Personally, I feel the attitude of several young Hua Dan to the movie
Zhao Liying has always had a "unclear, no-have" attitude towards movies. She went to make a few movies that year, also because the timing was right, the agent operated a few for her + there were also movies looking for her. I think in Leigh's value judgment, it is "I personally get far less than what I get from making a TV series, so making a movie is not as good as making a TV." "This kind of thinking. Li Yiyi is the kind of person who cares about whether she can make decisions in her own territory, and too many people can suppress her in the movie. At the same time, she does not have the artistic cells to perceive the charm of light and shadow.
Liu Yifei has the heaviest affection for the movie, because Tianxian has rushed to the high frame since her debut, and it must be a lie to say that she has no sense of superiority. And she has seen the industrial system of Hollywood, and has also made some movies of famous directors, and the actors have seen the mountains and it is difficult to go downhill. But after Xian finished filming "Mulan", she definitely felt that she could no longer easily accept ordinary movies, and she couldn't receive the movies that she thought could match (especially in the current downturn of the industry), Tianxian would probably rather let her film road be fixed on the peak of "Mulan".
Yang Mi's feelings about movies are very complicated, and she has a sense of sunk cost of "having invested and gained so much", because along the way her film road has worked the hardest and most tortuous, and has achieved some results, so of course she is not willing to give up easily. And I think smart as Yang Mi should also know that the key factor she can open up the gap in the same period is still in the movie.
(in no particular order)
