"Heavenly Voice 3" continues wonderfully, Zhou Shen's difficult cover of "Cold to the End", the bel canto singing method is cleverly integrated into the rock arrangement, the ultimate listening experience is too addictive, and it is once again completely conquered by the "human lark".
Moreover, Zhou Shen did not breathe for 16 seconds, and the treble continuous shooting surprised the whole audience, changing speed twice in one breath, and even Zhang Shaohan was stunned. At the end of the performance, Liu Fengyao laughed at herself a little dizzy, Hu Haiquan was the most cute, and it was okay to hold her breath with Zhou Shen.
Liu Fengyao finally had the opportunity to cooperate with Zhou Shen, but she was a little worried about dragging her feet while she was excited. It turns out that singer-songwriters who are good at "old-school singing" have a bit of a single soft musical style, and whether they can hold the ethereal treble is also unknown.
However, Zhou Shen warmly encouraged a sense of security and full score: don't be stressed, "spread out" to play, just need to show your advantages and characteristics, I will find a way to release a completely different Liu Fengyao.
Zhou Shen did what he said, in order to make the stage more explosive, deliberately chose the arrangement form of "black rock". "Cold to the End", which has a high national popularity, has a new vitality in an instant, and the artistic conception is sharp and full of imagination.
Zhou Shen's delicate voice is full of storytelling. Moreover, the stage design is also very advanced, "black and white" face shooting side face, cold tone and soft heart, the sense of atmosphere is instantly full.
Zhou Shen is worthy of being the "strongest auxiliary", with a beautiful harmony and Liu Fengyao's textured voice line, so that the eardrums are crisp. In particular, the tail note is extremely cleverly handled, suspended and ethereal.
In the interlude part, Zhou Shen skillfully transforms the singing voice and uses bel canto singing to enhance the texture, and the stage of "Little White Porridge" will never disappoint. Hu Haiquan's comments are very graphic: Zhou Shen cut and polished in his own way, and the essence of the original song has a different shining point.
However, the surprise that Zhou Shen brought to everyone was not only the arrangement. In the climactic part, the "Lark on Earth" challenges high difficulty, 16 seconds without ventilation, and the high-pitched continuous shooting even sings the visual sense of "who gives me up".
At the end, Zhou Shen changed his bel canto singing method again. Unexpectedly, just singing the perfect sound seamlessly connected with the high-pitched continuous shooting, suppressing the ups and downs, full of excitement, and every note was full of power.
To tell the truth, don't underestimate the short 16 seconds, because under the premise of not changing the air, complete two shifts in one breath, looking at the Chinese music scene, there are only a few singers who can easily control, and the "little prince with iron lungs" does not deceive me.
Zhang Bichen and Zhang Shaohan were "stunned" throughout the whole process, Hu Haiquan was the most adorable, and actually held his breath with Zhou Shen, unconsciously helping to count the beats, and the musical appeal of "Little White Porridge" was too strong.
In fact, zhou shen lung capacity is amazing, 16 seconds without ventilation, is simply a "piece of cake". However, the partner is a little embarrassed, and after singing, even walking is a bit hesitant.
Liu Fengyao did not ease up for a long time, self-deprecating a little dizzy, worried about dragging his legs, the tension visible to the naked eye was too real. Zhou Shen warmly encouraged Liu Fengyao again: be sure to believe in yourself, don't hide yourself, there are more people who like you than you think.