The most shocking part of "Rebel LuLuxiu" is his strong reversal, Lu Luxiu who holds the villain script finally sacrifices for the world, Suzaku who holds the protagonist script lives under the mask forever, the second brother who holds the Mingjun script eventually becomes a loyal subordinate, And Nanali, who holds the script of the little princess of the regiment, has to take on the big responsibility to become the emperor, the people who should live die for peace, and the people who should die live live for peace... Fate was a big joke, perhaps, the moment Lulu Xiu got the geass, they were already doomed.
The death of Yuffie at that time really shocked my heart, I had never seen this kind of routine, a very important supporting role, it was unreasonable to die so sloppily, but if you think about it carefully, it is a big pusher of the plot and a variable that leads to the deepening of the contradiction between Lu Luxiu and Suzaku, which is really too great, leaving an indelible shadow in my heart that I have not watched several anime at that time.
There is also the expression of Lu Luxiu after the death of the tool man Luo Luo, from the sadness of acting to the ecstasy of seeing people really dead, it is too wonderful to be this kind of cult male protagonist, I really think that every role in this anime is set up very well, there is flesh and blood, and everyone is not like most other anime black and white, most people are wandering in gray, there are good and bad, it is simply too attractive, even if it is placed now, it is absolutely able to take the first.
Suzaku is a very complex person, it is difficult to understand him, he himself has a sense of justice, but he bears sins, making himself very twisted, often asking for death. There is also his identity, the environment in which he is located, neither side is a person, and there is no comfortable psychological environment in itself.
Unlike LuLuxiu, he can do whatever it takes for his ideals, using many people and many things as pawns and stepping stones, and many of his actions must be in accordance with his "sense of justice".
Coupled with his IQ, he is similar to Karen, and can only be a general of the charge, but not a king.
And the character of Xia Li is really like, because "Rebel LuLu xiu" is almost my entry work, and Xia Li is like a character like the first love of anime to me. I hate tragedy but I have to admit that tragedy can indeed sublimate a character or work, And Charlie's death has left the character of Charlie in my heart forever, and his love for Lulu xiu also makes me feel like "Ah, I will find such a girlfriend later".
I heard that the new edition changed the ending of Xia Li, and I did not go to see it specifically, but just to establish the position of the cc in the main palace, it made another character portrayed with a very soul lose its color, which I think is a failure. I rarely watch anime and watch it repeatedly, but only Lu Luxiu I liked in my second year of secondary school and watched it three or four times. No matter which time I look at it, I am so fond and sad for Charlie.
The classic thing about "Rebel Lulu xiu" is that the characters are portrayed very realistically, so real that some characters are annoying. But it is undeniable that they did not act against their own ideas. You can hate Suzaku, hate Nanali, hate fans. But it cannot be denied that these people, including their obnoxious places, are the essence of this play. It is these characters who have their own beliefs that have this colorful plot.
I have always felt that "Rebel Lulu Xiu" has the potential of a divine work, but in the end it is just not at the level of the divine work (here "divine work" is widely used), and it is a powerful masterpiece in the sky. The characters are rich and distinctive, but the time for the apportioned appearance is very small, and no character has achieved multi-faceted and three-dimensional shaping or more in-depth motive dissection. The worldview is grand, and the entanglement of forces is quite complicated, but you can't get too close to it because it can't escape the common problem of original animation.
That is, the setting of the details of the overhead world view cannot be too detailed, and can only be formulaic and flat, which loses a part of the sense of reality. The plot can be said to be tense and relaxed, but because of the limitations of world view shaping, it cannot be said that all developments are reasonable. Lulu Xiu's plot gives me a bit of a cool drama feeling.