As the last empress and imperial concubine of the Qing Dynasty, Guo Buluo. Grace and Erdet. Wen embroidery has a similar first half of life.
As the daughter of the Minister of the Interior, WanRong was pampered as a pearl in the palm of her hand since childhood, and she was not only proficient in piano, chess, calligraphy and painting, but also fluent in English.
At the age of 16, WanRong was elected to the palace and was crowned empress.
Although the appearance of Wen Embroidery is not as beautiful as that of Wanrong, she is also a talented girl who can draw and knows the rhythm of music. When she was elected to the palace as a lady concubine, she was only 13 years old.
However, the second half of the life of Wanrong and Wenxiu, who are also trapped in the cage of wealth and wealth, have different endings because of different choices. When their lives were adapted and put on the screen, the images also appeared in different versions due to the setting and interpretation.
Let's make a comparison in chronological order.
Directed by Li Hanxiang and released in 1986, "Fire Dragon", played by Li Dianlang, should be the earliest screen version.
Li Dianlang's face is relatively long, the eyebrows are high, the tail of the eyes is raised, and the makeup is relatively "fierce", which is completely different from the graceful appearance in history. After the late degeneration and madness, the appearance of unkempt hair and black teeth still looks a little scary, and I don't know whether to say that the stylist is careful or too strong.
In the same year's "Kant's First Bodyguard", WanRong was played by Chen Ying, and there were not many scenes in the play. Due to the low clarity of the existing images, there is no data comparison.
In 1987's "The Last Empress", WanRong and Wen xiu were played by Pan Hong and Zhu Yin respectively.
Pan Hong, who has a melancholy temperament, does not look like Wanrong, but wins in superb acting skills. She interprets the elegant and noble spirit in the early stage of Grace and grace, and the appearance of gradual collapse and even madness after that.
The sense of tragedy that destroys the good is a pain in the heart.
Zhu Yin, who is also not like the archetypal character, although she performed the stubbornness and resistance of the character, because of the small number of scenes, the sense of existence is not as good as the Xianggui who appears later.
Released in the same year, by Bernaldo. In "The Last Emperor" directed by Bertolucci, Puyi, played by Zun Long, is certainly brilliant, but Chen Chong's WanRong and Wu Junmei's literary embroidery are also brilliant.
In the sense of historical heaviness and the passage of time constructed by the director with the lens, Wanrong gradually transformed from a simple girl who longed for happiness to a "sad and resentful woman" who was snubbed and full of pain.
Under the tall thin eyebrows and rich makeup, there is a desolateness that cannot be soothed by false flashiness. In the film, wanrong is alone in the corner of the dance floor, swallowing lilies with tears, which is a screen classic that countless fans remember.
Wu Junmei's embroidered eyes are clear and tenacious, and she is both dependent on and opposite to Wanrong.
Inside the dull and lonely walls, two people accompany each other and dance together in music. But when fate gradually slipped towards the mire of tragedy, Wen Xiu did not abandon herself like Wanrong, but chose to fight and run away.
With her outstanding interpretation of literary embroidery, Wu Junmei was nominated for Best Supporting Actress at the 32nd Italian David Awards (Italian Academy Awards).
The 1987 film version of "The Last Emperor" is a "divine work", and the drama version of "The Last Emperor" broadcast the following year is also a classic.
Playing Wanrong is the drama actor Luo Lige.
Luo Lige's appearance is somewhat similar to Wanrong, both of which are double in the eyelids and a long face, and the temperament of the characters is also in place. Only in the later stages, perhaps in order to highlight the decadence and sense of place of the characters, the stylist adopted a more vulgar costume and style, so that Wanrong looked like the aunt of a landlord's family.
Zheng Tianwei, who plays Wen Xiu, has similar eyes and face shapes to the character himself, but he is much more beautiful. The fleshy cheeks in the shot are also very girly, which is more in line with the real age of the characters.
Although on the whole, Luo Lige and Zheng Tianwei perform well in the drama, under the light of the male protagonist Chen Daoming and Zhu Xu, Lan Tianye and other old drama bones, it is not very conspicuous.
Skipping the 1992 broadcast and no video data available in "The Thirteenth Dynasty of the Manchu Qing Dynasty", Wan Rong played by Ye Yuping and Wen Xiu played by Liu Jinling are "Very Citizen" in 2002.
The drama has a rating of 8.8, but the praise almost revolves around Puyi, played by Huang Zihua, Jiang Wenli's wanrong, and Qin Hailu's literary embroidery, but it has been accused of being redundant.
Jiang Wenli's graceful appearance is too rounded, and her appearance is completely different. Also because of the figure appears to be solid, it is complained by netizens like a big mother.
Moreover, although Wanrong did receive Western cultural education, the setting of wearing a sleeveless off-the-shoulder dress, insisting on using a flush toilet, dressing up in men's clothes to go to church, and meeting Puyi unexpectedly and having similar intentions is a bit too "joking".
Qin Hailu's appearance in the play is full of shortcomings, and it is therefore accused of conforming to the original characters. But her tough and male appearance is not suitable for making a poor girl look.
The Japanese filming of "The Wandering Princess" with the love story of Pu Jie and Saga Hao as the main line. In "The Last Imperial Brother", it is Liu Dan who plays Wanrong.
Liu Dan, who was called "Aunt Pot" because of his role in "The Beginning", dressed in a flat flag, but his perm and qipao style were very eye-catching. Although the appearance has nothing to do with grace, it is beautiful and atmospheric.
In 2004's "The Last Imperial Princess", the core protagonist was replaced by Wen Xiu, played by Jiang Qinqin.
This should be the version with the highest appearance, but also the biggest gap with the original character.
Because of the protagonist's brilliance, this version of the embroidery is particularly beautiful, kind and stoic and tenacious, or a "love brain" that does not pay attention to principles for feelings.
And the grace that exists as a literary embroidery opponent has become a completely opposite appearance. Arrogant and arrogant, petite and willful, the palace is difficult for Wen Xiu, and Wen Xiu continues to live with her after leaving the palace.
The human design is too detached from reality, and the performance is also criticized.
Li Yapeng's Puyi is an idol drama style, Jiang Qinqin lives in qiongyao drama, and Huang Yi is like a brutal version of Li Yuhu, no matter how you look at it, it carries a sense of violation of irrelevant and forcible binding.
This version is already living in the imagination, and 2013's "Legend of the Last Emperor" is equally outrageous.
Let's not talk about the high saturated colors such as big red and green that fill each picture, and don't mention the plot with many loopholes like a sieve, just Jiang Linjing's wanrong and Zhang Tingting's embroidery, with vulgar makeup and full of internet celebrity assembly line flavor; The artificial OOC has nothing to do with history, and the performance is also awkward until the human incarnation is a house worker.
And in 2015, Liu Xuan's wanrong played in "Eastern Battlefield" has the feeling that a little girl is forced to pretend to be an adult. In addition to the serious attitude, from the appearance to the temperament has nothing to do with it.
On the contrary, Tao Hong's wanrong played in a certain variety show has surprised countless audiences.
In summary, although it cannot be said that one version is not as good as one version, it is a fact that the overall level continues to decline. Behind the release of the plot and the serious deviation of the characters is the perfunctory work of some film and television creators.
Don't worry, where are the good works?