From April 22nd to 24th, Lei Luo Xingyue Gao - a cultural master of the Central Propaganda Department and a "four batches" of talents, the National Peking Theatre "100 Days Training" leading talent training Tian Lei special performance was staged in Beijing Mei Lanfang Grand Theater, affirmed and loved by the audience, the atmosphere was extremely hot.
"Wild Boar Forest" Tian Lei as Lin Chong
"Wild Boar Forest" Tian Lei as Lin Chong and Fu Jia as Lin Niangzi
"Wild Boar Forest" Tian Lei as Lin Chong and Yang Wei as Lu Zhishen
Stills from "The Boar Forest"
This time, Tian Lei special performance for three consecutive nights. The first performance opened with the classic play "Wild Boar Forest" of the National Peking Theatre; the next day was a special performance of Tian Lei's folding sub-play, Tian Leiwen sang "On the Rooftop", Wu performed "Pick a Scooter", and In the middle, Fu Jia and Zhang Bing "cushioned the stage" to perform "Broken Bridge"; and finally " ended" the big axis for the excavation and sorting out of the big drama "Qilin Mountain". The three performances are both cultural and martial, full of highlights, which has triggered a boom in the majority of theater fans.
"On the Rooftop" Tian Lei as Liu Xiu
"Broken Bridge" Fu Jia as Bai Suzhen,
Zhang Bing as Xu Xian and Bai Weichen as Xiao Qing
"Pick a Scooter" Tian Lei as Gao Pet
The theater attaches great importance to the first special performance of leading talent training launched by the "100-day training", from the selection of the repertoire to the performance rehearsal organization, the leaders of the academy check the whole process, not only invited Liu Changyu, Li Guang, Zhang Jianguo and other famous Peking Opera performing artists as special artistic directors, escorting young actors, and often go to the rehearsal hall to understand the progress of rehearsals, cheer for the actors, and listen to the constructive opinions of old artists. During the rehearsal, teachers Li Guang and Shen Jianjin, as the artistic directors of "Wild Boar Forest", sat down every day, taught one move at a time, and cut word by word, from actor performances, stage scheduling to lighting sets, performance costumes, personally checked and poured a lot of effort. The youth league worked together from top to bottom, the whole beam went up to the dam, the league leaders coordinated the scheduling, the actors and performers did their best, and the stage beauty was guaranteed throughout the process. Tian Lei himself is even more all-out, excellence, not only seriously complete the daily high-intensity rehearsal, but also participate in the rehearsal of "Qilin Mountain" in the work, costumes and props, on and off the stage, are jointly carved and polished with colleagues. "Qilin Mountain" is based on the performance books of Chen Jinzhang, Chen Xincheng and Chen Xinwan, and has been taught to Tian Lei by Chen Xincheng and his brother Chen Xinwan. This is the last play that Teacher Chen Xincheng told Tian Lei on his hospital bed, and for Tian Lei, actively promoting the resumption of the performance of "Qilin Mountain" is the love of repaying the teacher, and it is also the responsibility to restore the excellent traditional repertoire of Peking Opera.
Tian Lei's excellent literary and martial arts performance, dashing and smooth stage performance, as well as the superb performance of all the actors, solid skills and highly perfect artistic presentation were recognized and warmly welcomed by the audience, and the applause in the theater was continuous, and the applause rose and fell. One of them, Ms. Wang, took her seven-year-old daughter to see the performance of "Wild Boar Forest", saw her daughter concentrate on watching the complete play, and said excitedly: "I really didn't expect that traditional Peking Opera was so beautiful and so attractive, with the performance of the actors, I can fully feel their charm, the excellent traditional Chinese culture and traditional aesthetics are vividly condensed and displayed in this play, it is too addictive, not only adults like it, children also love to watch, which is the most subtle education for teenagers." ”
"Qilin Mountain" Tian Lei as Ma Sanbao
Stills from "Qilin Mountain"
After the performance, the relevant leaders of the National Committee of the Chinese People's Political Consultative Conference, the Ministry of Culture and Tourism, and the famous Peking Opera performance artists Liu Changyu, Ye Shaolan, Zhang Jianguo, Dong Yuanyuan and others jointly discussed and discussed with the leaders of the theater and the representatives of the main actors. The participating leaders and artists gave a high evaluation to the special performance, saying that the performance stage was fresh, the genre was varied, the lineup was neat, inheriting the artistic style of the National Peking Theatre, showing the achievements of the construction of theater talents and the overall style of young actors, which was gratifying and congratulatory; the fine works could be passed on from generation to generation, that is, to follow the laws of art, to keep the integrity and innovation, again and again, year after year, generation after generation of artists continue to innovate, continuously improve, and constantly climb the peak of art, the National Peking Opera As a national art academy, To make an example, to lead the whole country, to let Chinese opera shine, to climb the peak, to produce fine products, to produce talents, to continue to cohesively in the construction of repertoire and talent training, along this road, our Chinese Peking Opera, our Traditional Chinese Opera, traditional Culture have great hope.
In the face of everyone's encouragement and affirmation, Tian Lei said: Thank you to the leaders and teachers, this is the first time in my thirty years from the art to hold a special session, I want to thank the training of the theater, the care of the leaders of the hospital, the teaching of the teachers and the hard work of colleagues. The 100-day training is a major measure for the theater to implement the work of talents, which reflects the good intentions and ardent hopes of the theater leaders, and I have the honor to be selected for the leading talent training program, which is a spur and an encouragement for me. I will uphold the original mission of literary and art workers in the new era, continue to work hard, move forward steadily, and repay the theater's cultivation of me with practical actions.
The "100-day training" carried out by the National Beijing Theater is to implement the spirit of General Secretary Xi Jinping's important speech at the Central Talent Work Conference, the powerful practice of bringing talents with the repertoire, and the concrete embodiment of the implementation of the strategy of rejuvenating talents. Through a series of important measures such as leading talents and top-notch talents, a number of Peking Opera performance leading talents with wide social influence in the industry have been launched, and a group of outstanding young talents with excellent quality and complete industry have been cultivated.
At the same time, the theater will also successively launch a group of Du Zhe, Wang Yue, the second group Of Li Bo, Zhang Jiachun, the youth group Zhang Lan and other leading talent training performances, and in the "Here is the Drama" performance, continue to launch the theater's top talent training special performances, passing on the theater Lide tree talent training concept, showing the achievements of talent echelon construction.
Written by: Luo Yanlin
Editor: Peng Wei Feng Jie
Photograph: Feng Jinming
Editor: Li Jinjin
(The picture and text are from the WeChat public account of the National Peking Opera of China)
Editor-in-Charge: Pastoral