Na Ying came as a comedy program mentor, "Annual Comedy Contest" 2, the program invited flying laughs outside the industry.
The name of the show with "comedy" comes with its own pressure. But it was very successful when the first season turned out, and was known for breaking the traditional cross-talk grammar of party sketches and avoiding hot talk shows.
Na Ying said that she was very frightened, because it was not in this business.
But Ma Dong's program has long been prepared, in order to adapt to this role, the program team also prepared a light button for her that has no practical effect, only psychological effect.
But when I say that the show is becoming more and more like "The Voice of China", I am not talking about Ma Dong's visual design, or the rules of the program, but about the internal logic and the grammar of the program.
In the second season, "Comedy Contest" continues to carry out the unique creative style to the end - the theme of the performance is closely related to many young netizens in front of the screen.
There are works to interpret the entangled self after the breakup, focusing on more resonant love topics.
Some works have insight into the self-aversion to work every late at night, and pay attention to the workplace of young people.
Some works start from the family environment to cultivate children, focusing on family education.
But after each performance, the style of painting has changed significantly.
Let's start with such a set of conversations.
After a group of actors performed, they talked about their anxiety when they were 30 years old. Teacher Yu Hewei in the audience was very excited to say a piece of insight.
Not bad
Then don't worry
Wait for an opportunity
Don't think about a drama going to heaven
I just wanted the audience to see me
At this time, Huang Bo also said a golden sentence:
Actually, sometimes
Don't look up anxious
Just keep your head down and work hard
Well said.
Ma Dongli, who is full of variety sense, sings and leads the topic to Na Ying and asks her to share her history of fame.
Na Ying didn't say anything else, just sang "Conquest" when he was young, and he had that kind of anger.
But now let her sing conquest again, it is no longer the original feeling.
30 didn't put any pressure on me and I always felt like I wasn't growing up. As a singing musician, you should be enthusiastic. There are many singers who have always been very persistent and loving, maybe not popular, singing better than me, but not as lucky as me.
Na Ying continued, so you don't have to worry about 30 years old, maybe you won't be popular until you are 45 years old.
The style of painting suddenly changed. The actor shouted: This is also too long.
The words of the tutors made the actors on the stage also feel a thousand emotions, saying the golden sentence that "there are lovers who do happy things, whether it is robbery or fate".
Did you find out, "The Annual Comedy Contest 2" began to produce chicken soup. Such a conversation is not once, but many times.
While performing "removing value", it is crazy to "add value" after the performance. This is very clever, allowing the performance to return to pure performance, and extending the value beyond the performance.
The topics discussed are no longer only concerned with the behind-the-scenes performance and rehearsal itself (such as "The Birth of an Actor"), but about the personality and growth of the performer.
This is exactly the creative logic that "The Voice of China" has insisted on for ten years - every good voice must carry a story.
However, many netizens in the early days said that "The Voice of China" is a "good story of China", and such a spit can also be seen that storytelling is also a double-edged sword. It also gave the "Annual Comedy Contest" a wake-up call, and don't be abusive emotional.
Sometimes, pure joy is precious enough.