The sixth time is about Liu Grandma entering the Rongguo Mansion, picking up the last time, and the seventh time zhou Rui's family sent Liu Grandma away, she went back to Madame Wang's words, involving wonderful plots such as "sending palace flowers", "Jia Lian and his wife daytime sex", "Baoyu will Qin Zhong", "Jiao Da Ying scolding" and so on. Whether it is the appearance of the characters or the promotion of the plot, it is not chaotic at all.
As mentioned before, Cao Xueqin writes characters, is good at side descriptions, and shows us the charm of the protagonist from the eyes and words of a third party. In this time, the side depictions of Xue Baochao and Jia Lian are particularly prominent. Let's take a look at the points worth paying attention to in the seventh "Sending Palace Flowers Jia Lian Drama Xi Feng Yan Ning Fu Bao Yu Hui Qin Zhong".
<h1 class="pgc-h-arrow-right" >01 Xue Baochao appeared</h1>
Readers who have read the whole text know that Baochao married Baoyu on the day of Lin Daiyu's illness and death, and although she later became pregnant, Baoyu no longer loved red dust and chose to become a monk to cut off the worldly love. Baochao became a new generation of Jia Mu-like housekeepers in Jia Province.
This is also a superficial story seen by a large number of female readers who regard "Dream of the Red Chamber" as a love novel. Ignorant of the first love encountered a horizontal knife to seize love, Dai Yu died in tears. Dai Yu Fan hated Bao Chao thoroughly, saying that she had a deep heart, was not reserved, and did not have the style of everyone's bridesmaids, in the end, the family background was thin, and it was not as good as Dai Yu's family identity.
But in the end, the people that the elders accept are Baochao, and they can only be Baochao. We can see one or two from the conversation between the Zhou Rui family and Bao Chao this time.
These girls in "Dream of the Red Chamber" generally have two kinds of contrasts, one kind of heavy feelings, one kind of reasoning, and the contrast between love and reason, which is also a very important theme of the book. Led by the emotional character Lin Daiyu, led by the rational character Xue Baochao.
Bao Chao is calm, does not show the mountains and dew in her daily life, and is comprehensive in the complex life of Houmen, so she can survive and carry the banner of the Jia family's wife in later life. This kind of person is easy to succeed, and the emotional and affectionate roles are many failures and early deaths in secular life.
This time, Baochao was written on the side, pointing out several main characteristics of Baochao: sober-minded, not loving superficial vanity, and being well versed in the unspoken rules of Jia Fu. Baochao eats cold incense pills, not like other girls love to dress up, and later lived in the Grand View Garden, the garden is not like the boudoir of ordinary girls, a superficial enthusiasm is actually rejected and thousands of miles away from the air conditioning, revealing her difference from ordinary girls everywhere.
Even if she had just arrived in Jia Fuzhong as a guest, she was well aware of the status of Zhou Rui's housekeepers and mothers-in-law in Jia Fu, and politely gave up her seat, Sister Zhou was long, and Sister Zhou was short, which showed her hard work behind her back.
<h1 class="pgc-h-arrow-right" >02 The meaning behind the zhou rui family's palace flowers</h1>
Zhou Rui's family's palace flowers are like unfolding a map of the location of the residence of the female dependents of Jia Fu for us, and the last time we visited Jia House was when Dai Yu entered Jia House, showing the inner courtyard of Jia House from Daiyu's perspective.
The author's habitual use of unused perspectives to present what he wants to express is also a more important technique in writing.
A palace flower points out a lot of things, and we see that Baochao and Daiyu have completely different attitudes towards the next person, Baochao will be a person, and Daiyu will not be a person. Lin Daiyu was lonely and self-congratulatory, couldn't stand a little grievance, and wasn't afraid of offending people, and when compared with Baochao, it was clear who would succeed in Jia Province in the end.
It also hints at their later fate, Xi Chun will become a monk, Bao Chao will be widowed, and Dai Yu will offend all people.
<h1 class="pgc-h-arrow-right" >03 Why Jia Lian and Wang Xifeng have sex during the day</h1>
Zhou Rui's family sent flowers to Sister Feng, encountered their little couple's intercourse during the day, and wrote obscurely, which also pointed out Jia Lian's lust from the side. The character of Jia Lian, in the later plot, one of the most criticized characteristics is lust.
When Feng Jie and Jia Lian first got married, they had a good relationship, otherwise they would not have sex during the day. Jia Lian later became a sleeping maid and raised concubines, which showed the exuberance of his lust. From Jia Mu once scolded him, "Anything dirty and smelly is pulled into the room."
Feng Jie's means of meeting, good looks, equal family lineage, and the wife that Ming Media is marrying cannot meet his needs. Even if it is infected by the general environment, he is more casual in his treatment of lust.
When Wang Xifeng took care of Douzi's sister and separated the room with him, Jia Lian found a small house in the house to vent and slept with Bao Er's family, the "bus" goddess "Duo Girl" in Jia Province was once his bedmate, and Bao Er's daughter-in-law, all of whom were subordinates and had wives and husbands. The second sister You, who was secretly married later, was not an innocent figure. That kind of hunger and uncontrollable lust is like a lock, locking Jia Lian to death.
And Feng Jie is busy with housework, focusing on materialism and power, and the two requests are not matched. Later, emotional mutual hatred also had this factor.
<h1 class="pgc-h-arrow-right" >04 What is the significance of the Qin siblings to Baoyu</h1>?
In the second half of this time, Bao Yu's first same-sex friend Qin Zhong appeared. Qin Zhong is Qin Keqing's younger brother, strictly speaking, his half-brother. (Qin Keqing was raised from the nursery, equivalent to the current orphanage, and later Mrs. Qin Ye gave birth to Qin Zhong at an advanced age)
Bao Yu has a famous saying that "a daughter is made of flesh and blood made of water", so when she sees it, she feels that her eyes are bright, which is a spiritual level of sexual spirit. And looking at the man, saying, "Men are flesh and bones made of mud", he smells a foul smell. But Baoyu doesn't hate all men either.
In Baoyu's eyes, there are two kinds of men who are the most annoying. One is that like Jia Yu Village, they will only seek officials, only for Li Lu, calling them "Lu Beetles" (beetles are bugs), saying that Jia Yu Village is a bug that can only drill camps. The other is the disrespectful, playing-out, ghost-type man who looks down on women.
But a boy like Qin Zhong, with a handsome face and a partial woman, has a spiritual attraction. Jiang Yuhan, whom he met later, was also a figure like Qin Zhong. In the Ming and Qing dynasties or earlier, Chinese did not have the concept of homosexuality and heterosexual division, and Baoyu's liking for them was a liking for a trait in sexual spirit.
Qin Zhong also has a symbolic meaning in it, The Qin siblings are all surnamed Qin (same as "love"), Qin Keqing is a person who makes him awaken in love, Qin Zhong is a person who makes him awaken in love, these two are brothers and sisters, which are two sides of love. Love is a kind of faith, a pursuit for Baoyu, and in the end he became a Buddha, and Buddha-nature is no difference between men and women.
Qin Keqing and Qin Zhong died very early, which played an important role in Baoyu's final enlightenment. On the one hand, love is his pursuit and belief, on the other hand, it is very fragile, and the death of Qingwen, Daiyu and others has let him know step by step how fickle love is.
Later, when he met Jiang Yuhan, Baoyu also had similar feelings for Qin Zhong. Jiang Yuhan is a singer, in the text there was a play he played "Zhan Hua Kui", the male protagonist in the play is called "Qin Zhong", Qin Zhong - Qin Zhong - love species, these are strung together, are related to Bao Yu's "love". Cao Xueqin's naming of the characters can be described as mysterious. It needs to be careful and steady in order to appreciate the author's good intentions.
<h1 class="pgc-h-arrow-right" >05 Jiao Da Phthalic scolding, is what to see</h1>
The figure of Jiao Da is known as a beacon for predicting the future of Jia Fu, similar to Qin Keqing's early foreshadowing that Jia Fu would decline. You Shi invited Feng Jie to ning guo mansion and arranged for servants to send them back at night, and Jiao Da was one of them.
Jiao Da was an old servant of Ningguo Province, who had followed Taizu Jia Daihua and saved Taizu's life. Jiao Da drank wine, was called to send a guest in the middle of the night, and scolded him when he was unhappy. The theme of Jiao Da's scolding is that Jia Fu will be defeated by these unscrupulous descendants. Such words and deeds of the next person are very out of line in the eyes of Sister Feng, and she feels that ning fu has no way to govern the family, so jia rong can teach Jiao Da a lesson.
Jiao Dakou did not choose his words, saying the secret of Ning Province: "Picking ashes, raising little uncles." This stabbed the basket and ripped open the fig leaf of the Ning Guo Mansion. Jiao Da bought a foreshadowing pen here, and later Jia Fu was raided, and Jiao Da came out again.
The two main lines of the whole story of "Dream of the Red Chamber", one is the rise and fall of Jia Fu, and the other is the enlightenment of Baoyu, and there are many details that are rolled out with these two lines. Jiao Da said that the descendants of Xiao Xiao would slowly lose their family property, and the behavior of Xiao Zhong would include his father-in-law picking up ashes, and his aunt raising a little uncle.
Later, jia fu was raided, Jiao Da came out again, Cao Xueqin looked at the rise and fall of the family urgently needed with the eyes of an old servant, and when she cried like an ancestral temple, when the Jia family fell, it made people moved.
(Reference for this article: Bai Xianyong's "Dream of the Red Chamber")
About the author: The sun and the moon are shaky, a quiet little tree hole. Don't discuss current events, don't dwell on lengths. Weak water three thousand, take only one scoop to drink. Share with you the joys and sorrows of books and life. The original public account "Sun Moon Po Sha", continuously updated, welcome to pay attention.
![Refunded! Starting next month, it's about your personal tax[fig]](data:image/gif;base64,R0lGODlhAQABAIAAAP///wAAACwAAAAAAQABAAACAkQBADs=)