First published in the public number: 咿布
Good magic, there is Zheng Shuang in the front, and Wu Yifan in the back. In just a few months, the bad water in the internal entertainment flow pool was half empty. At the same time, it is gratifying and congratulatory, and it triggers some thinking.
I know very little about them, and my recent impression is watching Wu Shang's "Longing for Life" and Zheng's shots in "Talk Show Conference". The feelings left behind are very similar: delicate in appearance, but empty in soul; weak in character and bluff.
They want to act maverick, seemingly not caring about anyone's opinion, but in fact, the grass and trees are all soldiers, and every move of the surrounding environment can touch the nerves.
I want to talk and laugh with the people present, say more beautiful words, but I can't move my speech and make my speech confused, and my basic expression is not fluent. Use exaggeration to cover up panic, and use ostentatiousness to cover up introversion.
Ironically, the two are the top stream, and what goes out of the circle is not a work, but a relationship dispute between fish and dead nets again and again.
It is hard to believe that two good-looking stars, young and famous, who have quickly accumulated wealth that ordinary people have found difficult to reach in their lifetimes, lack basic self-control and moral literacy, and have embarked on the extreme of breaking through the legal red line.
However, looking at their past, it is difficult to characterize them as evil people. Despite setting the worst examples, and despite the irreparable harm done to many people and even breaking the law, they are not the same as the wicked people we usually think.
They are not stubbornly evil all the time, they have antisocial tendencies, and they take pleasure in oppressing others. All kinds of bizarre behaviors are more like playing with fire, catharsis, and a manifestation of crossing the line without knowing it.
Zheng Shuang and Wu Yifan have in common that they both have a strong mother and a deformed family relationship. Using Wang Sicong's evaluation of Sun Yining, it is to give the children five facial features empty, and did not establish the three views of the children. After all, I don't have anything myself, and it's hard to teach by example.
Zheng Shuang's parents are eager to debut in place of their children, and they will do everything in their power to amass wealth. After Wu Yifan's mother divorced in her thirties, she made up her mind to let her ten-year-old son change his surname and dedicate all his life to him.
None of this is a normal parent-child model. They are more like the two ends of the scale, one desperately lacking in love, the other overwhelmed by coddling. The character is a loss of self, a lack of security, a fear of intimacy, and an inability to love others.
So this is also why Zheng Shuang's every relationship can not be well gathered and dispersed, Wu Yifan can obviously be generous to fall in love, and must be strong for young girls. Essentially, they are all love impotent.
Of course, two thirty-year-old adults are obligated to constantly improve themselves. There is no perfect native family in the world, and the original family cannot be a shield for making mistakes.
Just sigh, if it is not a yin and yang mistake, early into vanity fair, become the flag of capital and the cash cow of parents, more involuntary.
They may have had the opportunity, like the thousands of young boys and girls in the world who have been traumatized by their original families, to repair themselves and heal through time in a pluralistic social environment after they are out of the control of their parents.
The sudden fame and mountain of money gave the two young men the illusion of being in control of the world. The extreme depression of adolescence turns into a belated extreme rebellion.
The instinctive vanity, greed, and willfulness of doing whatever we want in human nature are thoroughly stimulated. Losing his awe, he began to be reckless, with a tendency to self-destruct, preferring to self-destruct his future for the sake of short-term pleasure.
Celebrities are really high-risk professions, and this circle is too easy to drift. The brainless praise of fans, the rush of the market and the hands of capital cover the sky, unless the goblins of a thousand years, few immature young people can withstand it.
Even a person like Yue Yunpeng, who has suffered enough, can't help but inflate himself when his fame rises and the poor people get rich. Ignore other people and brag about how great you are. Fortunately, his daughter-in-law gave him a slap in time and questioned him: "You are going to die!" Have you forgotten what it was like when you first arrived? "Just woke up."
Zheng Shuang and Wu Yifan did not have such a wise person as Xiao Yue's daughter-in-law around them, they were all stinky fish and rotten shrimp, and a hill of raccoons. They themselves are old, brainless, and lack the ability to reflect and introspect.
Originally, the little GNa incident and the fermentation of cool words were all signals, but the repeated retreat of the whole body made them have a fluke mentality, more arrogant and arrogant, until they fell out of control and fell from the clouds to the bottom.
If virtue is not worthy, there will be suffering. The end of Zheng Shuang and Wu Yifan is the common brewing of the original family, their own and the fan circle economy, as well as the promotion of capital. It is the unconscious conspiracy of those who say, day and night, how much they love them.
Now that they are finally empty, too idle to be idle, I guess they may not be willing to take a moment to reflect on the crux of the matter where they are today. It reminds you and me of the bystanders:
No one can always take care of you, and your own life must be responsible for yourself. We must always be sober, have a minimum of reverence, and abide by laws and morals and public order and good customs.
There is still more to shrink behind him, and there is no way to turn back.