On November 6, Jiangsu Satellite TV held a TV series "Guihong" screening in Beijing, and director Liu Biao and actors Ling Xiaosu, Liu Yihan and Chen Yiheng came to the scene to warm up for the new drama.
Ling Xiaosu (right) and Liu Yihan
The TV series "Guihong" is directed by Liu Biao and starring Ling Xiaosu, Liu Yihan and Fu Dalong, the first aviation spy drama in China.
Talking about the process of shooting the film, director Liu Biao said that there are two major difficulties: First, the script is adapted according to the truth, which determines that the logic of the series should be very tight and seamless, and it can withstand scrutiny. "The script of the play has been polished for three years, sorting out half a room of historical materials, and we also have to visit the witnesses of historical events, condensing many prototypes. In the end, the current story was created on the basis of realism. ”
Another difficulty is shooting details. Because the play shows specific historical nodes and historical events, "Guihong" is extremely meticulous in terms of shooting methods and technical requirements in all aspects of Fuhua Dao. Director Liu Biao revealed: "In this drama, we do not design positions for the characters, and the actors can walk around at will in the scene, which means that all the props must be real, and no angle is allowed to wear gangs." ”
Ling Xiaosu
In the play, Ling Xiaosu plays the male number one, playing nie Yunkai, a lurking underground party member. Speaking of the feelings of playing a spy drama, Ling Xiaosu frankly said that he was "acting with a sense of truth". For the characters in the play, he has a lot of feelings, "for the role of the evil to make up history." I saw many young pilots, one second still in contact with their families, and the next second they couldn't come back. I hope that everyone can cherish the happy life of the moment. ”
Shen Xiyan, the female number one played by Liu Yihan, is also an underground party member. In Liu Yihan's view, the biggest difficulty in acting in spy war dramas is that there are many plays within a play, which is a great test of the actor's ability to control the script.
It is worth mentioning that Ling Xiaosu and Liu Yihan invariably used "stayed up 80 big nights" to describe the shooting experience. It turns out that the entire TV series character dialogue uses live sound. In Hengdian, the sound is noisy during the day, and it is difficult to achieve on-site sound collection, so the entire crew can only stay up late to shoot with the jet lag upside down.
Ling Xiaosu recalled: "This play was really hard to shoot. We stayed up 80 big nights, and we didn't finish work until every morning when the chickens were chirping and the birds were calling. Liu Yihan also recalled: "For me, the most profound thing is to stay up late to shoot dramas, it is not easy for normal people to stay up late for a day, we stayed up for 80 days, and now I want to come to everything is worth it." ”
Group photo of the main creators
Another big attraction of "Guihong" is its star lineup. The drama brings together Fu Dalong, Chen Yiheng, Shao Feng, Feng Enhe, He Zhengjun and other drama bones. Talking about the cooperation with Fu Dalong, Ling Xiaosu recalled: "Fu Dalong was my brother in the film school, and I heard that his business ability was very good before the cooperation. Cooperate, he can give you a sense of security, and he will never have to worry about your play 'falling to the ground', he can always catch it. In addition to filming, the relationship between the two of us is particularly good, and others are very affinity. ”
In addition to Fu Dalong, there is also an "old acquaintance" in "Guihong", he is Chen Yiheng. As an actor, he has been nominated for best supporting actor at the Hundred Flowers Awards for Chinese Films; as a producer, he has won the Golden Eagle Award for television; as a voice actor, he has voiced for "Deer Ding", "Smiling Proud of the Jianghu", "Divine Eagle Hero", "Tianlong Babu" and so on.
On the same day, Chen Yiheng also talked about what he thought was "the self-cultivation of actors". In his view, an actor is a very pure thing, and he should abandon all external things and speak entirely by acting skills.