Evaluating whether a person's calligraphy is good-looking, in a broad sense, is a professional measurement from many aspects, such as the texture beauty of calligraphy inkblots, the beauty of chapters, the beauty of artistic conception, etc., from these aspects and professional standards for strict review, once to judge what standards are met. In fact, this is mainly the requirement of professional law, followed by the beauty of calligraphy. Of course, this beauty is subordinated to the professionalism of calligraphy. However, the beauty of calligraphy in general refers to beauty in the narrow sense, that is, the beauty of form.
Chinese vice premier
Li Lanqing calligraphy
The old comrade that Xiaobian wants to talk about now is Li Lanqing, and Li Lanqing's calligraphy must be known to many people, and has seen it, and his writing is indeed at a high level. Some people say that Li Lanqing's calligraphy in his later years is really amazing, and Yang Jiechi's calligraphy is definitely known as the two clear streams of today's book world. Although Li Lanqing and Yang Jiechi are outside the world of books, their calligraphy ink is no less than that of professional calligraphers, and they can compete with each other. The attitude of the two people to calligraphy is worth learning from all professionals engaged in calligraphy creation, taking calligraphy as an expression of dignity, and using texture and weight, dot painting and line to create an artistic charm commensurate with the flesh and bones of calligraphy.
Li Lanqing calligraphy art
We have said Yang Jiechi's calligraphy many times, and we will not say more about it here, Li Lanqing's calligraphy, we can talk about it a little more. The biggest magic of Li Lanqing's calligraphy lies in the graceful and smooth lines, I feel that every place reveals a sense of elasticity, the whole line makes the knot body appear very plump and warm, secondly, Li Lanqing's calligraphy has a mature grasp of the contrast method, so the calligraphy knot body shows a very clever form. This is also the beauty of the form mentioned earlier by the editor.
Li Lanqing displays calligraphy
Li Lanqing's calligraphy pen can be said to have a deep meaning in every place, and he strives to use the pen not to lay out straight and straight, and to be able to swing on the dot painting apostrophe to be both neat and not rigid, both unified and changing. For such a pen, Li Lanqing mainly handles the details of the pen. We can see that some of Li Lanqing's knots always seek a big change in the overall situation with a slight change in the angle of the pen or the pen. Moreover, he was very taboo to arrange the calligraphy pen portrait shelf ladder like a ladder, but with a jagged beauty, let the knots cooperate with each other, which is what Jiang Fu said. Such a method of creation can naturally be called a pen.