laitimes

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

author:Two or three miles of information

In the study of the structure of calligraphy, since ancient times, there have been many famous calligraphers who have summed up many laws and experiences to spread the enlightenment and later learning, the most famous of which are the Thirty-six Laws of the Tang Dynasty Ouyang Inquiry, the Eighty-four Laws of the Ming Dynasty Li Chun, and then the Ninety-two Laws of Huang Ziyuan Linzi Shao Ying. The post inherits the pen and style of European characters, and on the basis of summarizing the experience of previous generations, the rules of framing knots are compiled into ninety-two easy-to-understand tips, and then accompanied by character examples, thus becoming the best Mongolian version for introductory calligraphy.

Huang Ziyuan learned calligraphy from his grandfather Delian at an early age, often hanging his wrist to write, exercising his arm strength. The first imitation of the face body, but also the willow body, the European body. Although the calligraphy has changed many times, it cannot find its own way, and it has not been appreciated by the book forest, but it has also become a family of its own. When the mother of the Tongzhi Emperor died of illness, Huang Ziyuan was commanded to write the divine throne, and he wrote it on his knees, neatly and evenly, was praised, and was given the name of "Character Saint". In his later years, the imitations of "Xuan secret pagoda", "Liquan Ming", "Zhengqi Song", etc., were issued and sold by Zhou Moxiang woodcuts, and were widely circulated as teaching materials for Mongolian learning at that time.

Huang Ziyuanshan's long calligraphy is strictly laid out. Horizontal, vertical, skimming, pinching, point clear and uniform just built stretch neat and beautiful. This book is written and explained by Huang Ziyuan's collection of letters. Huang Ziyuan began to learn Yan Zhenqing, and later studied Liu Gongquan and Ouyang Inquiry, and won the strengths of the people and became his own family law. He is familiar with the traditional method of using the pen and the rules of knotting, and has become a family. His strokes are well-proportioned and refined, and the knots are rigorous and dignified, both proficient in law and bright and pleasing to the eye. The Book of Letters Tianxiang's "Song of Righteous Qi" is its superb work.

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy
The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

Above is the word of the treasure cap, and the rest of the strokes should be hatted under it. Such as: universe, universe, ding

There is a bottom bracket of the word underneath, and the rest of the strokes should be attached to it. Such as: Zhi, Meng, Sheng

The left half of the word should be high on the left and low on the right. Such as: ministry, young, that is

The right half of the word should be long on the right and short on the left. Such as: performance, discussion, reading

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

The hook of the horse teeth, coping with the four points. Such as: birds, horses

The upper side is a flat drawing, and its top should be aligned. Such as: division, ming, both, wild,

The bottom is a flat drawing and should be aligned with the bottom. Such as: Dynasty, Homeland, Chen

There are a few words that are drawn, and there should be contractions and extensions. Such as: talk, tea, black

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

There are several hooked words, some to pick up the hook, some to hide the edge of the pen. Such as: forbidden, forest, forest

There are hooks on the top and bottom, the lower hook is obvious and the upper hook is hidden. Such as: brother, soft

There are words for pitch hook and pitch hook, the pitch hook should be short, and the pitch hook should be long. Such as; crown, Kou, house

The upper part of the main word should be wide on the top. Such as: Pu, All, Qi

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

The lower part should be the main word, and the lower part should be wide. Such as: table, Yu

The right part of the word is mainly the right part, and the right part can be fuller. Shi, Teng, Jing

With the left part as the main word, the left part should be larger. Such as: Jing, Huo, Liu

The left and right words should be small in the middle. Such as; bow, debate, derivation, elevation

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

The word with the middle as the main one, the middle should be large. Such as: roll, fan;

The above and lower words should be mainly used, and the middle should be small. Such as: warblers, widows

Longitudinal wrist pen, should be curved and powerful. Such as: wind, fly, air

Horizontal wrist pen, should be round and handsome. Such as: first, see, yuan, mao

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

Skimming the tail of a rat is the most taboo. Such as; court, house, bottom

There are several apostrophes side by side, do not write like a row of teeth. Such as: friend, and, anti, skin

With three words in a row, the lower stroke should be in the middle of the upper stroke. Such as: repair, reference, whiskers, shape

The three-point writing method, the lower point should correspond to the end of the upper point. Such as: governance, flood, flow, sea

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

The character should be written correctly, not biased, opposite the middle of the upper section. Such as: yes, foot, go

The earth characters should be written correctly and not biased, and the vertical painting on the left side of the lower section should be corrected. Such as: the old, the old, the examination

Words with intricate structures should be interspersed with corresponding concessions, but they should not be chaotic. Such as: prosperous, sweet

Tightly structured words, arrange properly, do not appear crowded and cluttered. Such as: succession, entanglement

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

When the stroke of the hanging needle is dewy (ending in a dewdrop, round), it is not beautiful. Such as: car, Shen, middle, towel

When the hanging needle is exposed, it appears weak. Such as: Zhuo, Single

Although the font is oblique, the heart of the word should be correct. Such as: easy, nai, mother, force;

The font is positive, and it should be written with bone strength; such as: positive, main, ben,

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

The characters are thin, and the glyphs should not be written too short. Such as: body, eye, ear, shell;

The words are originally short, so they are written more stoutly. Such as: white, work, day, four

The way to write under the cover (referring to people) should be to make the apostrophe and the pinch evenly proportioned. Such as: meeting, union, gold, life;

Take advantage of the (ㄨ) to write in a way that is proportional to the left and right. Such as: piano, miserly, each, valley

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

Although the word should be fat, it should not appear bloated; such as: soil, mountain, gong, and stop

Although it is advisable to be thin, it should not appear too thin. Such as: up, inch, talent, bu

Words with few strokes should be written fuller; such as: up, down, thousand, small

Words with many strokes should be written evenly. Such as: win, win

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

Horizontal and vertical. Such as: ten, up, down, soldier

Horizontal short vertical length. Such as: talent, bucket, abundance, well

Words with horizontal drawings on the top and bottom should be short on the top and long on the bottom. Such as: Pi, Zheng, Ya

There are vertical drawings on the left and right, and the left side should be retracted and the right side should be extended. Such as: purpose, self, cause, solid

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

The small words on the left side should be taken from the upper side: suck, exhale, peak, and jun

The small words on the right side should be taken at the bottom. Such as harmony, knowledge, detail

The outer is four stacks of characters (four mouths), and the whole glyph should be square. Such as: hustle, apparatus

Inside are four stacks of words, and the arrangement should be uniform and tight. Such as: cool, tooth

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy
The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

Stacked words should also be dissolved and not crowded or loose; such as: crystal, lei, sen

The accumulated words should be clearly drawn. Such as: chyme, zero, jing

The horizontal drawing below should be slightly longer to meet the end of the right vertical. Such as: mouth, day, field,

The end hook should be dragged a little longer so that it seems to have a downward trend. Such as: Ding, Yu, Ting

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

The hook of the treasure cover should be written as wonderfully as a bird looking at its own chest; such as: official, empty, zai,

The strokes arranged in a set should be as good as those carved by Seiko. Such as: He, Partridge, Mane (yu)

From the word "jie", take this as the standard; such as: seal, knock, but

From the word "邑" (右阝), take this as the standard; such as: suburb, Zheng, neighbor

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

From the word "Fu" (左阝), take this as the standard. Such as: Han, saka

From the word "deng" at the beginning of the word, take this as the standard. Such as: climbing, stool

From the word "sacrifice" at the beginning, take this as the standard; such as: sacrifice, Cai, Cha

From the word at the bottom of the word "poly", take this as the standard; for example: poly

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

From the word "豕", take this as the standard; such as: home, elephant, howe

From the word "亻", take this as the standard; such as: benevolence, yi, prostration, hugh

From the word "彳", take this as the standard; such as: Xu, Xun, Xing, very

From the word "messy" in the vertical hook, take this as the standard. Such as: milk, chaos, color, bag

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

Horizontal short skimming length; such as: left, in, you, dragon

Horizontal and long skimming short; e.g., right, yes, gray

Draw short vertically horizontally and draw long words, and the skimming should be extended. Such as: Wood, Ben, Zhu

Draw long vertically and draw short words horizontally, and the skimming should be shortened. Such as: music, set

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

Left is an apostrophe right is a vertical painting, and the left should be left-handed short and right-vertical long. Such as: Chuan, Sheng, Bang

The left is the vertical painting, the right is the apostrophe, the left vertical should be hand-drawn and the right-hand should be displayed. Such as: Yi, luxury, Xiu

There are several points of the word, each point of the direction should be different, so that it is changed. Such as: also, red, ran

There are several horizontal drawings, and the length of each horizontal should be different, so that it does not look dull. Such as: three, Ran

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

Don't write flat strokes, and if you write flat, there is no momentum. Such as: seven, also

Pinler's painting is not correct if it is oblique. Such as: cloud, go, and, dan

In the longitudinal zigzag, it is necessary to accumulate the pen and close the tail pen. Such as: Zhang, ruler, history, and

The word "Zigzag" is the most taboo and bent. Wu, Cheng, or

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

Horizontal strokes are not afraid of bending. Such as: grace, rest, will, will

The hook zigzag should be held. Such as: Mian, Xu, Throw

The word "person" should be in the middle. Heaven, Father, Outer, Text

The tendency of the flex pen should be reduced. Such as: dove, glow

The annotated edition of the Ninety-Two Laws of the Huang Ziyuan Kai Shu, the best Mongolian version for introductory calligraphy

Source: An idle man in the mountains

Statement: This article has indicated the source of the reprint, if there is any infringement, please contact us to delete! Contact email: [email protected]

Read on