There is such a variety show, the first season of "True Immortal Fight", which is breathtaking, and the second season is "Fake Immortal Quarrel", teaching people to eat a bunch of melons.
This is "Actors Please Get in Place".
Among the many melons in the second season, it is worth mentioning that what is the current situation of child stars who were once popular? Cao Jun, as a child star, he created classic roles such as "True Destiny Little Monk" Happy, "Nine-year-old County Taiye" Chen Wenjie, "Baolian Lantern" Liu Shenxiang and other classic roles, is the youth memory of "post-90s" and even "post-80s"; but when he grew up, he became the last in the market rating of "Actors Please Take Place".
Child stars shine brightly, and when they grow up, they may go down two different paths because of personal encounters. Wu Lei and Song Zu'er, who debuted like child stars, are still hot.
However, today, Xiao Spy does not want to talk about the development of child stars after they grow up, but wants to talk about "child stars".
As the name suggests, child stars are child stars, and there is no shortage of classics in the juvenile film and television roles we remember. Generally speaking, they play roles close to their own age, and they are naïve and have no sense of violation. With the continuous development of the film and television industry, in recent years, the phenomenon of "creating child stars" has emerged, and "small drama bones" have once become hot words.
In fact, "Little Drama Bone" is a brand column launched by Hunan Radio and Television Station, which pioneered the "children's big drama", that is, the classic characters who use children from 6 to 12 years old to perform classic film and television works, such as "Liu Grandma of the Dream of the Little Drama Bone Dream Enters the Grand View Garden", "The Legend of the Little Drama Bone White Snake", "Little Drama Bone Liu Sanjie" and so on. Zhong Yi'er, Liu Dai'en, Tao Yixi, Zhou Yangyue, Shi Xiaosong and other small drama bones have successfully circled countless fans, and there have also been children's roles in some adult dramas, such as Tao Yixi playing Xiao Molan in "Do You Know If It Should Be Green Fat Red Skinny".
When remaking a small drama bone for a classic like "Dream of the Red Chamber", in fact, "children acting in a big drama" does not have much sense of violation, mainly because the characters like Lin Daiyu and Jia Baoyu are only about ten years old in the original work. But the interpretation of some other characters, even if the performance is wonderful, will always give people a sense of violation.
Mango TV's children's variety show "Baby Has a Drama: Follow the Movie to Learn" adopts the form of professional tutor guidance and studio recording, and through stage drama, fragment reading, and video graphic insertion, let the children re-perform classic scripts such as "The Party's Daughter", "Sister Jiang", "The Day Of Leaving Lei Feng", "Soldier Assault" and so on. The program has made great efforts to use film and television means to narrow the distance between children and history, and has indeed achieved good results.
Xiao Spy carefully watched one of the reinterpretations of the spy drama classic "The Sound of the Wind".
In the film "The Sound of the Wind", in order to find out the Communist Party members who are lurking in the headquarters of the bandits, code-named "old ghosts", the Wang puppet government uses false information to lock down five suspects and takes them to the closed QiuZhuang for interrogation. In Qiuzhuang, the two sides sawed each other, suspicion, torture, wit, fierceness... All of them attract people's attention. The highlight of this film is that the psychological warfare is vividly expressed, and the other is the sense of reality, and the torture in the film is so real that it has almost become a nightmare for many people.
It is undoubtedly difficult to put such a "nightmare" on the stage of children's programs. The "Baby Has a Play" version of "The Sound of the Wind" selects the part that shows psychological warfare, telling the story of the old ghost Gu Xiaomeng and the old gun Wu Zhiguo using tangshan shadow puppetry to determine that they are comrades, in order to pass out key information, the old gun asks the old ghost to report himself, so as to delay time, and the old ghost finally chooses to expose himself, save the old gun and use his body to pass on information.
Zhou Yangyue, who plays Gu Xiaomeng, and Shi Xiaosong, who plays Wu Zhiguo, once grew up in "Little Drama Bones", and have co-starred Lin Daiyu and Jia Baoyu, Huang Feihong and Aunt Thirteen. In the "Sound of the Wind" clip, the clip in which they know each other's identities and ask to report themselves is a highlight, whether it is the atmosphere creation of the stage, or the grasp of emotions, or the proportion of physical actions, which are quite outstanding.
The last dialogue between Gu Xiaomeng and Li Ningyu is also heart-wrenching and impressive in the original film. Repeated temptations and interrogations almost broke Li Ningyu's psychological defenses, and after learning that her boyfriend Liu Linzong was an underground Communist Party member, she was keenly aware that the old ghost that everyone was looking for might be Gu Xiaomeng. She tried, hoping to get a negative answer, but it backfired, and she had the anger and incomprehension of being betrayed, but also entangled. She did not understand Gu Xiaomeng's insistence and asked, "Is intelligence more important than life?" On the children's stage, the two children who played against each other also basically showed this.
However, if you look closely, the "Sound of the Wind" on the children's stage is still a bit "children's play", and the whole process uses long-range and medium-shot shots, which is obviously different from the often close-up and close-ups in the original film, which is understandable. Even if children can have some understanding of the characters after repeatedly observing the original film and understanding the history, the deeper inner activities of the characters may not be able to touch, and the experiences, behaviors, and beliefs of the unsung heroes on the hidden front are not easily understood by children.
The small drama bone performs the "skin" and touches the "bone", and the deeper level is lacking, but as a refreshing form of performance, "children performing big drama" still has a certain innovative significance in inheriting classics and historical education.
In addition, the drama version of "The Sound of the Wind" directed by Li Yunliang is also being broadcast, unlike the small drama bone version of the copy of the movie, the drama version throws aside the shackles of the movie, even if the "werewolf killing" plot line makes the taste of espionage war deteriorate, but friends who have seen the original can basically find a trace of shadow from the drama version, and the compact plot and tense atmosphere make people feel immersed, pinching a sweat for the people in the play from time to time. In the future, the little spy will continue to launch a review about the original, movie and drama version of "The Sound of the Wind", and friends who like it can like it