Tianzhe Press:
A calligraphy WeChat public account released the works of several calligraphers, tianzhe just made a comparison of the yanglian of Sun Xiaoyun, the current chairman of the China Book Association, and Chen Zhenlian, vice chairman of the China Federation of Literary and Art Circles and vice president of Xiling Printing Agency! I remembered that there were several netizens who chatted with me privately a few times, hoping to make a comparative analysis of shen peng and Zhou Huijun's calligraphy!
Tianzhe's personal opinion: The comparative analysis of the calligrapher is actually very difficult, because we can't know two people one hundred percent, including himself! Relatively speaking, it is easier to compare works, but also more suitable and appropriate!
First of all, let's look at the brushwork aspect!
The former has more traditional ingredients and too few weeks of traditional ingredients. Mr. Shen's changes are rich, and the starting and closing pens are hidden and exposed, and there are seals and subordinates, which are different! Zhou's partial is simple, the starting and closing pens are mostly the same, and the stylization is too serious!
Looking at these closing pens, there is the breath of the seal, and there are also small waves of the book...
Square and circle each start with the pen, and hide and reveal different pens!
Horizontal painting, one mode and one look, especially dazzling!
The closing brush of the painting, a look, stylized too seriously!
Wine, pouring, exactly the same periphery, full, noodles, and so on!
Look at the knotted calligraphy!
The former's orthography is varied, rich, alive and sporty!
The latter's orthography is relatively single, most of them are tight in the middle palace, even if occasionally the two heads of the left and right structures are loose, but the two heads are tight in the middle palace...
The same is true in chapter law and ink law, the former is rich, the latter is monotonous, every word is positive, boring! You can refer to the orthography!