The Octagonal Pavilion Mist | insulted and damaged

With the blessing of Zijin Chen's original work, "Undocumented Crime", and the concise and bright plot of "The Crime of the Original Sound", zhuyu is in front, and "Octagonal Pavilion Mist" has a slow pace and too many slots.

Before the 12 episodes, it was basically watching while spitting, until the last two episodes, I was touched by the feelings of Ding Julie and Zhou Yamei, who warmed each other.

From the death of Xuan Zhen finally led to the main line of Ding Zhou and the two, Ding has severe depression and intermittent schizophrenia, Zhou Yamei is a terminally ill dying person, the only spiritual sustenance of the two for many years is the small Kun opera troupe, such a pair of poor people, although hateful, but let me see Keigo Higashino's "White Night" Kirihara Ryoji and Yukiho, Emily. The shadow of Heathcliff and Catherine in Brontë's Wuthering Heights.

When the sun reaches its highest point, the shadow disappears. "My life is like walking in a white night." --Ryoji Kirihara

"There is no sun in my sky, it is always night, but it is not dark, because something has replaced the sun. It wasn't as bright as the sun, but it was enough for me. With this light, I can turn night into day. Do you understand? I've never had the sun, so I'm not afraid of losing. --Snow Spike

After his adoption as a child in Wuthering Heights, Heathcliff was treated coldly and abused, and the only person who treated him well was Catherine, the love of his life.

In the face of Heathcliff's darkness, Catherine said: "My greatest grief is Heathcliff's grief, and I have been aware of and felt each other from the beginning. He was my strongest thought in my life.

We must face up to the fact that the hearts of some people in this world are dark, and the light that can shine in comes from the only person who knows and understands ta, Zhou Yamei to Ding Julie is such a existence, they are the warmth given to each other, supporting the difficult walk in the cold eyes of the world.

The performances of the last two episodes of Mr. Wu Yue and Mr. Xing Minshan are layered, and the complex and multiple personalities of the characters and the emotions of love and hate are interpreted in depth, and the tragic background of this drama reaches its peak here, with these two episodes, the whole drama deserves an 8-point praise!

Finally, I personally feel that the description of the sensitive topic of "gender perversion" in "The Mist of the Octagonal Pavilion" has set a precedent for domestic TV dramas, and from focusing on the plot to exploring the subtleties of the characters' psychological factors and personality causes, it is a big step for domestic TV dramas to take humanistic care, which is worth affirming.