Tang Wei starred in the new film "The Determination to Break Up" by Korean film master Park Chan-wook, and returned with a surprise.
In the movie "The Determination to Break Up", she once again confirmed her biggest features as an actor:
If the role is suitable, then she is the role and does not need to perform too much; If the role is not suitable, then she is a disaster-like presence in the play.
Tang Weihe's character fit cases include "Color, Ring", "Late Autumn", "Golden Age" and "The Last Night on Earth", etc., while inappropriate ones include "Fast Angel", "Hacker Clash", "Wuxia", "Three Cities", "Whistleblower" and so on.
From this law, it can be seen that if Tang Wei is put into a play suitable for her, the probability of word of mouth will not be too bad; But if the role is not suitable for her, it will most likely be a bad movie.
Director Park Chan-wook said in an interview that he has always wanted to cooperate with Tang Wei after watching Tang Wei's famous work "Color, Ring".
At the same time, Park Hae-il is also the best candidate for the male protagonist, and the script of "The Determination to Break Up" is tailor-made for the two of them.
According to reports, an invitation was sent to Tang Wei before the script of "The Determination to Break Up" was written, and the rest of the script was written after she agreed to star.
Even Tang Wei's identity as a Chinese and the fact that he does not speak Korean needs to be translated is also taken into account, which shows the importance that director Park Chan-wook attaches to Tang Wei.
Therefore, "The Determination to Break Up" has become a representative case of Tang Wei's high fit with the role.
The film tells the story of Jang Hae-joon, a police detective with insomnia played by Park Hae-il, who is addicted to investigating cases and has a disharmonious life with his wife.
While investigating a case of an immigration official falling from a mountain, Hae-joon comes into contact with the deceased's wife, the mysterious Chinese woman Song Ruilai.
Ruilai was cold and silent, thoughtful, and did not show the pain of bereavement, which aroused Haijun's interest.
In the process of tracking and investigating Ruilai, Haijun and Ruilai gradually developed a deformed relationship.
Judging from the film classification, "The Determination to Break Up" is not classified as a detective movie, but a love suspense category, and love is the core of this movie.
In the film, Ruilai uses the idiom of Chinese: "The wise man enjoys the water, the benevolent one leshan", as well as the wallpaper of the mountain and sea elements in the home and the cover of the notebook, symbolizing the love between the male and female protagonists like the waves lapping on the shore.
However, on the surface, it was handled by director Park Chan-wook with extreme calm restraint and was not alarmed.
The place where Rayleigh's first husband died was the mountain, the place where the second husband died was water, and the final result was that the rising tide of the sea drowned the truth in the mountain rocks.
If you want to describe what kind of movie "The Determination to Break Up" is, it can be summarized in two ways:
First, it has an aesthetic language that conforms to the paradigm of film noir creation, and the whole is like a film noir.
The tone of the film is gloomy, the architecture and the natural world of mountain stones create a spatial structure that suppresses the protagonist, and there is the core story line of the film noir, the love affair between the detective and the snake and scorpion beauty, and the investigation case itself is secondary.
These essential elements of film noir are fully reflected in "The Determination to Break Up".
Second, it's a magical movie.
The magic is that it not only fully embodies Park Chan-wook's directing style, but also plays the characteristics of Tang Wei.
Both the director and the actors are creators with strong personal styles, but it is rare that their contributions to the film do not interfere with each other, but complement each other.
-END-