Guo Wen
Puning people, Guangdong, ancestral home of Chaozhou.
He is a member of the China Artists Association
He is a member of the Chinese Women Painters Association
Vice President of the China Institute of Contemporary Calligraphy and Painting
Professor of Shenzhen Academy of Calligraphy and Painting
Chairman of Shenzhen Yantian District Artists Association.
Many of his works have won awards or been collected in the national exhibition sponsored by the China Artists Association, and his works have been held in many art exchanges and exhibitions in the United States, Russia, Canada, France, Japan, Thailand, China, Hong Kong, Macao and Taiwan. He is known as the "Southern Rhyme and Northern Bone" landscape painter, and has been introduced and reported by the news media, professional newspapers and magazines. In 2013, he was included in the compilation of the "New Chinese Art Dictionary".
Works selected and awarded:
2008 National Exhibition of Chinese Paintings
2009 National Exhibition of Chinese Paintings
The first National Biennale of Chinese Landscape Painting Art
The 2nd National Biennale of Chinese Landscape Painting Art
The First National Academic Exhibition of Chinese Painting
Won the Silver Medal at the Asian Art Biennale (Hong Kong).
The 3rd Chinese National Art Biennale
The Second National Exhibition of Chinese Paintings and Oil Paintings on the Silk Road
The 10th "National Hundred Flowers Award" - exhibition of art works of various ethnic groups in China
International Olympic Congress of Fine Arts Exhibition
Excellence Award of Teachers and Students Exhibition of the National Academy of Painting of China
"Jinghao Cup" National Exhibition of Chinese Paintings
The final exhibition of the Chinese Painting Creation Advanced Research Class of the China Artists Association
National Peony Plum Blossom Invitation Exhibition
Painting Emperor Chang'an wrote a vast painting of Lingnan Yi poems
——Appreciation of Ms. Guo Wen's works of "Nong Yin • 2022 Chinese New Year Exhibition"
Ugly to Yinlai, "Nongyin • 2022 New Year Exhibition" set up in the air, received a lot of works from famous artists. The landscape works exhibited by the famous painter Ms. Guo Wen became the amazement of this exhibition! From "Returning to Fishing" to "Fuju", from "Outside the River Flowing Heaven and Earth" to "Water Holding lonely village Yurunqin", all the way to see, beautiful. You may wish to step into her Danqing world and see the integration of landscape creation and the outstanding expression of Danqinglong vein. Looking at her paintings, both pen and ink and color are exquisitely handled and delicate, without any drawbacks. If these landscape works are decorated into a golden book, they have the effect of painting notation, and they should be regarded as a new mustard garden with a special theme of landscapes.
In addition, her landscape creation has a very resistant cultural connotation to taste, such as "No Dust" hanging in the hall of the Yashe, a glance back is the charm of not forgetting, and the aesthetic quality reflected in the work is really extraordinary. This explains why Ms. Guo Wen's landscape works are influential at both the national and international levels. The painting is of a high professional level, the painting is very artistic, and its famous works are the fruits of natural achievement!
Ms. Guo Wen paints landscapes and has the exclusive wisdom of "reconciling to harmony", and it is important to have this wisdom. Because landscape creation has been divided into two major systems since the Ming Dynasty, the northern school and the southern sect, the performance situation of landscape creation has been in a state of diversion. The Landscape Paintings of the Southern Sect are Lush and Flowing, and the Landscape Paintings of the Northern Sect are Magnificent and Lonely. According to the core of the pursuit of harmony and moderation in traditional Chinese culture, the diversion of landscape creation towards the north and south poles is actually incompatible with the traditional aesthetic mechanism. In particular, the phenomenon of the separation of the north and the south of contemporary landscapes is more prominent, which requires artists to have a direction of efforts to return to integration and complementarity, so as to prove that landscapes and rivers should belong to cultural integration. Now it seems that Ms. Guo Wen's landscape creation is a wonderful manifestation of the convergence of the north and south of landscape creation. For example, "Huaxia Lake and Mountains Have Other Heavens" does not deliberately let the landscape tend to the south, or rush to the north, but in xiongqili, the vitality is born, the wind and rain write cangrun, and the transportation between the streams is magnificent, and the clouds on the mountain peak are handsome on all sides!
Looking at "A Corner of the Bay Area" and "Landscape Clear Sound Map", through the blend of pen and ink and color, Ms. Guo Wen's landscape works present a great wisdom that is well versed in the core of traditional culture. The result of the painting is the Chia Tai atmosphere of the unique exchange with the spirit of heaven and earth. She is engaged in landscape creation, not only engaged in appearance shaping with part-time work, but also deeply excavating the atmosphere of literature and humanities since the Song and Yuan Dynasties, and creating the ultra-high quality of contemporary new literati landscapes. In these paintings, it is enough to enjoy the extreme audiovisual pleasure, and it can clear the way of contemplation, which is the realm of the source of the heart in the creation of foreign teachers. In the current landscape creation, it is difficult to find this cultural attribute in Guo Wen's pen and ink, which shows that Guo Wen's landscape painting has a dedicated accumulation of sketching and an extraordinary cultural inheritance ability.
The painter Chang'an wrote a vast poem, and the painter Lingnan Yi poem. Searching for Qi Feng to hit the grass high, integrating the legends of various families, looking at Guo Wen's landscape works exhibited, it can be seen that the Shizong Chang'an School of Painting is full of pain, the pen and ink are rubbed like steel and iron casting, and there is a vivid rhyme of the wonderful writing of Lingnan, and the color and ink are the most poetic and picturesque. She strives to absorb the wonderful paintings of various schools, and then she can turn other methods into my use, and she can be unique in writing and then making landscapes. The east cliff crosses the autumn wind, the west peak gushes spring, the Banqiao Xiaoxiao trail, and the remote waterfall flies thousands of feet. "Nong Yin 2022 Chinese New Year Exhibition" has joined her works, which shows infinite charm. She makes landscapes and landscapes according to the imagery of the poem, which has the style of the Guo family, which is the aesthetic and collected Hebi Sui Pearl!
Famous calligraphy and painting critic Shi Guo'ao
January 29, 2022 at The Art House
『Rain and clouds reflect the morning light of the mountains』
120cm×240cm
In 2011
『Green mountains and green water ring outside the door』
70cm×180cm
In 2020
『Autumn Colors of Dongshan Mountain』
240cm×190cm
In 2018
『Homeland』
180cm×98cm
In 2019
『A Corner of the Bay Area』
138cm×69cm
In 2021
『Taoyuan Deep"
"Dialogue between Mountains and Seas"
『Mountain Walk』