Sure enough, ginger is still old spicy.
I'm talking about the second season of "Phi Ge 2").
Ren Xianqi sang "The boat I was waiting for has not yet come, and the people I waited for still don't understand", while interacting with the audience with ease, instantly turning the stage into a concert chorus scene.
Su Youpeng sang the Little Tigers' "Red Dragonfly" on the stage, and a sentence of "We have all grown up, many dreams are flying" caused Pan Weibai to redden his eyes offstage.
Du Dewei is 60 years old, singing and dancing on the stage is still outrageous, extremely energetic, and the aura fiercely suppresses the young artists on the same stage.
(The white suit is Du Dewei!) ）
This stage can be said to be the epitome of the whole show. The older brothers are attractive and serious, and many juniors are inferior in ability and attitude, and the comparison is not too tragic.
It is said that the recent entertainment industry is revitalized by archaeology, alas, is it that the audience only wants to be nostalgic? We just want to see something good.
Just by looking at the degree of effort of the seniors and the younger generations, the difference can be clearly felt.
I thought that the older brothers who had achieved fame would lie flat, and the young artists who wanted to be remembered would fight more, but I did not expect that on the contrary, the most "rolled" were the predecessors.
Du Dewei in my impression is the owner of "The Eighth Pawnshop" Han Nuo, when he was a child, he just thought about what he could ask him to exchange lottery numbers, and he had no idea that he was a singer.
But this time I was shocked by how desperately he was on the show.
At 11 p.m., most of the brothers were chatting and preparing to rest, and his group got together to review the day's practice and silently ran back to the training room to practice. The letter shouted next to him, "Too rolled! ”
The younger generations in the same group drank saliva and rested, and Du Dewei also looked for a dance teacher to cut the details of the movements alone. His practice was so intense that Lee Seung-hyun, who was 23 years younger than him, couldn't help but advise him to "conserve his physical strength."
Of course, there is a reward for paying, and the stage that is practiced desperately will be very exciting. He sang "Lover" very movingly, with the feeling of tough guy playing gentle;
When I finished singing and dancing on stage "Save the Earth", as I said earlier, he was stable and accurate, and the most eye-catching person in the whole group was him.
Du Dewei said that the golden age of his life was the 80s of the last century, and he did still have the fighting spirit of that era.
At that time, the environment of hong Kong's showbiz circle was much more cruel than the current internal entertainment, and if you want to be seen, you can only keep rushing forward.
Other singers will sing less when they sing, and he will have to dance a full song, and ensure that the song does not go wrong. It is by virtue of this fierceness that must surpass others that he has become the "King of Asian Dance".
Another "roll king" is Wu Jianhao, whose stage appearance is particularly stunning.
Pulling the hoop with one hand, it slowly parachuted in front of the microphone in the smoke and soft light...
Brother, tell me, did you grow up with a dream of becoming a night dress mask?
The action is really handsome, but also really difficult to do, muscle control is not at all like this "I just fly casually" sense of neatness.
He made me feel quite emotional. When I was a child, I couldn't get him at all when I watched "Meteor Garden", and I thought that an ionic hot masterpiece was the most inconspicuous one in F4. Later, I watched "Next Stop, Happiness", and was fascinated by Ren Guangxi.
He is now 44 years old, and he is in an amazing state, and he can show off his figure with a stinky fart in exchange for "boiled eggs, hot broccoli, hot chicken breast".
Seeing him will feel that life is indeed a long run, and people who run slowly at the beginning may not catch up later.
In the show, he practiced dancing with Fan Shiqi, Zhu Jiaqi and Mike, who were much younger than himself, and physically beat these younger brothers.
After 8 hours of training, he was full of energy alone, completely tired, and the younger brothers did not say that they could not keep up with the progress, they could not even insist on standing, and they lay down directly behind.
It's even more evident on stage. Wu Jianhao is at ease, and his movements are neat and the song is relaxed.
Some of the younger brothers broke the tone and some people ran out of tune, using strength to prove that Mango did open the wheat this time.
Crushed by the predecessors from ability to physical strength...
Trouble young male artists to be strict with themselves, or have more time to exercise, at least don't train for a while to look like a half-dead ah!
The older brothers not only work harder in action, but also have a more solemn attitude towards the stage.
Su Youpeng was under a lot of pressure when preparing for the stage, he felt that the song of the Little Tigers represented the era of dreams, and everyone sealed in their heads was also the original "unworldly, untainted, very pure look" of the 3 people.
He didn't want to spoil that beauty and had to do his best to present the stage.
When the 48-year-old cried and said" "I love the Little Tigers", that moment coincided with a picture in my memory.
Su Youpeng is a typical "bully bravely breaking into the entertainment circle", and was still in high school when he debuted. While active as a member of the Little Tigers, he was admitted to the Mechanical Engineering Department of National Taiwan University with the fifth highest college entrance examination result in the province.
The mentality of this "xueba love beans" is not all about the love of learning, but also a sense of responsibility: since it is a "well-behaved tiger", it must not live up to the trust of fans, and it must be proved that idols can also study well.
For Su Youpeng, the identity of an idol may represent pressure more than an aura.
He had struggled to break free of that shackle. I remember seeing him in the movie "The Sound of the Wind", he was as gloomy and crazy as a poisonous snake, and there was no shadow of the five brothers at all.
But in recent years, he seems to be an "idol" again. Before being a mentor on "Creation Camp 2019", he practiced hard for 3 months for 90 seconds of stage, bringing a rap version of "Green Apple Paradise".
On the stage of "Phi Ge 2", his voice trembled slightly: "Before the Little Tiger Team had a covenant with everyone about the Year of the Tiger, I would like to add a sentence of 'The Year of the Tiger is good' here." ”
I think it's probably a kind of comeback for him as well. The dreams represented by the Little Tigers are not only the audience's, but also Su Youpeng's.
He knew the weight of the three words "Little Tiger Team", and every use was extremely precious, and he was nervous, afraid of destroying the warm old dream that everyone shared.
Another person who was particularly nervous before taking the stage was Huang Yida.
This name may not be familiar to everyone, but many people who mention his masterpieces "That Girl Said to Me" and "Reservation" should have an impression.
He debuted with the title of "male version of Sun Yanzi", is a roller who takes the literary and artistic route, sang many theme songs in the most brilliant period of Taiwan puppets, and contracted my MP3 song list.
Looking back now, the idol dramas that made people hooked at that time were outdated, but BGM is still tireless.
Huang Yida's star fortune is indeed almost bad, the singer is not red, and slowly turned to behind-the-scenes work. Now he is not used to appearing in front of the stage as an artist, and even the small matter of not taking the guitar makes him tangled for half a day, for fear of causing trouble to the staff.
I always felt that behind his nervousness was his concern for the audience and the stage.
He had been silent for too long, too aware that opportunities did not come often, wanted to be perfect every time, and was afraid of his own strangeness.
Being too nervous in the face of the stage is not a good mentality, but it is better than not caring enough and too loose.
For example, Zhang Yunlong, Zeng Bit and Jin Han, who are in the same group as Su Youpeng.
At the beginning of the rehearsal, Su Youpeng wanted to make the atmosphere in the group a little better, and laughed and played with everyone.
But he did not expect that these three juniors were actually playing seriously, and even ignored the stage.
After the first rehearsal to watch the replay, Su Youpeng had a cold face offstage, the three people on the stage were unconscious, and Jin Han also smiled and asked: "What do you say, brother?" ”
Su Youpeng said that he was not responsible for being a big brother.
Please, everyone is an adult, isn't it the basis to take the stage seriously when participating in the show?
I clearly felt the difference between "school bully" and "school scum" in them.
Xueba scored 100 points and was still worried about how to maintain 100 points, and Xueba did not even realize that 50 points was a failure.
At that moment, I felt a little sad as an audience member.
No matter how the times change, what can impress us is always people who are hard enough and dedicated enough, and the works they produce.
Now there is a Su Youpeng standing next to him as a "positive case", but in another 10 or 20 years?
When the younger generation reaches the age of Su Youpeng, can they afford archaeology?
Or is it that what we can excavate is always the same piece of "ancient"?
(Picture from the network, screenshot of "Cut through the Thorns" from Mango TV)
Author: Seabed