The movie "Farewell to the Overlord" is a tragedy, the foundation of the tragedy stems from the distorted cognition of gender, in this tragedy, the artistic image of Cheng Dieyi is beautiful and pitiful, and there is an image that is ugly and terrible, that is, there are not many scenes, but enough creepy Zhang Gonggong.
Zhang Gonggong is actually not very old, and the performance of the actor Tong Di makes people shoot the case amazingly. He didn't speak, and only used a few "aaaahs" to show this physical and psychologically twisted person to the fullest. On the stage, "Overlord Farewell", but in fact, he is the "Overlord" offstage, which determines the fate of everyone in the drama class. Zhang Gonggong took a fancy to Xiao Douzi and directly abducted him, which could not be explained, and it had been a rule for many years to be a blessing.
Zhang Gonggong is a man who has lost his fertility, he yearns for women, but also envies men, he has everything, only hope is not. When Xiao Douzi trembled and said that it was now the twenty-first year of the Republic of China, Zhang Gonggong raised his throat "man" once.
The feudal dynasty castrated Zhang Gonggong's gender, and gave him glory and wealth, making him completely loyal to the dynasty, and when the dynasties changed, Zhang Gonggong realized that everything he had would gradually lose like a man's ability, he madly destroyed everything, including the small beans in front of him.
This "rape" scene completely destroyed Xiao Douzi's psychological defense line, and his desperate life forced him to take another path of "gender confusion", coming out of Zhang Gonggong's mansion, Xiao Douzi adopted a baby boy,
This baby boy is not only The hope of Xiao Douzi, but also the node of his life - from Xiao Douzi to Cheng Diyi.
Decades later, Yu Ji smoked a big cigarette, and the overlord sold watermelon,
Zhang Gonggong sat at the door of the theater selling cigarettes, the old life was like an ant, he was an appendage of the royal family and a victim, he had no home and no future, the emperor was gone, and he had nothing. Compared with the prestige of that year, this kind of life gap is like a world away.
[The "father-in-law" in the film and television drama is the most terrifying]
There is no shortage of depictions of fathers-in-law in China's film and television dramas. Li Gonggong in "Nine Pin Sesame Officials", a side face full of fierce and evil, an old mouth scolded all over the imperial court civil and military officials, but it is a pity that the scolding can not win the Nine Pin Sesame Officials Bao Longxing.
The Chang Gonggong in "The Gate of the Big Mansion" has a kind face, but he wants to exploit other people's family property with a small calculation in his stomach.
In "Embroidered Spring Knife", the Gonggong of Wei, the Duke of Wei, is a very popular subject of the power and the wilderness, he is the "peak of life" in the ancient eunuch industry, as a "Tianzi slave", he tortured the group of courtiers left and right, and the position and Tianzi Qi also tasted the flattery.
In literary and artistic works, when "father-in-law" is mentioned, most of them are related to sinister cunning, evil and cold-bloodedness, their lives are connected with politics, and most of their fates are not good, quite like the watchdogs of large families in the old society, who have won the strength of the people and have been beaten the most miserably by sticks.
Zhang Gonggong in "Farewell to the Overlord" has only three scenes, and the complete line is only one sentence, but his non-human and non-ghost image is undoubtedly the most frightening in the whole movie, in fact, he did mutilate a lot of men and women. The image of the "father-in-law" in film and television works is often exaggerated by the amplification of art, ignoring the sad existence of this group due to historical reasons, perhaps that era has gone, but the lesson is still there, warning us: human nature can not be distorted, otherwise it is terrible!