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In the TV series "Rational Life", she successfully recreated a mother image with a unique personality and out-of-character manners, and deeply moved every audience with her profound acting skills and unique expressiveness.
In addition, Ms. Pan Hong won the Jury Prize at the 16th China Changchun Film Festival, which is undoubtedly the best affirmation of her outstanding contribution to the entertainment industry, and has won her a high reputation and status in the industry.
However, when it comes to family, the 68-year-old veteran actor always chokes up tears and reveals endless regrets. It turned out that Pan Hong was always full of deep indebtedness and apology to her ex-husband Mi Jiashan in her heart.
"After me, no one owes anything but to my son...... My Husband's ...... and the responsibilities of my family. This is a touching monologue by Pan Hong in the classic film "People to Middle Age".
Every time she recalled this sentence, she couldn't help but wet her eyes with tears, and it was difficult to control herself.
As Ms. Pan Hong has said frankly many times: "Although I have won many honors in my career, I have not been able to leave a trace of blood to Mijiashan after all, and I have never been able to let go of this and feel extremely regretful." ”
In Ms. Pan Hong's most difficult moments, Mr. Mi Jiashan was always by her side, giving her selfless support and tolerance. It's a pity that Pan Hong was too young and impulsive back then and failed to cherish this precious feeling, which eventually led to their separation.
"Mijiashan is the most solid support in my life, but I didn't really understand the value of this family affection at that time. Pan Hong said with emotion, "Looking back now, although I have achieved great success in my career, I have also paid a heavy price for it."
Ms. Pan Hong and Mr. Mi Jiashan's marriage was originally a beautiful marriage. In 1978, Pan Hong met and fell in love with Mi Jiashan, who served as the screenwriter of the film, in the movie "Bitter Laughter".
The two have common interests and hobbies, are talented, and quickly come together and enter the palace of marriage.
However, after marriage, Pan Hong devoted himself to his career, while Mi Jiashan looked forward to building a warm family and hoped that Pan Hong could conceive children for him. However, Pan Hong's enthusiasm for her career is like a raging fire, and her heart is full of desire for career success, so that she has no time to take care of her family.
On this issue, the two couples have different views, and the dispute is becoming more and more intense. Pan Hong once confided in her mother-in-law and sister frankly confided in her inner tanglement and pain: "As women, we really shouldn't be too tough, otherwise it will make men retreat;
"We should uphold our human dignity and be self-reliant and self-reliant both mentally and economically."
In the face of such a resolute and resolute Pan Hong, Mi Jiashan and his family can only reluctantly accept the reality. In the years after marriage, their contradictions deepened day by day, and the once sweet love gradually dissipated.
At the same time, Pan Hong's relationship with young director Yang Yanjin is also quietly growing in the dark. They were inseparable on the set, and even frequently exchanged letters. However, this secret emotion was unfortunately discovered by Yang Yanjin's wife, Hong Rong.
Hong Rong is like an angry lioness, holding a love letter written by Pan Hong herself, regardless of everyone's eyes, attacking wantonly, and even making the content of the love letter public and posting it on the bulletin board of the film and television company.
As a result, Pan Hong's professional reputation plummeted overnight.
Fortunately, in this turmoil, Mi Jiashan chose forgiveness and support, and became Pan Hong's strongest backing. He not only forgave Pan Hong, but also shouldered the heavy responsibility of maintaining Pan Hong's reputation without hesitation.
Although the relationship between Pan Hong and Yang Yanjin failed to achieve a positive result after all, it undoubtedly threw a heavy blow to her married life. As time passed, their contradictions and differences intensified, and finally they chose to go their separate ways after eight years of marriage.
Mijiashan could no longer get his wish, waiting for his wife's love and the arrival of his children.
Although Pan Hong's marriage road was full of twists and turns, this did not affect her outstanding performance in her career. Her acting career has been fruitful and brilliant.
Pan Hong stepped into the door of the Shanghai Theater Academy when she was in her youth, and in 1976, she made her screen debut, starring in the movie "The Slave's Daughter", and became famous in one fell swoop. Although this is only the starting point of her acting career, it already indicates that she will become a bright star in the Chinese film industry in the future.
In 1978, she bravely took on the heavy burden and served as the star of the movie "Troubled Laughter", and won the China Film Huabiao Outstanding Film Award and the Youth Outstanding Creation Award that year with her outstanding acting skills, thus opening a new chapter in her career!
Since then, she has participated in many popular masterpieces, such as "The Light Through the Clouds" and "Song in the Whirlpool", etc., which have been warmly praised by the audience.
Entering the 80s, Pan Hong's acting career has reached an unprecedented peak. In 1981, she successfully created the image of a Qinglou woman in the movie "Du Shi Niang", and her superb and nuanced acting skills were breathtaking, and she won the supreme honor in the film industry that year - "Little Hundred Flowers Award" and "Popular Film Hundred Flowers Award" two queen laurels, a feat that no one has been able to surpass.
The subsequent year of 1983 was undoubtedly the most brilliant year in Pan Hong's acting career. She first became famous with the starring film "People to Middle Age", and her outstanding performance made her win the Best Actress Award at the Golden Rooster Awards that year.
In the same year, she starred in "Cold Night", which was based on Mr. Ba Jin's novel of the same name, and her unique acting skills won high praise from countless audiences.
Since then, Pan Hong has starred in many excellent films such as "Fire Dragon" and "The Last Queen". It is particularly worth mentioning that in "Fire Dragon" released in 1984, she successfully portrayed the role of Pu Yi's wife after being released from prison, and this film finally won six awards including Best Picture and Best Actor and Actress at the Academy Awards that year, which can be called another peak in Pan Hong's career.
Today, Pan Hong has gone through a long and glorious road of acting for more than half a century. She has twice appeared on the cover of the famous American magazine "Time Magazine", held three industry seminars for the China Film Association, and plays a pivotal role in the film and television industry.
Although she is over the age of six, Pan Hong is still active on the screen, constantly presenting the audience with classic screen images that are deeply rooted in the hearts of the people. Recently, she once again played the role of a mother who behaved strangely in the hit drama "Rational Life", which was widely acclaimed.
There is no doubt that Pan Hong's love and pursuit of her career is not inferior to that of young people, and her dedication to each role is awe-inspiring.
Pan Hong, the star who is shining on the screen today, her life journey can be described as full of ups and downs. From an early age, she was hit by the turmoil and pain of her family's environment.
When she was 10 years old, fate threw another blow to her, and the death of her father made her fall into endless darkness in an instant.
It was a cold winter night, and Pan Hong was trying her best to complete the heavy school assigned by the teacher, and she was depressed. Just as she wanted to take a break, the door was suddenly slammed, and a woman with loose hair, dazed eyes, and a slurred voice stumbled into the room.
If you look closely, it turns out to be a mother who has been missing for a whole day!
Early the next morning, Pan Hong received a heartbreaking news - her father died of illness. After hearing this, the mother could no longer maintain her composure and had a complete mental breakdown.
The young Pan Hong, who lost her father's love overnight, tearfully put on a sweater knitted by her mother, carried a full suitcase, and went to the mourning hall alone. There, however, she found that the thirty dollars she had in her hand were far from enough to cover the funeral expenses.
In desperation, Pan Hong could only wait alone in the cemetery, from dawn to dusk. She once lamented in her diary: "Maybe the sky is dissatisfied with me, otherwise why would you make me so desolate and helpless?".
After her father's death, Pan Hong's mother quickly remarried someone else and proposed to change her daughter's surname to that of her stepfather. Pan Hong resolutely opposed her mother's proposal, insisted on keeping her father's surname, and eventually had to leave her mother and return to her grandmother's house to seek refuge.
In the warm embrace of her grandmother, Pan Hong spent a short and peaceful time. The two grandparents have a deep relationship, and Pan Hong has never felt too much loneliness and loneliness.
However, the tragic experience of that night was like a fiery imprint, deeply engraved in the depths of her soul and became a shadow of her life. This painful time not only affected her future married life, but also became an eternal pain in her heart.