Adolf von Menzel The famous German painter of the nineteenth century, whose works are represented by genre paintings and historical paintings, his sketches have given the world a lot of inspiration, especially the more than 7,000 sketches, which have pointed out the right direction of art for beginners!
Next, let's follow the master's footnotes to feel the innocence of the sketch!
In the ten years that I learned to draw, the first three years of learning were always in a state of imitation and reproduction that was close to madness, imitating the posture and pen skills of the teacher, drawing clean and tidy houses on paper, and I realized that this was the meaning of painting. When I had read the art history of the 14th and 15th centuries, I realized that among the runners who also imitated nature, we differed from scientists in that we gained the heat of life!
The things inside it are like black and white photos, leaving us with the same black shadow!
The picture of the paper towel rubbing through, like the city after the sandstorm, was covered with dust. The eyes skipped these scenes, the grain of the pencil makes the scene become vivid, a moment deeper and a little shallow, so that the details and the whole are full of texture, the life in this art is like a dream, both real and nothing!
Take a look at his sketches!
Such a fine product has never been analyzed for me, and I am even more puzzled by the repetition of those adjectives over and over again from the state of the predecessors who have been gagged for a while. I don't know who this is? Where is he looking? All I know is that his inexplicable impulse makes it impossible to "freeze" his sketch paper, and he makes me go over and over again to twist my neck to imitate his state, and I have to say that this work is interesting, and I also look silly!
This work has some Chinese painting charm in it, and the edge line that we overemphasized before has received a subversive solution at this moment, we compress three-dimensional things into two-dimensional things at the same time, we get a hypothetical edge line, which determines the accuracy of the image of things. When we emphasize the edges, the sense of volume is also incorporated and the light is accompanied by light, which makes the work a little less moving. When the edge line is gone, the gods and forms will consciously connect in the mind, creating a cascading sense of pleasure. This work is a good example!
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