Li Zaixing, born in 1982, ethnicity: Han, ancestral home: Linyi, Shandong, current residence: Beijing, character: Baiming, pen name: Mo Yun, master tutor, president of China Ink Cultivation Calligraphy and Painting Institute, member of China Artists Association, member of Chinese Poetry Society, member of Calligraphy and Painting Art Professional Committee of China National Architecture Research Association, first-class artist. Influenced by the family environment and passionate about calligraphy and painting since childhood, Tang Kai started and studied under the famous calligrapher Mr. Lei Xianping (Mo Geng) in 2008.
His paintings are real and vivid, fresh and atmospheric, concrete and intimate, the landscape is real in the virtual, the virtual is real, there is both vivid and natural freshness and realism, and there is a transcendent and attractive pen and ink charm. It shows the characteristics of freedom, pine show, stretching and beauty, and paints the unique momentum and charm of real mountains and real water.
It can enable the viewer to see the object and see the image of the thought, from the inside of the painting to the outside of the painting, from the limited to the infinite, as if wandering in the endless poetic painting. Admire his paintings like the spring breeze, refreshing; such as drinking alcohol, long aftertaste; such as chewing olives, intriguing, such as climbing Mount Tai magnificent and awe-inspiring, such as the beautiful vision of the Huangshan Mountains, can give people the enjoyment and strength of great beauty.
The ancients said: "Painting for people, each has its own nature, the pen is exquisite, do not know what to do." With exquisite pen and ink skills, he strives to engage in painting. He paints a wide range of roads, a wide range of subjects, rich social experience, each work contains profound ideas, each work shows a charming charm, each work is full of righteousness, talent, full of literary atmosphere, expressing aura, deeply hidden undertones, his painting atmosphere is colorful and vivid. It's tiresome to watch and linger.
The meandering and turning of the lines, vigorous and powerful, with the pen old spicy, capable, so that the picture is staggered, the layers are clear, the picture is virtual in the real, the real is virtual, the replacement of the virtual real, complement each other, a few strokes will be the motherland's great rivers and mountains like ink laid out in front of the viewer's eyes, people feel empathy. As li Keyan, a master of Chinese painting, said: "The artistic conception is the soul of art, the concentration of the essence of objective things, coupled with the casting of people's thoughts and feelings, after a high degree of artistic processing to achieve the fusion of scenes, through the lyricism of the scenery, so as to express the artistic realm, the realm of poetry, is called the artistic realm." ”
It is precisely because of his perseverance over the years that he has refined the connotation of art and has a breakthrough of the times, this new artistic realm and form of expression, fresh and vulgar, deep and dignified, has formed a unique personal style, enjoying a high reputation at home and abroad.
He not only paints well, but also has a unique style of writing, his ink is smooth, his brushwork is bright, he is deep and vigorous, he is simple and thick, he is broad and generous, he is indulgent and open, he is dignified and refined, and his pen is old and spicy. Its color, its shape, its thickness and wetness, its intermittent tossing, thickness and thickness of hidden dew are infinitely variable, and the weather is endless.
The glyphs are interlaced, large and small, opening and closing, and the thickness of the lines changes significantly, and the ups and downs are caused. Chen Rong took the precarious situation, and his knot shape was either leaning or positive, heavy or light, and had the beauty of "coming like thunder to collect anger". He writes quickly, with a powerful pen and a heavy force.
Dots, strokes, and lines are full of vitality, rhythm and rhythm, showing moving expression beauty. Heavy pens are like falling stones from mountains, light strokes are like spring silkworms spitting silk, into bamboo in the chest; priorities, all of them are corresponding. That kind of calmness, that kind of dashing nature, that kind of powerful weather, that kind of square and subtle, all stand out at the end of the paper between the dots and flying white.
His infinite creation will surprise you and surprise you! Calligraphy lines show strong, elastic, inner strength, thick but not heavy, thin is not light, strong and energetic, giving people a beautiful, healthy aesthetic enjoyment, between the lines, like the east wind blowing, fluttering like a fairy, its brush turn is very flexible, revealing a rhythmic beauty.
Edit: Jing Ya