The dream is also silent: "Climbing the Building" No. 6 - "One of the Ji King's Roads" Ping Xi False High Qu and Chengli"

The dream is also silent: "Climbing the Building" No. 6 - "One of the Ji King's Roads" Ping Xi False High Qu and Chengli"

Wang Dao was also ashamed of himself, and it was even more embarrassing to hang on to the melon.

With anxiety, I hope that the emperor will rise up, and the river under the sky will be clear and blue.

"One of the ways of the King of Ji is to be peaceful and false and high and powerful" is Wang Yue's expectation of his role in social life, and it is his positioning of his social position, from here it can be seen that he is not a person with inflated ambitions, who wants to make a big effort in the chaotic world, takes the chaotic world as an opportunity, regards the social crisis as a talent and his historical mission, regards the social status quo of the life as a stage for himself to show "heroic salvation", and tempers his will courage and ambition in the test of blood and fire.

He is not a tyrant like Cao Cao, his open-mindedness and willpower are all under Cao Cao, the extraordinary sensitivity makes him more fragile and sensitive than Cao Cao, more helpless and desperate, born in a chaotic world makes him unprepared, his heart is more vulnerable, the chaotic world is not his stage, can only be his "grave", the destruction of life is not his determination and sense of mission to save the world, but sad sympathy and destruction of the liver and lungs to grief and despair.

He has no ability to change all this chaos, he is the weak man in the chaotic world, he pins his hopes for Heqing and the yearning for the peace of the world on heroes who are different from him, and when he faces himself, he soberly realizes this, he is not a person who can bravely shoulder the responsibility for the rise and fall of the world, he can only lament that life is not the right time for the sun and the moon to disappear, worried that he will not wait for the opportunity to make a difference, and his life will be missed by the chaos of war, and he will become a big and undignified dagger who has lived in vain.

In fact, Wang Cang's positioning of his social role is also the positioning of most Chinese intellectuals, this class has his ambitions and ideals, and has high expectations for his talents, but usually lacks the determination, perseverance and endurance of the world's great talents and perseverance.

For this class, "Heqing" is to "wait", "wang dao yiping" is to use "hope", in this process, their own strength is insignificant, in the face of the world without Qingping is powerless.

Fortunately, Wang Yue has a clear understanding of this, and this small fu expresses his sorrow and worry, "worried" without complaining, which is really rare. The "worry" throughout the article stops at helplessness, stops at "expectation", and looks forward to the emergence of a great hero who can save the world from water and fire, change the status quo of this life, and also give yourself the opportunity to exert his ability to make a difference in society. The implication is that Liu Biao is not such a hero, he himself is here in the pearl secretly, but, it is worth admiring that Wang Yue did not complain too much about Liu Biao's incompetence, which is the thick, deep, broad and lofty ambition, ambition and Elegant Tradition shared by Jian'an poets.

His sorrow contains his helplessness and even dissatisfaction with his inability to change the status quo, that is, the "weakness of heart" mentioned earlier, the lack of feeling that he cannot become a pillar in the chaotic world.

The heaviness of "walking late and leaning on" is the poet's inability to shirk the social responsibility of the seven-foot boy lightly, and the inability to bear the deep self-blame and worry brought about by this social obligation that everyone is responsible for.

This is also the backbone of the Jian'an poets, and it is the psychological basis for them to gather around Cao Cao and create brilliance together.

Born in a chaotic world, not everyone has the ability to be the tyrant of the world to make "the king's way a peace", but a strong sense of social responsibility also makes them blame themselves for their inability to "save the world", this feeling of self-blame, combined with the fear of not treating life for a short time, and the pure self feeling of not being willing to make a meritorious career for a lifetime, his worries are complex and difficult, since they cannot motivate themselves to save the world, they will not complain about the world, and since their yearning for "Heqing" is to use "etc.", they will not The "scoundrels" believe that "letting Ha Qing" be the responsibility of "others (people other than themselves)", and they are not "shameless" enough to complain that "others" have not prepared for themselves a world that is clearer, richer, more convenient to survive and easier to establish a meritorious world, on the contrary, they feel a certain degree of shame and self-blame for seeing the lives of people in a chaotic world and not doing as well as expected. (We see this mood in his Seven Lamentations)

This is the strong, profound and desolate foundation of Jian'an wind and bone, and it is this "lack of heart" that has achieved the "proud bone" and "wind tone" of a Jian'an poet who has no ability to become a generation of heroes.

"Denglou Fu" is widely recited because of its talent and the emotions it expresses, which is widely recognized and resonated, but it is not the representative work of Wang Yue, the talented son who has the "crown of the Seven Sons", which can best reflect the bones of Jian'an.

Dream is also silent famous poet, poetry critic, lover of classical Chinese poetry practitioner communicator, writer, film and television screenwriter, film and television planner.

Author: Dream Also Silent Editor: Zhang Xuefang

Review: Xiaolou Listening to the Rain Proofreader: Feng Xiao

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