Huanghualisu bibal Luohan bed, length 199 width 115 height 80.7 cm, broken for the early Qing Dynasty, the old skin shell was cleaned, the appearance appeared dry yellow and dull, at first it looked a little uncomfortable.
Nevertheless, on the nearly two-meter-long whole board facing the fence, the wood grain is continuous, from beginning to end, in one breath, the shape is beautiful and familiar, and it is no different from the feeling of taking it for granted.
Unlike the picture of "wind and clouds" introduced yesterday, the scene in front of you is peaceful and calm, such as yunshu cloud curls enjoying itself, like still water deep currents without alarm.
A stone stirs up a thousand layers of waves, and the scroll begins with a large whirlpool, and the wood grain is layered on top of each other, spreading out in all directions, transitioning to the situation where the circle on the right is crossed.
Three small tadpoles scrambled forward, with a long trail behind them, flowing smoothly on both sides. They are grimaces formed at the roots of tree branches.
Zooming in on any one of the localities contains a variety of typical details. There are neatly arranged wheat skewers on the top, a bundle of pipes a few inches long on the right, and brown eyes in the lower left, as short as needle eyes like rice grains.
Continuing to the right, the outer contour of the grimace face changes to a straight line, and the flowing water on both sides is attached to it, and ripples are stirred up in the middle, like a river of spring water, which properly interprets the large flowing water pattern of huanghuali.
At the end of the plate, the running water pattern becomes an X pattern, which in turn gives rise to another oval. The grain of the wood is so repeated and continuous.
The details of the previous X grain clearly reflect how the brown eye and the wood grain go hand in hand, influence and change each other.
The entire board embedded in the side wall is about one meter long, and the appropriate angle is folded down to reflect a burst of light, outlining the outline of the wood grain more clearly.
The texture on the back of the same board is shown above, and interested wood friends can compare and view.
These texture features are very typical, and the "wind and clouds" appearance mentioned above is different, but the essence is the same.
Needless to say, the next time you see a similar pattern on the wood, nine times out of ten it is yellow pear.