In order to fully implement the spirit of General Secretary Xi Jinping's speech at the Central Talent Work Conference, deeply implement the requirements of Minister Hu Heping's speech at the Ministry of Culture and Tourism Talent Work Forum, and combine the "14th Five-Year Plan for the Development of the 14th Five-Year Plan for the National Peking Opera" and the actual business work needs, the National Peking Opera House has carried out the "100-day training" activity among the actors of the whole academy from the beginning of March to the end of September.
Since the launch of the activity, through the systematic "big practice" plan, up and down linkage, the results of the early "intensive training" have begun to see the beginning, "Here is the drama" small theater performance and the "Spring Voice" series or short and concise victory or the whole book is addicted to the whole play. During the Spring and Jingming Season, the theater launched the "Tian Lei Special Session of The Cultural Masters of the Central Propaganda Department and the 'Four Batches' Talents and the Leading Talents of the National Peking Theater's 'Hundred Days Training' at the Same Time" at the Mei lanfang Grand Theater, and the new generation of Guojing was full of vitality and flowers.
Tian Lei, Gong Wusheng, Lao Sheng, Wen Wu Lao Sheng, national first-class actor. Graduated from Shanghai Opera School, Chinese Peking Opera Outstanding Young Actors Graduate Class, the first Chinese Peking Opera Genre (Yang Pai Wusheng) class students. He has won the Gold Medal of the National Young Peking Opera Actors Television Competition, the Gold Medal of the 4th and 5th China Peking Opera Arts Festival, and the Plum Blossom Award of Chinese Drama. The Central Propaganda Department awarded cultural masters and "four batches" of talents. The 3rd Star of Chinese Peking Opera.
Learn from "Hundred Families" often perform "Half a Hundred"
Tian Lei is from the Liyuan family, his ancestral home is Huantai, Shandong, his grandfather was engaged in Lü opera screenwriting and composing all his life, and his father also engaged in band performance in the Lü opera troupe. Tian Lei was 8 years old and learned Peking Opera Yueqin and Xiao Gong. At the age of 10, he was admitted to the Shanghai Opera School by chance, officially changed to Peking Opera performance, and since then he has been out of control, building a platform on the soil and merging into the sea. His mentors include Qiu Zhengjian, Chen Xincheng, Liang Bin, Zhang Jinlong, Hao Ruiting, Gao Mukun, Li Haotian, Li Jinsheng, An Yunwu, Jing Huisheng, Zhang Xinzhong, Yang Shaochun, Feng Zhixiao, Zhang Shanlin, Li Guang, Zhang Jianguo, Chen Shaoyun, Geng Qichang, Kong Xiaofu, Pan Chengzhi, Li Baochun, Chen Xinwan, Guan Song'an and other famous masters.
Tian Leishi is famous, the drama road is wide, the literature and martial arts are part-time, after more than 30 years of accumulation, The traditions and adaptations of the often performed dramas include "War Horse Chao", "Fraudulent City", "Picking Scooters", "Xiaoshang River", "Battle against the Knife", "Pinggui Bei Kiln", "Ancient City Society", "Hanshou Tinghou", "Changsakapo Hanjinkou", "Noisy Heavenly Palace", "Zhong Kui's Sister", "Restaurant", "Seven Xiong Juyi", "Eight Sledgehammers", "Lion Tower", "Search for Orphans and Save Orphans", "Centipede Ridge", "Weiyang Palace", "Hongmen Banquet", "Qun Borrowing Hua", "Zhan Changsha", "Zhan Taiping", "Evil Tiger Village", "Tianba Baishan", "Shangtiantai", "Wu Pengji", "Xiao He Yuexia Chasing Han Xin", " Xianghe", "Meilong Town", "Qin Qiong Guanjing", "Wulongyuan", "Shilang Visiting Mother", "Long Feng Chengxiang", "Robbery of Weiying", "Han Palace Horror", "Three Niang Godsons", "Beating Nephews on the Grave", "Song Shijie", "Chu-Han Rivalry" (Shangxia Ben), "Orphans of Zhao", "Wild Bo Forest", "Seven Xiong Juyi", "Battle of Weinan", etc.; the newly compiled historical dramas include "North Wind Tight", "Shijie Wang Bo", "Luoshuiyiren", "Lady An Guo", "Great Desert Suwu", etc.; learning to act in modern dramas includes "Sha Jiabang", "Wisdom to Take Weihu Mountain", etc.; at the same time, the new modern drama "Mirror Sea Soul" Dongji Hero", "Daughter of the Party", "Reconnaissance of Crossing the River", "Warrior" and so on. Tian Lei often performs more than 50 plays, covering ma pai, Qi pai, Gai Pai, Li Pai, Yu Pai, Yang Pai and other genres of performing arts styles, showing thousands of weather and unique understanding on the occasion of the sea and the hundreds of rivers.
Tian Lei is a god with blue eyes and a picky horn embryo, looks "foreign", masculine and heroic, has a masculine voice, clear eyes and spirit, and is born as a good material for drama. He not only has good physical condition, excellent understanding, plus no distraction, practice hard work, especially for people low-key and sincere, gentle and humble, gentle and humble, gentlemen love his people, but also deeply cherish his talents. From the beginning of his study of drama, he received special preferential treatment from many famous masters of his predecessors, and the gentlemen broke the door view for him and selflessly taught him. Tian Leiben was a young man of high talent, became famous very early, over the years, under the selfless guidance of the teachers, he even learned drama without asking the source, Wenzhi martial arts, widely collected Bona, he from An Yunwu, Zhang Xinzhong, Chen Shaoyun and other gentlemen sang the literary drama including "Silang Visiting Mother", "Zhao Orphan", "Chu Han Rivalry", "Song Shijie", etc., and from Liang Bin, Zhang Jinlong, Yang Shaochun and other mr. martial arts performed including "War Horse Chao", "Eight Sledgehammers", "Deceitful City", "Evil Tiger Village", "Lion Building", "Xiaoshang River", etc., kung fu can be described as comprehensive, and the basic gong can be described as porcelain. When Tian Lei graduated and entered the Fujian Peking Opera House, he was mainly taught by Mr. Zhang Jinlong and Jing Huisheng, and in 2016, after he was transferred to the National Peking Opera House, he was mainly taught by Mr. Li Guang, Gao Mukun and Feng Zhixiao. Mr. Li Guang restored the Wenwu old student dramas "Wild Boar Forest" and "The Horror of the Han Palace" and taught "The Great Haunting of the Heavenly Palace"; Mr. Gao Mukun guided him to complete the rehearsal of "Changshanpo" and "Ganning Hundred Horsemen Robbing Wei Camp" and other plays; Mr. Feng Zhixiao re-produced "Qun Borrowing Hua" for his return. Literary talent and martial arts, various genres, Tian Lei obtained is the real everyone to teach. His achievements benefit from the repertoire and careful guidance of many famous teachers of various genres and trades, and also benefit from his own unremitting efforts in learning, the accumulation and persistence of thousands of miles, which can be called the all-round leader who has been sincerely taught by many famous artists in the pear garden line.
"Two big and two small" Wen Tao Wu Strategy
In 2016, Tian Lei was transferred to the National Peking Theatre and is now the leading actor of the Theater Youth Troupe. "The most beneficial spring of the year, the victory over the smoke and willows full of imperial capital", in the "100-day training" activities carefully planned and brewed "Central Propaganda Department Cultural Masters and 'Four Batches' Talents, The National Peking Theatre 'Hundred Days Training' Leading Talent Training Tian Lei Special Session" was held in mei lanfang grand theater on the evening of April 22 and 24. As mentioned earlier, Tian Lei has a broad path of drama, has learned and performed richly, and as a personal special performance for the cultivation of leading talents, the selected works are well-considered good plays. The personal special three-night performance, the opening of the classic play "Wild Boar Forest" by the head astronomical Wu Laosheng, the special performance of the middle and indirect folding sub-plays, the singing of "On the Rooftop", the martial performance of "Picking the Scooter", and the excavation and finishing drama "Qilin Mountain" used at the end. The special performance repertoire of two big and two small, from the number of points of view, although ten is less than one, but the recorded works are selected among the best, the overall arrangement of Wen Tao wu strategy is comprehensively balanced, and the phased concentrated display of the four plays in three days not only shows the omnipotent of the actor's personal work, the circle of the genre style learned, is the actor's professional proficiency in a certain extent, highlighting the stage, and at the same time, through the four plays, it also shows the macroscopic thinking and in-depth exploration of the artistic practice and theoretical summary of an artistically mature actor, which is the artist's clear thinking, Open your horizons to conscious experience and take the initiative to climb. The planning and performance of "Lei Lei Xing Yue Gao" is not only the existing repertoire and skills, but also the path and direction of the future.
"On the Roof": The king's hat robe is a rule and a square circle
Tian Lei as Liu Xiu
Tian Lei's ability to combine literature and martial arts is a strong point, especially "wen is literature, and wu is martial" is extremely rare. "Shangtiantai" is one of the representative plays of Lao Sheng, especially one of the classic masterpieces of Wang Hat Lao Sheng's singing voice, although the plot is relatively simple, it puts forward higher requirements for Liu Xiu, the main character, to sing, read and perform, especially a section [two yellow three eyes] is a classic, which can be described as well known to women and children, and is familiar to everyone. Tian Lei's handling of this singing voice is mainly to put himself in the shoes of Liu Xiu, singing the heartfelt words of the king to the old loyal subjects on behalf of Liu Xiu, and in the roundabout and gentle tone, he shows the extraordinary righteousness of the monarch between life and purity, and the sincere retention of the king for the loyal subjects. Tian Lei's young study of "Shangtiantai", the literary opera itself is very brilliant, and the "Shangtiantai" selected by this special folding play also fully proves that his singing skills are not in question, but Yiduo is not pressurized, and after being transferred to the National Peking Theatre, he followed Mr. Li Guang to learn the "Horror of the Han Palace" that has been sorted out and adapted, and the difficult performances such as hair throwing, hanging hair, and zombies in the second half of the "Taimiao" are often thrilling and appropriate. Although the two dramas have their own emphases and essences, Tian Lei's response to each performance is very warm, whether it is a single post of "On the Roof" or a co-performance of "Han Palace Horror".
"Wild Boar Forest": Wen Wu LaoSheng seeks to integrate and penetrate
Tian Lei as Lin Chong
Peking Opera "Wild Boar Forest" has been adapted and performed for more than 70 years, and the popularity of color films has now passed the reincarnation of the armor, which has created a new performance paradigm of Peking Opera veterans and wusheng performing arts, and established a comprehensive new artistic standard for wenwu veterans. Tian Leigong Wenwu was an old student, and his "Wild Boar Forest" was successively studied by Chen Xincheng, Li Haotian, and Li Guang. In 2016, after being transferred to the National Peking Theatre, the play was listed as a key repertoire of the theater, and Tian Lei studied with Mr. Li Guang and resumed performances. Tian Lei created by the predecessors and retained the wonderful points of Mr. Special Professor as much as possible, as perfectly as possible on the stage, on the one hand, he wanted to express his personal gratitude and admiration for the artists of the predecessors with high-quality artistic standards and high-level display; on the other hand, he also wanted to express his personal inheritance and understanding of this classic drama of wenwu laosheng with the technical programs and emotional experience he had accumulated over the years. The "Wild Boar Forest" field has wonderful and special points, and the field is all with skill and affection. Lin Chong wore a wusheng scarf on his head, dressed in white flower folds, and held a folding fan in his hand for the first appearance, Tian Lei's performance was mainly based on the inner experience of the characters, and carefully handled in the details; the sword sleeve (dancing sword) of the vegetable garden worship was the first formal meeting gift he gave to the audience, wearing an arrow suit, a single sword long spike, the performance was mainly beautiful and not chaotic, neat and clean and beautiful; the White Tiger Hall was even more fierce, and he was tortured on the way to distribution, and the [Gao Baozi] who performed and performed was the most seeing the strength of wen and martial arts. Singing voice and performance of water and milk blend; the mountain temple is the climax of the whole play, Tian Lei conveys the gods in form, the hero falls, and a passage of timeless singing "snow drifting" on the occasion of the journey is quietly braked, and the hero has no way out of the bitter helplessness, heroic warmth, resentment and hope. Tian Lei, as a post-learner, must be refined, and his use of "Wild Boar Forest" in the special performance is his self-consciousness as a descendant, of course, it is also his self-confidence as a veteran of literature and martial arts.
"Pick the Scooter": Relying on Wusheng to inherit the martial arts drama lineage
Tian Lei as Gao Pet
Clothes, pythons, pleats, drapes, leaning, one color dress one color, if not let Tian Lei or the audience pick, at this age, Tian Lei's first choice, the audience's first look should be the drama. In 2004, at the 4th China Peking Opera Arts Festival Martial Arts Ring Competition, Tian Lei won the gold medal of the Wusheng Group with a play "Tricky City", which can be described as a young warrior, who became famous in the first battle and was unsurpassed in his right. Tian Lei is good at martial arts, short fights, long depends on both ability, in line with the talent conditions to perform by tricks, he is not only good at wen and martial arts, he is also good at relying on the big martial arts, he is a rare all-round talent on the contemporary stage. "Pick a Scooter" to Gang Chunyang is the masterpiece of Li Huiliang, Gao Shenglin, Wang Jinlu and other martial arts heroes. Mr. Li Huiliang said that "Pick the Scooter" is difficult to sing, "Technically, there is no work, no kicking, no jumping; from the temperament point of view, it cannot be suppressed, and it is not possible to hold the pier." Tian Lei single-handedly picked up this drama to meet the audience in the special scene, and performed a wonderful and hot drama of Dawusheng, which shows the depth of his kung fu.
Tian Lei's performance of "Picking A Scooter" first practices the "Tao" of the performance he obtained from the gentlemen, and it is also his unique understanding of the ideas and methods of character performance, which is a kind of combing and summarizing the performance methodology. In Tian Lei's view, the characters of opera performance are first positioned as characters, and then with reasonable, realistic and beautiful artistic means to reflect the actors' perception and positioning of the characters. For example, the high pet in "Pick the Scooter" in Tian Lei's view is not simply foolish loyal to the feudal emperor's bravery, although he has the shortcomings of arrogance and arrogance, rigidity and self-use, but mainly a lone hero with high martial arts, actively asking for war, not afraid of strong enemies, sacrificing his life for the country, the overall temperament is generous and tragic, correspondingly in the performance, this tone and temperament positioning of the characters determines the direction and control of the technical level such as "hegemony", "making trouble", "going to the side", "big war", "picking the car", as a mature actor, Tian Lei presented to the audience "Numbers" and "techniques" are wonderful, thrilling, and soul-possessed with the aura and spiritual temperament of the characters.
"Qilin Mountain": Wen Tao Wuluo period shouzheng innovation
Tian Lei as Ma Sanbao
Tian Lei's personal special finale play "Qilin Mountain" is composed of the performance books of Chen Jinzhang, Chen Xincheng and Chen Xinwan, and the special performance of the play is not only a feeling for Tian Lei, but also a message for his new planning for his future career and the desire for a new artistic journey. Mr. Illness said drama, Tian Lei fully inherited "Qilin Mountain", as if it was the providence of the underworld, and it was a teacher who must be repaid.
As the leading actor of the youth group, Tian Lei also wants to use the rearrangement of this drama to help the construction of a young team. Since its establishment in 1955, the National Peking Opera House has maintained a regular structure of 3-4 troupes, and Mr. Zeng established youth leagues twice in the late 1950s and 1980s. In 2022, the three troupes of the National Peking Opera House were renamed the National Peking Opera Youth League, aiming to restore the tradition of the theater youth troupe and cultivate new era leaders. As the leading actor of the youth group, Tian Lei deeply feels the responsibility on his shoulders. Tian Lei specially picked "Qilin Mountain" to press the line, with the intention of taking the creative policy and method of the original youth troupe drama as the basis, thoroughly eating the tradition in the process of sorting out and restoring the traditional drama, integrating new creative thinking in the process of consolidating the foundation and cultivating the source, establishing patriotic loyalty and grand purposes, and becoming an innovative artistic pursuit. The special "Qilin Mountain" has a neat lineup, Lao Dan Zhang Lan, Lao Sheng Sha Hao, Hua Face Liu Dake, Xie Tianyi, Ma Along, Xiaosheng Zhang Bing, Wu Sheng Ou Jian, Wu Dan Bai Wei Chen, Ge Meng Youth Radiance. As a pillar of the stage, Tian Lei also has the heart to bring the team to life through a complete drama, and has the heart to cooperate closely with his partners and shine neatly. From the perspective of the starring personal work and technology, although "Qilin Mountain" is based on the old life of wen and martial arts, it is another unique role that is completely different from Lin Chong in the first "Wild Boar Forest", and it is not the same as other dramas played by Tian Lei, which is a new step and new goal for him to exert his personal artistic talents, integrate and inherit the style of the National Peking Opera, and promote the innovation and development of the Peking Opera cause.
The stars and moons are in the sky, the clouds are vast, Tian Lei is a rare Pu Yu in the pear garden line, with high talent, open-mindedness, learning drama and several genres, professionally spanning several trades, all-round in literature and martial arts, and preparing for one. On the evening of April 22-24, the cultural masters of the Central Propaganda Department and the "four batches" of talents, the National Peking Theatre's "100-day training" leading talent training Tian Lei special three consecutive stages, "Qilin Mountain", "Wild Boar Forest", "Golden Stage", "Pick the Scooter" four plays, can be described as a literary and martial strategy, the performance of endless wonderful and colorful.