If you've seen Scarlett Johansson's movie, you'll be fascinated by the opening scene, when she was only 19 years old, but she showed maturity beyond her years in the film, although it was just a cool back and a transparent little inside...
It is said that at that time, the young Scarlett was only 19 years old, she rejected this bold performance at first because of shyness, and finally the female director Sophia Coppola in order to reassure her, in order to let her interpret the scene without pressure, Sophia first personally demonstrated for her, which dispelled Scarlett's doubts. In the end, there is such a classic picture, which makes the audience always remember.
This is a work about loneliness, only a 19-year-old widow plays a woman who is already a wife, but there is no sense of discord at all.
American TV star Bob Harris came to Japan to work, but this time the work is obviously very boring. His life is quite depressed, not only because his career is going downhill, but more because of his wife, who he found that her focus is now all on the children, and for him, it can be said that he has basically ignored it.
His feelings, his needs, all give way.
Scarlett Johansson plays Charlotte, a woman who is already a wife, who came to Japan to relax, because her married life is also not very satisfactory. The husband is preoccupied with work, and not only does he lack concern for her, but he has even ignored it a little. I really can't figure out what kind of man he is, indifferent to such a stunner in the world, if he lets Adu know, then he can't even drink the bathwater, and people don't know how to cherish it.
Two equally frustrated people, met in a foreign country, the same Americans, the same ignored by their other half, the two will naturally have a lot in common to say, countless sleepless nights, they find that they are not alone, they accompany each other, talk to each other, life no longer seems to be dark, the sun shines into their lives, luxury hotels have become their happy harbor.
In addition to these two, the film has a second female protagonist, that is, a woman from the United States, Kelly, Kelly is different from the two of them, she is single, beautiful and sexy, and there is no fetters. But the same thing is that she is also a lonely person.
The film is called "Lost in Tokyo", if the three protagonists change to other places, they should be the same lost, right? So I personally think the director is a person who likes Tokyo very much? From her lens, we can see all aspects of Tokyo, the dazzling neon signs, the Tokyo characteristic billboards everywhere, the cartoons in the hands of teenagers on the subway, the monks in the shrine, the shogun's tomb, the Japanese woman, the traditional wedding, the soundtrack, the performance, the editing, and the shooting techniques are all very daily. However, the only difference is that the three protagonists in the film, they are not lost in these Japanese elements, they lose their own love, lost because of loneliness.
After the film was broadcast, it was like watching two movies, one was a promotional film in Tokyo, Japan, and the other was like a love puzzle of three people, but this love seemed to say a lot, and in the end it was like nothing happened, that kind of emotion, only appreciation, no blasphemous company, lonely and ambiguous literature, and there is another most memorable point, that is, the mature beauty emanating from Scarlett Johansson when reclining.