Actresses in the entertainment industry have worked very hard to survive the "mid-life crisis", filling, injections, and even frequent facial movements, which have become their common beauty care. Moving faces is not scary, but it is embarrassing to expose obvious traces of moving faces in front of the camera.
The pit forehead, the transparent nose bridge, and the cheeks with threads are buried, the lens is like a "demon mirror", illuminating the flaws on the faces of female stars.
In "Daming under the Microscope" broadcast at the beginning of the year, the lens is very original without filters and beauty, high-definition and textured at the same time, but also illuminates some faces "real".
Under such a lens, Qi Wei's face has become the source of most audiences' plays. It's not that the pores and makeup on her face are not delicate enough, but her puffy cheeks and sunken forehead make people feel weird.
When she encountered the need to make a big expression, Qi Wei's face was even more flawed.
In fact, comparing the old photos, it can be seen that Qi Wei's face is post-processed. Some people analyzed that she not only cut her double eyelids, but also processed the face, faded the baby fat, and filled the big yang point and forehead, and the whole person instantly had a three-dimensional sense.
It's a pity that the beauty of the day after tomorrow has a shelf life, and after entering middle age, Qi Wei's face is always bursting into poor condition, the filled forehead begins to appear potholes, and the double eyelids also turn into sad frogs...
Now in the state of the play, Qi Wei's face has reached the point of affecting the perception, and netizens commented: "It's too dramatic, I can't take my attention off her artificially traced face." ”
Nowadays, medical beauty technology is becoming more and more advanced, but TV series lenses are also becoming more and more high-definition, no matter what facial traces, they cannot escape high-resolution scrutiny. Qin Lan's face exposed several strange "slap prints" in "Heirloom".
People who don't understand are wondering if it's a light problem, and knowledgeable netizens can see at a glance: this seems to be a trace of face line carving. The so-called "thread carving" is to tighten the facial skin, make barbs on the face, do it once can only be maintained for about a few months, and after failure, you have to go to "sewing and repairing".
Qin Lan once said bluntly in response to the wrinkle question: "Aren't all wrinkles at this age, and those who don't have wrinkles should be injected." ”
But Qin Lan didn't seem to be satisfied with injections and embarked on a new path of medical beauty. A doctor once analyzed that Qin Lan's face shape had been adjusted before, and her face would naturally loosen significantly after collagen loss.
It may also be for this reason that Qin Lan embarked on a new journey of moving his face. The freezing effect is there, but the increasingly stiff face and prominent face threads seem to be somewhat worth the loss.
It was also discovered before that Jiang Shuying's face in "Thirty Only" also had strange lines, which was suspected by netizens as a sequelae of medical beauty.
Everyone analyzed that she may also have done thread carving, and there was no fat on her face to cause this situation.
On the screen, the high-definition lens has become a "mirror of the demon", and the stars seem to have seamless face traces, and in the screen dynamics, the bug will be more obvious.
For example, the middle-aged actresses who use knives on their noses, subtle scars and light transmission can be seen by the audience at a glance. Yang Yi, who rises tall behind the bridge of her nose, has the highest sense of existence in "Family Glory" is her transparent nose at that moment.
Although Yang Yi is convinced of "secondary development" in the interview, discerning viewers can conclude that this nose has been done when they watch it on TV.
Although people's noses will appear transparent under strong light, Yang Yi's nose will emit red light under any light source. You look at the same light angle, Zhang Zhilin's nose has not changed at all, while Yang Yi next to him seems to have sounded a red alarm.
From "Recreation" to "Family Glory", Yang Yi's nose is always shining with a glow, illuminating the audience's way to play.
Che Xiao's repeatedly repaired nose is the same, too obvious knife marks, so that when she acts, everyone's attention can only be on her nostrils.
In the "There is Jade" period, Che Xiao, who has entered middle age, used the knife again, but the scars on his nostrils became more and more obvious, leaving embarrassment in vain.
Compared with the nose of the play, it may still be the overall impact of the middle-aged actress's overfilling and plastic surgery, which is more uncomfortable.
For example, in "Being a Housemother", after the face has undergone "technology and ruthless work", it is smooth without a trace of wrinkles, but it is also so stiff that he can't even make a big expression.
Looking at this obvious technological face, the superb acting skills can not let the audience into the play:
After Yan Ni entered her 40s, she also had a mid-life crisis, and she once took the initiative to admit in an interview that she had received beauty injections.
There is really nothing bad to admit, but Yan Ni obviously over-injected, in "Dear Parents", the double eyelid scars are clearly visible, not to mention, even the expression is difficult when acting, and the face is so stiff that the wax figure suddenly speaks.
The middle-aged actress who obviously has acting skills has not waited to become an old drama bone, and first destroyed on a face with obvious traces of moving faces. Niu Li is the same, now 49 years old, she seems to be frozen, but her face has actually changed greatly.
From the chin to the nose and apple muscles, Niu Li seems to have made post-adjustments, and various medical beauty items are superimposed on each other, so that the artificial traces on her face are exposed on TV.
With a tightened nose, a padded chin, towering apple muscles, and flawless textured skin, looking at such a face, the audience will also have difficulty breathing.
It may be the anxiety brought by age, the sense of crisis brought by wrinkles, the actress has passed middle age, the proportion of face movements has increased significantly, and even the strength of face movements is completely "out of control". Their faces with obvious artificial traces are sometimes a test for the audience.
35-year-old Tang Jingmei, in "The Twenty-Eight Laws of Love", has no wrinkles and flaws on her face, and her lines are full of hyaluronic acid and a sense of technology, living like a plastic model in a shopping mall.
45-year-old He Lin, relying on an overly moving and asymmetrical face in "Breakout", was selected as the most disappointing casting in "Breakout".
46-year-old Liu Weiwei, you can't tell that this face that is smoother than an egg has obvious facial scars, but you just know that the artificial technology on this face is indispensable.
53-year-old Da Tao Hong, who reappeared on the screen in the TV series "Octagon Pavilion Mysterious Fog" last year, but even made expressions full of difficulty and discord.
Everyone never expected that the queen of the film did not shock the audience with her acting skills, but her face full of technology.
After watching these middle-aged actresses who went astray and went further and further on the wrong path, they exposed their faces on the screen again and again to be embarrassed, and everyone can also be regarded as knowing why the film and television industry rejects plastic surgery faces and artificial faces so much.
In fact, wrinkles are not terrible, normal aging also has beauty of different ages, not to rely on medical beauty technology, knife beauty forever youth, in order to get everyone's recognition of appearance. If you exert too much force, it can even backfire.
Just like Yongmei said, perhaps these middle-aged actresses can choose to reconcile with age and wrinkles, and may be much more free.