In 1984, Chen Peisi and Zhu Shimao's "Eating Noodles" was popular all over the country, shocking the national audience with the unique skill of eating noodles in the void and sucking in a big mouth.
Chen Peisi seems to have a "fierce energy" in his bones, fierce and "stubborn" to himself, and also loves more truth.
"EatIng Noodles" was originally just a program performed at the annual meeting of the unit, because the effect was good, it was looked at by the Spring Festival Gala crew who were looking around for innovative programs.
This kind of "meaningless" performance, the program group was not optimistic, because it is easy to "make mistakes",
But director Huang Yihe tried his best to defy the public opinion, and since then, Chen Peisi has become a well-deserved sketch king of that era.
In 1998, "Wang Ye and the Postman" became Chen Peisi's last work at the Spring Festival Gala.
For 14 years, every Time at the Spring Festival Gala, Chen Peisi had to stay in the guest house with Zhu Shimao for half a year, racking his brains only for the originality and freshness of the works, and did not dare to be sloppy.
However, the distribution company of the authoritative media made the sketch into a VCD and sold it.
At that time, the authoritative media was a hall of words, and the actors did not have the opportunity to make their voices heard.
Where is the current network media so developed, can make their own voice,
And the income obtained by the authoritative media has no half-cent relationship with the original author, which makes Chen Peisi deeply angry.
But the idea of "arms but thighs" seems to be a deep-rooted concept in the hearts of many actors.
Many people advised Chen Peisi to forget about it and not to affect his future for this reason.
Chen Peisi, who "loves more truthfully", does not admit his fate, and insists on fighting with the distribution company of authoritative media to the end.
The rights protection claim was 1.66 million, and after the final coordination, the media distribution company apologized and compensated 300,000 yuan, and the matter came to an end.
This was unprecedented at the time when the authoritative media was talking about it.
Let people realize that Chen Peisi is not only more true in his artistic pursuit, but also unambiguous in safeguarding his rights and interests, and even has some "two".
The two people who thought they could create with peace of mind soon found that someone had pirated their original works and made them into DVDs.
After tracing back to the source, I found that it was still the distribution company of authoritative media.
When the two find the relevant units again to defend their rights, because of the collar
The guide is replaced, and the other party's attitude towards the two is quite arrogant,
In the end, it has been dragging on not to solve the problem for the two,
During this period, the two had already lived in the guest house and began to prepare for the Spring Festival Gala sketch for half a year.
Finally, he informed the two that they did not have to participate in the Spring Festival Gala.
Zhu Shimao has business acumen, investment has long been full of money, and Chen Peisi is intoxicated with artistic creation,
Invest all your income in the city theme of the film,
Use the most authentic lens language to express the most real life, shout for the people at the bottom,
But the film industry is very deep, often 5 movies of income, but only 3 of the money,
Chen Peisi once let people personally count the votes to enter the scene, but in exchange for the hit work "Filial Piety and Grandson Waiting" was suddenly removed from the theater.
Chen Peisi, who ended up in disgrace, could only contract with his wife Wang Yanling to be a farmer on 10,000 acres of barren mountains.
The birth of the drama "Tuo'er" made Chen Peisi return to the public's vision again.
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In 2021, CCTV's "Gold Medal Comedy Class" was broadcast, and Chen Peisi, as a mentor, led the students to compete together.
In the sixth episode of the show, Chen Peisi stood for 6 hours, and the young trainees could not stand it anymore.
Some go out to smoke, some go to the toilet, some have drowsiness in their eyelids,
In the end, even the staff could not stand it, and directly urged Chen Peisi: "Speed up."
But Chen Peisi's tough body was already trained when he was 15 years old when he joined the team with his father Chen Qiang.
In 1969, Chen Peisi was a well-known athlete during the Inner Mongolia Construction Corps.
In the Construction Corps, the daily work is to lift the sand repeatedly,
If you want to eat a white-noodle steamed bun, you may not be able to eat it after a long journey.
Such a life experience caused Chen Peisi to eat particularly fiercely,
At the age of 15, Chen Peisi had already established a dream of becoming an actor, and such a dream,
Originated from his father Chen Qiang, his father played Huang Shiren in "The White-Haired Girl" and also played the Japanese Shaosa, is a well-known actor,
Later, Chen Peisi applied for the Beijing Military Region Cultural and Labor Troupe and the Drama Troupe, but was not admitted because of the "composition" problem.
In 1973, after his father's old friend Tian Hua learned of Chen Peisi's ambitions,
He recruited Chen Peisi into the Bayi Film Studio,
Chen Peisi, who ate public meals, could finally eat 7 steamed buns in one go.
In 1979, after the end of the movement, Chen Qiang resumed his role as an actor and resumed his old career to star in the comedy movie "Look at the Family" with his son.
Father Chen Qiang played too many negative characters: Huang Shiren, Han Traitor, Japanese Shaosa, and intelligence chief.
Therefore, the father hopes that his son will play a comedic character, because the people are already bitter enough, and as an actor, he must have his own mission, that is, to make the audience happy.
The 25-year-old Chen Peisi kept in mind his father's advice and treated the performance with a rigorous attitude.
In 1984, the 29-year-old Chen Peisi remembered a "pleasing" face with his sketch "Eating Noodles".
Also in this year, Chen Kaige's "Yellow Land" achieved remarkable results and won multiple awards.
"Sketch King" Zhao Benshan also has a small reputation in Liaoning Province with the role of Zhang Zhi in "Wrestling Three Strings".
Zhao Lirong has also been working in the critics theater for many years,
In 1985, in the crew of "The Young Master's Ordeal", there was a scene that required Chen Peisi to run barefoot in the jungle and country roads, at that time, where there was any stand-in, it was really running barefoot in the woods.
When the shooting was over, the thorns had already pierced Chen Peisi's feet beyond recognition.
After the director shouted to stop, Chen Peisi pulled out the thorns on his feet one by one.
The crowd of onlookers had already laughed.
In 1988, Chen Peisi won the first "Best Actor" award for "The Ordeal of the Young Master".
In 1989, he cooperated with Zhu Shimao in "Protagonist and Supporting Character", and when he stopped there, it seemed that without too much language, he had already made the national audience laugh.
What is comedy?
Do not rely on verbal contention, do not rely on a local dialect, do not rely on ugly and loud voices, with the storyline, witty language, rich body language can make the audience naturally laugh.
Zhao Benshan is like this, Zhao Lirong is also like this, and Chen Peisi is even more important.
In "The Police and the Thief", the thief played by Chen Peisi vents for his fake police accomplice, and when he is caught by the real police, he is asked: "What do you think you are?" ”
Now that I think about some of the social phenomena of that era, it seems a great irony!
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Art comes from life, and Chen Peisi makes a perfect annotation of this.
"Eat Noodles" eats around an empty bucket, making the audience can't help but spit on how delicious this bowl of noodles is.
Pepper Noodles blows air into an empty bowl and makes you feel how hot the ravioli is.
Even if there is no water on the body, because of the cold, you can feel the biting cold and the snot that is constantly sucking.
"Lamb Kebabs" watched Chen Peisi eat so fragrantly, and the audience couldn't help but drool.
This is the difference between an artist and a traffic star.
Details determine success or failure, and Chen Peisi remembers his father's advice and makes himself a famous artist.
Deeply integrate their roles into life,
And this role is - Chen Xiao'er.
Chen Xiao'er is just an ordinary peddler pawn, just a microcosm of your and my ordinary lives.
In 1991, in order to complete his dream, Chen Peisi established Hainan Comedy Production Company, which was later changed to "Avenue Pictures".
At that time, the theater line and the current theater line seemed to be the same, concealing the big head, reporting the small head, paying a zero, and the last few hundred million box office always ended at a loss.
Without capital escort, Chen Peisi can only end in disgrace,
In 1997, "Three and a Half Good Men" was suddenly withdrawn all the way to the red, because you moved someone else's cheese.
In 1998, "Wang Ye and the Postman" became the last sketch left by Chen Peisi to the national audience on the Spring Festival Gala stage.
Because of chen peisi's fire, authoritative media made Chen Peisi's works into VCD without his own authorization, and made a lot of money.
But these have nothing to do with Chen Peisi, and even the basic copyright fees are not willing to give Chen Peisi.
Many people think that you have no power and no power, what can you do to me?
However, the stubborn Chen Peisi chose to use legal weapons to protect his legitimate rights and interests, and after winning the lawsuit, Chen Peisi was eventually banned.
It was also a year after this that Zhao Lirong's Spring Festival Gala singing "The Veteran Comes Out of the Horse" became the audience's last memory, and the "spicy chicken silk" Teacher Zhao left us, and the veteran ended the curtain.
On the stage of the Spring Festival Gala, Chen Peisi and Zhao Lirong closed the curtain and ushered in the era of Zhao Benshan and Song Dandan's sketches.
And Chen Peisi, who loves art, knows where he can shine,
With the income from planting 10,000 acres of barren mountains, continue to invest in their favorite art performances,
In 2001, Chen Peisi's first drama "Childcare" began to tour the country, 50 cities, 120 performances, and finally the box office accumulated 40 million.
In 2003, "Good Friendly Accounting for Relatives and Friends" was released, with 60 stage performances and an audience of more than 80,000 people.
Chen Peisi, who has achieved such high achievements, is not a "person who pays attention to people".
The assistant does not, like to do it himself, a pair of old cloth shoes for 5 years, when Yingda, Chen Peisi, Guo Degang in the middle of the stage, you do not have to look at the face, you know which pair of feet belong to Chen Peisi.
When the old partner Zhu Shimao just passed the first round of 33 games, he did not want to "cooperate" with Chen Peisi anymore.
Too stubborn, almost nitpicking about the performance, not sparing any mistakes in details.
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In 2015, Chen Peisi's self-directed and self-acted TV series "So Big a Home" appeared on the CCTV Spring Festival Gala.
The 17-year-long feud between the two was reconciled.
In 2019, Chen Peisi and Zhu Shimao appeared at the same time in the Spring Festival Gala of Beijing Satellite TV, and their respective sons reproduced "Eating Noodles" 35 years ago.
From Chen Dayu and Zhu Qingyang, we seem to see the young version of Chen Peisi and Zhu Shimao.
When the camera swept over the father of the duo, the white hair had already crawled all over the heads of the two,
We see from time to time in the douyin short video that Chen Peisi and his son Chen Dayu cooperate in some light and humorous small paragraphs.
But it's more about studying comedy theory, reading the works of the masters, Shakespeare, Dumas, and the history of comedy in China.
What Chen Peisi longs for is "Youmeng Yiguan", using his own art form to change the way of life of society.
Chen Peisi came to the following conclusion:
The core of comedy is tragedy, and the more humble the actors, the stronger the audience's sense of superiority, thus forming a huge contrast.
Mr. Bean is like this, so is Zhou Xingchi, and so is Chen Peisi,
Some people believe that Chen Peisi is the first generation of "happy comedians" since the reform and opening up.
Zhao Benshan is the second generation, and Shen Teng is the third generation successor of the "happy comedian".
But Shen Teng, who is wrapped up in capital, seems to have been over-consumed by capital.
Art needs to be pure, and stars need to be bourgeoisie.
In this era where as long as the appearance is high, and do not need too much acting,
There seem to be very few pure people like Chen Peisi,
Chen Peisi pays tribute to his own artistic career with a worship mentality, which is the dignity, integrity and basic literacy of an artist.
He found a "balance between art and the market, self and business".
Be clean and clean, don't bend over backwards, live your way,
This is the success of Chen Peisi, who has been upgraded to the grandfather, and Chen Peisi, who has been promoted to a great uncle, tells every young person with facts,
Your uncle is still the same uncle who used to be your!
Whether it is Stephen Chow's films or Chen Peisi's works, after careful consideration, you will find that the highest state of comedy is the self-deprecation and irony of the sense of high.
And for the irony in the real world, it seems that it has been staged in each of us,
In this era when Zhou Xingchi is not funny, How many stars have been punched in the face by Chen Peisi's senior!
Some netizens commented:
When a ray of light hit Chen Peisi's body, there was a sense of loneliness that was left alone.
The comedy on the surface is full of deep irony and sadness, mixed with a hint of relief. ”
Text/Chubby
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