In the 1980s, the mainland film world was full of flowers and stars. A large number of excellent good films have emerged, and major film studios have also shown a thriving scene. Because of the good soil and growing environment, in the 80s, a large number of young film stars also emerged in the mainland film industry.
Their unified characteristics are good acting skills, high appearance, especially a large number of female stars, which are particularly dazzling. Compared with Bai Yang, Yu Lan, Zhang Ruifang, Qin Yi, Tian Hua, Wang Danfeng, Wang Xiaotang and other predecessors, they got more performance opportunities in the 80s and the roles they encountered were more in line with their respective plays. Therefore, in the 80s, these female stars fully displayed their talents and bloomed with unique charm. The influence it has in the audience is also unmatched by today's actresses.
Among them, there are 10 female stars, which are particularly excellent. In the eyes of the audience, they are the best actresses in the 80s, almost all of them are winners of the Golden Rooster Award, the Hundred Flowers Award, and the Golden Phoenix Award. Their outstanding performances not only add luster to the films they starred in, but also amaze all audiences.
However, even if they are all film queens, their acting skills are also high and low, so today, Yaqing will work with everyone to rank these 10 actresses with the best acting skills, and once again appreciate their respective "famous scenes" in the movie, see their good, where is the good?
10th prize: Zhang Jinling (representative works "From Slave to General", "Xu Mao and His Daughters", etc.)
Speaking of Zhang Jinling, it is impossible not to mention Liu Sijie, who played in the remake version of "Reconnaissance of Crossing the River" when she first appeared on the screen.
In the 1970s, the actors' performances were very stylized. However, Zhang Jinling presented a simple and natural performance with the characteristics of the times in "Reconnaissance of Crossing the River". Although the character color given to Liu Sijie by the script is not distinct, Zhang Jinling still reflects all aspects of this role, making the character appear more plump.
In the 1980s, Zhang Jinling had become the head of the North Film Studio, one of the "Three Flowers of the North Film" launched by the North Film Studio, and was also the candidate for the heroine of many films.
In "From Slave to General", Zhang Jinling played Luo Xiao's wife Soma, the role of the film is constantly changing, when she appeared as a bitter and bitter slave who sold herself to bury her father, she was later saved by Luo Xiao and became Luo Xiao's wife, and then she became the mother of several children, and at the same time she continued to improve in battle, and finally like Luo Xiao, she also became an unswerving revolutionary.
Zhang Jinling has a good grasp of the different states of the characters under different identities, accurately reflects soma's psychological changes, and growth process, and rich performances, making the audience feel real and credible.
In "Xu Mao and His Daughters", she challenged a role she had never played before. Before this, Zhang Jinling played most of them as Wen Wanxianshu's virtuous wife and mother, which was more in line with her own temperament and drama path. The three spicy children in "Xu Mao and His Daughters" are spicy, crisp, knife-mouthed tofu hearts. In order to play this role well, Zhang Jinling has put a lot of effort into it and done a lot of design. Among them, Yaqing believes that the most brilliant is the scene where the three spicy children quarrel and fight with Zheng Baixiang.
In order to highlight the character characteristics of the characters and express the complex moods of the characters, Zhang Jinling specially added an action of rubbing hemp rope. As a result, While scolding, Zhang Jinling skillfully rubbed the hemp rope, picked the hemp rope, and threw the hemp rope, and occasionally "choked" the spit into the palm of the hand, as if it was gnawed on Zheng Baixiang's face, which suddenly made the character become agile, and prepared for the later escalation of the contradiction.
A good actor can always make a bland scene vivid and good look.
It is a pity that Zhang Jinling did not take on more films after this, but put her main energy into the cultivation of children. Otherwise, her artistic achievements in performance will definitely be recognized by more fans. After Li Xiuming and Liu Xiaoqing, it is also very likely that they will become film queens.
9th prize: Zhang Yu (representative works "Lushan Love", "Bashan Night Rain", etc.)
Zhang Yu is a particularly spirited actor.
This, we know by looking at her performance in "Lushan Love" and "Bashan Night Rain".
Later, some people said that changing another actor to play Zhou Yun in "Lushan Love" can also be popular. I have reservations about this statement.
Because I think Zhou Yun in "Lushan Love" is a character tailored for Zhang Yu.
I think the cheerful and bright colors that are unique to Zhang Yu add too much color to the role of Zhou Jun.
At that time, Zhang Yu had not yet gone abroad, and she relied more on her own imagination about what Zhou Yun, the daughter of an overseas Chinese, should be. However, judging from her performance in the film, zhou Jun, whom she starred in, did not have any sense of violation. For more viewers, the fashionable girl who returned from abroad should be Zhang Yu's appearance.
In addition, she also reflected Zhou Jun's optimism, cheerfulness and generosity, as well as her admiration and love for Geng Hua.
There is a scene in the film where Zhou Yun secretly kisses Geng Hua, and Zhang Yu's performance is also exceptionally pure, which makes people feel beautiful and subtle. I think that in the handling and performance of this scene, Zhang Yu's sense of proportion is just right. For this reason, she won the title of Double Film Queen of the Fourth Popular Film Hundred Flowers Award and the first Golden Rooster Award, not without reason.
In the movie "Bashan Night Rain", Zhang Yu has begun to consciously penetrate into the heart of Liu Wenying's character, through complex eye changes, to reflect the painful transformation process of the character. This marks her successful entry from being an actor of her own color to the ranks of character actors.
8th prize: Chen Chong (representative works "Little Flower", "Awakening", etc.)
Chen Chong was lucky.
She always seems to be able to meet the right role at the right age.
At the age of 15, she met the dumb sister in "Youth", at the age of 18, she met Zhao Xiaohua in "Little Flower", and at the age of 20, she met Su Xiaomei in "Awakening".
Because of the similar age, there is more resonance between the actor and the character. Actors are also more likely to succeed in their performances.
In 1980, Chen Chong won the Best Actress Award at the 3rd Hundred Flowers Awards for her role as Zhao Xiaohua in the movie "Little Flowers". The actresses who competed with Chen Chong for the Hundred Flowers Award were Liu Xiaoqing, Zhang Jinling, Xie Fang and others, but in the end why did Chen Chong win the crown? Is she the best actor? I don't think so. It was her innocence that touched the audience. It is her image, age and temperament that just fit very well with the Zhao Xiaohua in our hearts.
In the movie "Little Flower", the most valuable thing about Chen Chong lies in her reality. She doesn't seem to need to act at all, she just needs to show her true side in front of the camera. And it is precisely because of this "truth" that the audience sees her development potential and feels her unique charm.
Later, before Chen Chong went abroad, he played the role of Su Xiaomei in the "Awakening" filmed by the West Film Studio. I think Chen Chong's performance in "Awakening" is far less natural and vivid than when he starred in "Little Flower", the most important point is that at this time, Chen Chong already has a sense of performance, she seems to particularly want to show Su Xiaomei's personality and inner psychology, but her understanding of the character is limited, so she seems to be a little powerless.
At that time, when it came to Chen Chong, in everyone's hearts, it was still the embodiment of the role of Zhao Xiaohua.
Seventh place: Liu Xiaoqing (representative works "Little Flower", "Look at this family", "Hanging Curtain listening to the government", "Furong Town", etc.)
Liu Xiaoqing is one of the actresses with the most masterpieces in the 80s.
And she's done a great job in these films.
First, let's look at her performance in "Little Flower". We all say that Chen Chong belongs to the true color performance in "Little Flower", so why not Liu Xiaoqing in "Little Flower"? She portrayed He Cuigu, warm, kind, smiling sweetly, standing in the light and shadow, itself is a painting, where does it need to be performed? Of course, Liu Xiaoqing thinks that the scene where he carries a stretcher to climb the ladder is very good. However, if you change to another actor, such as Zhang Jinling, to play this scene, what is the difference? The scene itself is touching, coupled with the blessing of the song "Velvet Flower", anyone who plays it can achieve better results.
To be honest, compared to "Little Flowers", her performance in "Look at this Family" is even better. Although the role is small, she has reflected the personality color of Zhang Lan to the greatest extent in a limited time. Whether it is the design of the physical movements or the use of emotions, they are unique to this character and unforgettable. It is not an exaggeration to say that she is the most brilliant actor in "Look at this Family".
Then, in "Hanging curtains and listening to the government", her interpretation of the role of Cixi, although exaggerated, is also reasonable. The inner psychology of the characters is portrayed in a clear layer, so that this fierce and jealous character image jumps on the screen.
I remember that at that time, Liu Xiaoqing publicly told media reporters that she was the best actress in China. I think she was very confident when she said this.
However, Liu Xiaoqing also has Liu Xiaoqing's shortcomings and areas for improvement. Especially after the movie has been performed more, many stylized performances have formed a "routine", such as the "fake smile" that the audience has been spat on, such as tears in the eyes when they are excited, etc., which have not escaped the audience's eyes.
In 1987, Liu Xiaoqing met another good role, that is, Hu Yuyin in "Furong Town". With the help of director Xie Jin, she once again completed the task well. I think she has two commendable places in "Furong Town", one is that she is very lifelike. In order to play Hu Yuyin well, she specially went to Xiangxi to experience life and learn how to make rice tofu. Judging from her performance in the film, she clearly reflects the identity of the character with ease. The other is the accurate and natural flow of her lines, which has made great progress compared with before.
Therefore, with this role, she finally won the title of Golden Rooster and Hundred Flowers Award, which is also deserved.
But is Liu Xiaoqing the best actor in "Furong Town"? I don't think so. Jiang Wen, Xu Songzi, etc. have more brilliant performances. The biggest problem with Liu Xiaoqing's performance is that it is relatively superficial. In fact, "inner drama" has always been Liu Xiaoqing's weakness, which I think everyone agrees with, right?
Sixth place: Gong Xue (representative works "Good Things and Many Mills", "Under the Bridge", etc.)
Speaking of Gong Xue, everyone may be more attracted by her high appearance. Actresses who look too beautiful often make the audience ignore their acting skills.
However, Gong Xue has acting skills, and she is also one of the best actresses in the 80s.
She debuted on the silver screen in 1979 and played three roles in the film Festival. In 1980, she was well known to more audiences for playing the heroine Liu Fang in "Good Things and Many Mills". In "Good Things and Many Mills", the director gave the male and female protagonists many close-up shots, and Gong Xue's exquisite face obviously stood the test of the camera, and she can also reflect the emotions of the characters and the ups and downs of inner emotions through the subtle changes between the eyebrows. It can be seen that Gong Xue is a very good actor and is very good at the interpretation of inner drama.
I think Gong Xue's performance in "Under the Bridge" is even better. And the magic is in "seeing the good and receiving".
Many actors who have become famous have a "problem", that is, they are afraid that the audience will say that they have "no acting skills", so they will act desperately, and the result of this is often too full and too exposed, and the audience does not like it.
However, in "Under the Bridge", Gong Xue is always light, his behavior is light, and his eye use is also light, as if the characters live around us. The sense of proportion in the performing arts is actually very difficult to grasp. However, Gong Xue has done this, whether it is the character's internal psychology or external actions, all of which are naturally revealed, showing clean, subtle and beautiful.
In 1984, Gong Xue competed with the famous actor Li Ling for the honor of best actress at the 4th Golden Rooster Awards. Li Ling is a very good actor, but in the end, the organizing committee awarded the award to Gong Xue, which is enough to show that Gong Xue's performance in "Under the Bridge" is extremely successful and advanced.
Fifth place: Li Xiuming (representative works "Xu Mao and His Daughters", etc.)
Li Xiuming was also popular as early as the 70s. The role of Tian Chunmiao that she portrayed in "Spring Miao" has touched the hearts of many people. After the time entered the 80s, Li Xiuming ushered in the peak of his acting career. She has successively starred in different roles in films such as "Sweet Career", "Tonight's Starry Night", "Peacock Princess", "The First Woman in the Mountain Forest" and so on.
However, for more fans, the character she played best was Xu Xiuyun, the fourth girl in "Xu Mao and His Daughters".
Unlike Liu Xiaoqing, who is also the "Three Flowers of the Northern Shadow", Li Xiuming is very good at grasping and interpreting the "inner drama", and her eyes are very agile, and she is also very good at showing the inner waves of the characters through the flow between the eye waves. This characteristic of hers was fully brought into play in "Xu Mao and His Daughters". There are several scenes in the film, all of which have a shocking effect because of Li Xiuming's performance.
Especially when expressing his feelings for Kim Dong-shui, Li Xiuming's performance is implicit but not revealing, just right, implicitly and profoundly reflecting the character's personality and inner activities. As a result, she won the title of Double Film Queen of the Second Golden Rooster Award and the Fifth Hundred Flowers Award.
Fourth place: Wang Fuli (representative works "Sunrise", "Our Cow Is 100 Years Old", etc.)
Wang Fuli is not a shadow queen, but a shadow queen.
She starred in "Sunrise" and "Our Cow Hundred Years Old" as supporting roles, but her superb acting skills are really impressive.
Before this, her personalities in the hearts of more of our audiences were Lu Ruifen in "Golden Light Avenue", Li Minshu in "Green Sea Tianya", and the four girls in the Bayi factory version of "Xu Mao and His Daughters", all of whom were gentle and virtuous women of the good family.
However, in "Sunrise", she completely let go of herself, and with her "reborn" acting skills, she created the image of Cuixi, a low-level woman who had been weathered and bullied. Her performance is vivid, natural, deep and delicate, showing the complex psychology of the characters and giving them a vivid color. Because of her interpretation, the character of Cuixi is particularly brilliant in the whole film.
Compared with Cuixi, the role of Chrysanthemum in "Our Cow Is 100 Years Old" is completely different from Cuixi's, whether it is a character identity, or a personality, or fate, but Wang Fuli still uses skillful acting skills to create a role that is very different from his own personality. Shows high acting talent.
She won the Best Supporting Actress Award at the 6th Golden Rooster Awards and the Best Supporting Actress Award at the 9th Hundred Flowers Awards for her role as Cuixi. She proved with practical actions that "the role is no size, and the actor has a high or low". A truly good actor usually has the power to turn decay into magic, even if it is only a scene or a line, it can show a deep skill. Wang Fuli is undoubtedly one of the representatives.
Third place: Sichenkova (representative works "Return to the Heart Like an Arrow", "Camel Shoko", etc.)
Schenkova is a typical character actor, acting like nothing.
Let's first look at her performance in "Returning to the Heart Like an Arrow". Although this is the first screen role she shows us, her performance is not at all rusty and green, but more like an experienced "old drama bone", so natural, so easy to put away.
The biggest feature of her performance is that she is natural, feeding Wei Desheng, talking to Wei Desheng about her future life, etc., she behaves so vividly, without any trace of acting. Among them, the scene where Wei Desheng and Wei Desheng exchange heartfelt words in the woods, her performance is calm and subtle, but it has achieved the effect of directly hitting people's hearts.
In "Shoko the Camel", Schenkova fully demonstrated her ability to portray the character. The tiger girl she portrays has a unique image and a very distinct personality, and she interprets this difficult role vividly through a wide-open and closed performance, which is both faithful to the original and bold breakthrough. Several of the scenes, such as flirting with Shoko through wine late at night, pretending to be pregnant to intimidate Shoko, Enwei and persecuting Shoko, etc., were all vividly performed by her, which made people shoot the case.
As a result, she became the double shadow of the 3rd Golden Rooster Award and the 6th Hundred Flowers Awards, which is also deserved.
In terms of acting, Schenkova is really the best actress in the 80s.
Second Prize: Li Ling (Masterpieces "The Girl from Huangshan Mountain", "The Last Winter Day", etc.)
Li Ling attracted the attention of the audience in 1980 for starring in the movie "Miao Miao". The main reason is that her performance is simple and natural, like a fresh wind, blowing into the hearts of the audience.
She is a drama actress, with rich acting experience and line skills, and her performance in front of the camera is also relaxed, so she quickly stood out from many young actresses.
In 1984, Li Ling won the Best Actress Award at the 5th Golden Rooster Awards of Chinese Cinema for successfully portraying the role of the little nanny Gong Lingling in the movie "The Girl from Huangshan". I think the most moving thing about her is her simplicity. She completely surrendered herself to the character, from appearance to heart, completely loyal to the character. What the character needs, she gives. Very real, not exaggerated.
The real thing is often the most touching, and what Li Ling shows in "The Girl from Huangshan Mountain" is precisely the most real beauty. When portraying Gong Lingling, she also used some acting skills, but all the acting skills were in the service of shaping the role. This is in stark contrast to actors who only know how to show themselves all day long.
Li Ling is also a very good actor who is good at acting with his eyes, which is evident in Wu Ziniu's 1986 "The Last Winter". Her eyes are accurate and in place, even if she does not speak, she can let the audience see the inner activities of the characters clearly. A young actor, without deep acting skills and rich cultural heritage, is difficult to do this.
Since then, Li Ling has starred in film and television dramas such as "The Last Imperial Princess", "Song Qingling and Her Sisters", "Shanghai Family" and so on, and almost every time, he has never disappointed us. This is naturally not unrelated to her rigorous and serious creative attitude.
Who would object to saying she was the best actress in the '80s?
First prize: Pan Hong (representative works "Man to Middle Age", "Cold Night", "Well", etc.)
Pan Hong and Liu Xiaoqing were both actresses who won the most acting awards in the 80s.
But in contrast, Pan Hong is obviously more powerful in acting, and the control of different types of roles, especially the shaping of tragic roles, is not only comfortable, but also forms his own unique performance style.
I think the biggest feature of Pan Hong's performance is that it is very advanced. She never squeezes tears in order to show her acting skills, nor does she smile for no reason in order to make herself look more beautiful in the camera. She often uses a casual look and an inconspicuous action to explain the character's story, growth background, and her personality and professional characteristics.
Let's take a look at her great performance in "Man to Middle Age". When she portrayed the role of Lu Wenting, she fully demonstrated her acting talent and extraordinary emotional control ability. There are a lot of close-ups in the film, especially close-ups of the eyes. It's a huge test for every actor. However, Pan Hong behaved almost perfectly. The scene of tearfully eating cold baked cake has always been regarded as a classic by everyone. Why? Because her expression is very accurate, and the emotions are sincere and full of emotions, the audience can't help but be immersed in the scene and empathize.
"Well" is another masterpiece of Pan Hong, who once again successfully created a role with tragic beauty - the intellectual woman Xu Lisha, and her skillful performance skills have once again been vividly played. And this time it was more handy. Although Lu Wenting and Xu Lisha have many similarities, Pan Hong still deduces their differences through their inner excavation.
In "Well", Pan Hong accurately shows the transformation process of the characters from youth to middle age, and reflects the melancholy, simplicity and innocence of Xu Lisha's youth, as well as the freedom, competence and maturity of middle age. Compared with Lu Wenting's calm like water, Pan Hong also presents a volcanic eruptive force in "Well". When she shouted out the words "just don't love you", we seemed to see a completely different Pan Hong.
In fact, Pan Hong's performance in "Well" is more intriguing, but unfortunately, the audience who has seen this movie is too small. So until now, when it comes to her performance, the first thing that comes to mind is Lu Wenting in "Man to Middle Age".
Pan Hong is obviously a good actor with all-round qualities, acting in tragedy has a unique charm, and acting in comedy can also be its own. In 1992, she starred in a comedy film "Strand Madness", whose performance was completely different from her previous performances in "Man to Middle Age" and "Well". But it was just as successful.
Pan Hong is the actress who has won the most Golden Rooster Awards so far, and this record has not been broken so far. This fully shows that her acting skills, as early as the 80s, have been unanimously recognized by the majority of audiences and experts.
Dear friends, from Zhang Jinling, to Liu Xiaoqing, to Pan Hong, these ten female stars with the best acting skills in the 80s, who was the most admired by you that year? What is their masterpiece the most? Welcome to interact with more netizens through the message area.
This article is the original work of the DJ Yaqing team, please do not copy without permission! Violators will be prosecuted!
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