dramas are really powerful, shoot one line and destroy one line.

Three hundred and sixty lines, all lines want to scold the screenwriter.

Shooting lawyers, "Elite Lawyers" even dared to make up the law, and invented a "Intellectual Property Law of the People's Republic of China" out of thin air;

Shoot programmers, "Programmers are so cute" "The company does not recruit female programmers" blatant workplace sexism does not say, the female protagonist in order to become a programmer, actually thought of women pretending to be men, but also concealed HR successfully joined;

Female protagonist "women pretending to be men"

Shooting e-sports players, the male second of "You Are Beautiful When You Smile" in order to please the female protagonist, unexpectedly announced that he would play fake matches, directly poking the bottom line of the e-sports circle...

The new drama "Houlang" starring Zhao Lusi, Luo Yizhou and Wu Gang extends its claws to traditional Chinese medicine.

"Houlang" tells the story of a TCM inheritance class.

I really didn't expect the plot to explode so much before I watched it.

Antidote bee venom directly uses men's urine compresses, treats paralysis, prescribes prescriptions for children's urine bubble tiles, as a patient's mental placebo... Such miraculous treatments make people stunned, and even more outrageous are the theory of Chinese medicine bloodline inheritance and the cultivation of good daughters-in-law...

False cultural inheritance, real feudal dregs, it can be said that the biggest contribution of "Back Wave" is to light up another lamp for domestic industry dramas.

Outrageous TCM heritage

One of the biggest slots in this play is the screenwriter's interpretation of the inheritance of traditional Chinese medicine.

Who will inherit it? Back waves.

Where does the back wave come from? Go to the old Chinese medicine practitioner and pick it up on the street.

Therefore, Professor Ren, who is committed to founding a traditional Chinese medicine inheritance class in the play, first found the heroine, Sun Toutou, a goaway worker who flowed inside.

Why look for her?

Because she loves Chinese medicine? Have a disciplinary background? Talented in medicine?

Neither.

Just because she is a descendant of Jiang's needlework.

Although she did not have any medical foundation, she did not even know what Jiang's acupuncture was, and she was not interested in Chinese medicine.

But Professor Ren seems to firmly believe that TCM can be passed down by bloodline.

Sun Tooutou grew up in an orphanage, because the screenwriter's understanding of orphans is "no parenting" = "no education", resulting in the heroine not like a person who came out of a welfare home at the age of 18 to break into society, but like a wild man who has never entered human society.

The delivery is late, the customer wants to return the order, she directly splashes the takeaway on the face.

A group of people worship their ancestors on the Qingming Festival, and she passionately opens the wheat next to her, saying that they gather the crowd to be superstitious.

Stealing the needle model of her roommate, she said righteously, "I allow you to take my things as you like, so you should also allow me to take your things as you like."

A girl had an ectopic pregnancy, but was mistakenly needled by the male protagonist, resulting in the removal of one fallopian tube, and the others were sad, she easily quipped, "Isn't there one left, what is this."

Despite his seeming uncultured and lack of basic empathy, Professor Ren has always believed that Sun Tou is gifted.

Sun Tooutou likes to catch dolls and has a desire to win or lose, and Professor Ren feels that learning Chinese medicine also requires a desire to win or lose, so he judged that "she has talent".

Professor Ren felt that she had a keen sense of smell and taste, so he judged that "she has talent."

In order to let Sun Toutou join, Professor Ren not only spent 100,000 yuan to fish her out of the bureau, but also gave her a monthly salary of 4,800.

It seems that the inheritance class has a noble bloodline, so it is not afraid that it will not be inherited.

So the next professor asked Sun Toutou to set up a stall on the street, and he could enroll after signing up.

The heroine sets up a stall to recruit students

In fact, even if the street pulls people, it seems to be more reasonable than the heroine's bloodline inheritance, and being able to take the initiative to sign up at least shows that there is still some interest in learning.

However, let the heroine's interest and ability not occupy any of the characters, just by bloodline to become the inheritor, which makes those Chinese medicine students who spend more than 600 points to be admitted to the Chinese medicine major of the University of Chinese Medicine, and the rules and regulations of the postgraduate examination and internship training, and spend several years before and after the Chinese medicine students, how can they be embarrassed?

In addition, the show's understanding of the way of inheritance is obviously also very problematic.

Professor Ren's son, Ren Tianzhen, got stuck in the exam and passed the defense under the teacher's "friendly prompt".

It is obviously a back door, but in the eyes of Ren's naïve grandfather, this obviously belongs to a kind of "mutual help" of Chinese medicine inheritance.

As for why there is such an outrageous setting, in the interview with screenwriter Liuliu, her sister found some answers.

It turns out that the heroine Sun Tou Tou corresponds to Liuliu herself, and "Hou Lang" is the story of Liuliu learning Chinese medicine.

In order to write this script, Liuli began to study for a master's degree at Guangxi University of Chinese Medicine in September 2016, with Liu Lihong under the tutor of Liu Lihong, corresponding to Professor Ren in the play.

Producer interview with @耀客文化

This traditional Chinese medicine inheritance class in the play also has a correspondence in reality, that is, "Sanhe Academy", which belongs to the Tongyou Sanhe Traditional Chinese Medicine Development Foundation founded by Liu Lihong, which is indeed a public welfare project, committed to the inheritance and development of the so-called "medical way", the foundation has a medical hall, and Liuliu is the owner of the Tongyou Sanhe Shanghai Medical Center.

Source: Tongyou Sanhe website

In the article of June Six, we can roughly clarify her relationship with Professor Liu Lihong.

Source: Tongyou three and education culture

A non-professional background, preparing for the exam for a year, interprofessional admission to a graduate student in Chinese medicine, may be afraid that others will question this talent, so he thought of adding a bloodline awakening?

In reality, Sanhe Academy is indeed the same as the inheritance class in the play, recruiting students for free, but the application conditions are strict, and admission needs to go through registration review, three rounds of written examinations, and an interview.

Love men and misogyny

The TCM inheritance class may be carrying private goods, but the logic of "loving men and misogynistic" in "Back Waves" is indeed another feudal and ancient inheritance.

Let's start with "love man".

Professor Ren's family has two important male characters - Professor Ren and son Ren Tianzhen, the two have surprisingly consistent personalities, extremely selfish internally, and externally show themselves as holy fathers.

Professor Ren, outside, is a famous doctor who is famous from far and near;

At home, it is a model of soft rice and hard food.

wanted to save the heroine, but there was no money, and the mother-in-law gave 100,000 yuan;

There was no money for running a class, and others sent scholarships and cooperation funds to his door, he refused Qinggao and went home to find his wife to ask for it;

The wife joked about letting him go out and make money, and he insisted that it was reasonable not to make money.

Such a person who cannot live without his wife, but is extremely disrespectful to his wife, the classic mantra is: "I just love the master, otherwise I would not marry you".

In order to run the inheritance class, he submitted his resignation application a year in advance, and only notified his wife a year later, because he needed her help to move the books.

If there is a father, there will be a son, and the son is naïve, and he is a combination of Ma Bao and Holy Father.

You say that he did not take responsibility for his work, he took the girl who was mistakenly pricked by himself back to his home to take care of her, the family objected, he even said that he could rent a house and take her out to live.

You say that he has a responsibility for doing things, because he hates the heroine, he drunk her and threw her on a bench by the lake, causing the heroine to fall into the lake and almost drown.

Of course, we are not saying that characters cannot have shortcomings, but obviously there is a big problem with the tendencies of the creators.

Just look at what other characters in the family say about father and son.

Professor Ren resigned and did not tell his wife, who complained that he never thought about the family, and as a result, his wife and father spoke, "You don't need a husband, you have a mother's family." ”

Professor Ren has not learned to shush and ask for warmth for more than 20 years of marriage, and under the pressure of the heroine, he said a few intimate words to his wife, and his mother-in-law spoke for him, "Men are late maturing."

Professor Ren was doing housework for the first time, but his mother-in-law stopped it immediately when she saw it, and then instructed her daughter to do housework. The old man even justified him, "This amazing achievement in history was created by people who did not work. ”

The whole family's unreasonable respect and love for Professor Ren must be the level of the female virtue experimental class. So much so that even his wife complained, "Dad I have always suspected that you are not looking for a son-in-law, you are looking for a daughter-in-law."

The same is true for his son, Ren naively pricked the needle by mistake, causing the girl to almost die, and his mother defended him, "the son is only 26 years old."

Ren Tianzhen almost drowned the heroine, and his mother taught him in private, "Stay away from her." ”

The extreme maintenance of male roles is inevitably accompanied by sexism and gender stereotypes about the image of women.

Therefore, a professor at a medical university will think that the value of cultivating women is to cultivate good daughters-in-law for society.

Therefore, a medical college graduate will bind gynecological diseases to female conduct, and will evaluate ectopic pregnancy girls, "she looks quite honest."

Therefore, a female gynecologist from a medical family will look at female patients with the eyes of a "daughter-in-law", and she wants to drive away the patients who brought her son home, because she does not want such a girl to be "my grandson's mother".

What's wrong with Six Six

Once upon a time, the works of the screenwriters of Liuli were also known for "being able to grasp the pulse of the times", "Double Sided Tape" has a sharp perspective on the relationship between mother-in-law and daughter-in-law, "Snail House" has a wonderful portrayal of the embarrassing situation of house slaves, and "Heart Technique" has a profound exposure of the doctor-patient relationship...

It can be said that each one keenly captures the mood of the times.

But in recent years, what has made the public familiar are "Wu Yifan's sleeping powder is a fan welfare" and "women are also cheap".

Source: Sina Weibo

How did Six Six become so outdated?

Maybe it's a possibility, six or six hasn't changed at all.

Her ideas have always been very traditional, especially gender.

Thirteen years ago, Liuliu wrote an article on the fate of girls, which basically summarized her attitude towards life, marriage, and gender.

She believes that women should be traditional, female protagonists, and male protagonists are ideal family models, even if they are female-protagonists, they must not forget the responsibilities of the lord - to serve their husbands well and handle family affairs well.

For her, marriage is a necessary practice in life, and the troubles of marriage are another form of happiness.

Six or six about the fate of girls

That being said, she did.

In her own marriage, her husband cheated many times, and she still chose to defend each other.

One of the blockbuster entertainment headlines in 2012 was "June Six Declares War Little Mistress", in which she domineeringly said to a third party on Weibo,—— "I won't allow you to hurt him".

In her works, she also explicitly criticizes Mistress, such as the seaweed in "Snail House".

Interestingly, the public's reaction to seaweed at that time was completely unexpected, and in her opinion, people's sympathy for seaweed was a complete misreading, and she did not understand why anyone liked this character.

Source: Qianjiang Evening News

Mrs. Song is the best in her mind.

Mrs. Song's view of marriage is the view of marriage of Liuliu:

"If you change it, you won't leave, because you are reluctant to hang the pearls that you have grinded out in your mussel shell for half a lifetime of pain and hang them on the necks of others to show off."

However, two months after Weibo declared war on junior, Liuliu announced his divorce.

However, after the divorce, her concept has not changed much.

On the contrary, the experience of marriage breakdown made her think about why people should get married, because marriage can "exercise themselves" and "sublimate themselves".

Now more than ten years have passed, the times have changed, the trend of thought has changed, but the view of marriage and gender is obviously the same as always.

This is also why we can still see such lines in "Back Waves" -

A reporter once asked Liuliu the trick of "grasping the pulse of the times", she said that because she was old on the Internet and loved to watch gossip in the world, "Double Sided Tape" was written from the mother-in-law and daughter-in-law forum, and she was also interacting and discussing with netizens during the writing of "Heart Technique".

This may be the fundamental reason why these works are so moving.

Because there is not only herself in the play, but also others.

And the biggest failure of "Back Wave" is that only she is left in the story.

- An old feudal that "did not change in its original intention", but today seems to be completely outdated.

What's more terrifying, this is not only a problem of six or six, but also a common problem of most domestic TV series.