Popular details from the eighties and minimalism from the nineties are decisively distilled within THE STRUCTURAL FRAMEWORK OF STRUCTUREA. The whole series is spread out in low-saturation sand gray, thick ink black, and light card in front of the eyes. The long trench coat and coat have a rather open silhouette, and the short jacket references the proportion of the upper body of traditional sportswear and the three-dimensional cut of the workwear. The independent temperament of the pants is full of individuality of independent expression under the tolerance of the line. Whether the human body is stretched or twisted, calm or restrained, the tone of the series is well-controlled by careful tailoring, full of calm, unemulsive and skillful charm.
「DIA PRESS」STRUCTURE
Cut, here has an absolute sense of narrative. The clear proportions of the long and short strips, like the storyboard of a film, are arranged in an orderly manner to the story direction and emotional transmission of the entire SERIES series of STRUCTURE, and the clothes are the same as people, but also have the courage of spontaneity, and the intellectual interest of asking "impossible". STRUCTURA refers to alvaro Siza's humanistic design fun hidden in the building, and in the most subtleties such as pockets, cuffs, necklines, etc., the opening imagery is a small irregular window. Windows allow sunlight to pass through the building, while windows that "generate" on clothes are more intimate and tacit, a switch between the wearer's "original self" and "foreign objects". The bright lines, ropes, frizzy edges, or double-layered shirt necklines in the flashing between them weaken the closed attribute of the "exit", increasing the communication between clothes and people, and constantly integrating and updating our life experience. This is a more interesting "obsession" based on the use of attributes and practicality.
Emotional neutrality is an elegant gesture. Just as only the most determined person can write the most silent and independent thinking. STRUCTURA's ability to balance from the details to the overall extremes, through the flat shape, reorganizes the three-dimensional dimension. The double-layer design of the waist of the trousers avoids the prejudice of the preconceived impression of formal wear, and presses over the trouser line on one side, giving modern trousers a classical sense of layering; the combination and dispersion of the cuffs, through a button can change the style of the overall shape - the cuffs are full of double-layer curved three-dimensional sense when fastened, and the court temperament is mixed with the graceful demeanor, full of drama; but when scattered, the sleeves swing freely with the limbs, and there is a romantic style of falling atmosphere; the blazer is extended to the vest body as the front piece, It seems to cover the original appearance of the clothes with a "mask"; the waist of a few millimeters more has different wearing effects in the state of whether it is decorated with a belt or not - you can always trust the power of a button. Like a journey through a maze, as we walk through it, the maze is also deforming and expanding, tearing down barriers and growing again.
There is no perfectly correct single truth, only personal creeds that are gradually confirmed in practice. STRUCTURA incorporates a little bit of over-the-top humor and a little bit of rhetorical temptation underneath the appearance of increasingly minimalist clothing. Lifting a heavy weight, quiet self-realization, a modern style worth pondering followed, and gradually surfaced.
Credit
Photographer: Jumbo Tsui Sui Jianbo
Styling Styling Team: Even Feng / Jia Liuyan
Hairstyle: He Zhiguo
Make Up Makeup: Bingbing Xue
Production Producer: Mac Zhou @Shelter Production
Model Model: Yu Hang (Flint Culture) / Yang Hao (Oriental Bentley) / Jin Dachuan / Zhao Lei