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Jingbian Overlord Whip
Jingbian "Overlord Whip" is a form of song and dance that is spread in the Jingbian folk custom "Shehuo", and is commonly known in the folk, such as "hitting the flower stick", "hitting the lotus box", "sounding all over the body", "money stick" and so on. The representative "overlord whip" of Jingbian is spread in Ningtiao Liang Town, Dongkeng Town, Zhangjiapan Town, Zhenjing Town and so on. It is understood that Ningtiao Liang Town and Dongkeng Town have been circulating for the earliest time, and the performance activities are more extensive and representative.
Since the Qin and Han Dynasties, the area around Jingbian has been the land of successive generations of soldiers and soldiers, forming a household structure of "mixed soldiers and people". It is a natural thing for the martial arts dance to become popular among soldiers. During the Ming and Qing dynasties, both the settled households in Shutian and the artists who were living in the rivers and lakes were important factors that promoted the transformation and integration of martial arts into folk dances. The Jingbian folk dance "Bawang Whip" proves that the Qing Dynasty was very popular according to geography, history, production methods, and the record of "social fire" in the "County Chronicle" during the Qing Guangxu period.
It can be said that the "overlord whip" in Jingbian was produced under the unique geographical environment, long history and rich folk culture atmosphere. In 1976, after Comrade Ren Xiao became the director of the Cultural Center, Comrade Chen Yong, deputy director of the museum, was responsible for forming a special team to excavate and develop the Jingbian Overlord Whip, on this basis, professionals and folk artists jointly inherited the "Overlord Whip" performance. In the 1990s, the "Overlord Whip" dance "Flying Whip Welcoming Spring", composed by Wang Zhili and choreographed by Zhang Ren, was frequently performed on stage.
Musically, the northern Shaanxi folk song "Erlang Meizi Push Fried Noodles" is used as the material, and after adaptation and development, its music and dance are integrated, which is not only convenient for performance, but also has a warm atmosphere. In terms of performance, the original monotonous action and simple structure are abandoned, and artistic means such as singles, unison, confrontation, matching, racing, and vertical and horizontal interspersing are used, and the performance content is skillfully combined with music. Many performances in provinces, cities and counties have been well received by the audience.
In 2006, he performed at the "Wannian Hotel" in Xi'an for half a year, and the foreign guests gave it high praise. The show has won many awards and has been widely circulated on stages in the surrounding areas, and has been well received by people from all walks of life and peers in the art world.
Representative figures
Geng Xiangdong, the representative inheritor of Yulin City, the "Overlord Whip" of Jingbian, has devoted all his spare time to literary and artistic activities, loves dance performances, and has participated in Yulin Folk Literary and Art Performances many times. In the 1960s, he learned the Jingbian "Overlord Whip" technique with Liu Zhengbang, in the 1970s, he learned the Jingbian "Overlord Whip" technique with the folk artist Du Lin, and in the 1980s, he learned the Jingbian "Overlord Whip" from Mi Lizhong. He participated in the filming of the "Ballad of the Yellow River" filmed by Western Film in Ningxia, and is the director and backbone of the dance "Overlord Whip" performance. In the past 40 years, he has participated in city and county dance performances and performances many times, and has repeatedly conducted artistic guidance for the "Overlord Whip" performance of the Spring Festival Song in the county, which is well received by the masses.
Zheng Zhenxia, the representative inheritor of Jingbian "Overlord Whip" Yulin City. Since joining the work in 1993, he has studied literary and artistic knowledge assiduously, strived to improve his own quality, and actively participated in the business training of Shaanxi Youth Vocational College, Beijing Municipal Culture and Art Center of Technical School, and Shaanxi Provincial Drama Association.
Ma Hongwang, the representative inheritor of jingbian "bawang whip" at the county level, the former deputy secretary of the party branch of the Jingbian County Cultural Center, and the dance guidance expert of the intangible cultural heritage of Jingbian County.
Li Wenting, jingbian three small dance teacher, "Jingbian overlord whip" county-level representative inheritor.
Significant value
Jingbian "Overlord Whip" occupies an important position in the folk art of northern Shaanxi and is representative. It has different characteristics in form from similar dances that have spread throughout the country. It is a folk dance art form that is spread in Jingbian and is deeply loved by the masses.
Jingbian "Overlord Whip" is a treasure of Jingbian folk art, which can reflect the cultural style of Jingbian. Rescuing and protecting the Jingbian "Overlord Whip" and drawing on its experience in the development and derivation of dance can play an important role in promoting the construction of a characteristic culture in the new period and enriching the cultural life of the people.
Jingbian "Overlord Whip" its dance style, mostly showing the legacy of ancient martial dance, the dance process must be the overlord whip to hit or hit the ground, the center of the foot, the knee, the crotch, the shoulder, the elbow, the hand and other parts, natural vibration, copper coin sound, resulting in complex rhythm changes, thus inducing the whole body to twist, swing, stretch, jump and calf changes, the jump of the feet, the formation of a variety of dance postures and movements; the dance is sometimes resolute and vigorous, sometimes graceful and multi-faceted; the dance style is enthusiastic, unrestrained, cheerful, and dashing; the dance becomes faster with the rhythm of the music at the climax. The action is more unrestrained and enthusiastic, accompanied by a passionate horn, like a reproduction of the hunting scene.
Hosted by Jingbian County Bureau of Culture, Tourism, Cultural Relics, Radio, Film and Television
Producer: Lin Ze
Planner: Fang Qiang
Editor-in-Chief: Yan Kunshan Responsible Editor: Ma Jin'e
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Jingbian Cultural Travel / Douyin Kuaishou / Weibo WeChat