Where the heart goes, it can go

The heart can go where it goes

"Fragrant Lotus Xianyu" elegant collection of interesting questions

As the old saying goes: small hidden in the wild.

In the past few days, the warm sunshine has evenly spread in the courtyard of the Xianyuling Xianghe Manor, the simplicity of the clouds, the gentleness of the wind, the falling of plums, and the spitting of grass, forming a rural pastoral scene that emits fragrance, nature, ethereal and quiet.

"Clothes are not as good as new, people are not as good as old." After the Spring Festival of the Year of the Tiger, the old friends who have returned to their hearts one after another have triggered the joy of feeling the changes of grass and trees in the four seasons, stepping on the green fragrant lotus manor, suddenly moisturizing poetry, and rewarding pen and ink. Therefore, a collection of elegant books with the title of "Fragrant Lotus Immortal Yu" was written, exhibited paper, asked seals, chanted poems, polished ink, and painted, like a boat gently swaying, floating in the realm of birds and flowers.

Appreciation of Xinsen's calligraphy and painting works

The short story of the Holy Hand Nie Xinsen is the kind of scholar-type artist who can combine poets, novelists, calligraphers and painters into one poet, novelist and calligrapher by "overflowing into books, and becoming paintings" (Song Sushi). His calligraphy, tight and continuous, the circulation is super abrupt, the style is high, the intention is to save the pen first, and the book is full of intentions, such as "the flow of beauty also." "Beauty" is the potential, the force, the dynamic rhythm of the tiger.

Nie Xinsen has no intention of being a painter, but the wisdom and perception of the writer, coupled with years of tempering, has turned the painting into the heart, clear and clear, there is no jerkiness and fire, within a few feet of metaphor, the literary atmosphere between the inches and the bucket is overflowing. His ink paintings are like his words, the structure is ethereal, the rendering is free, the illusion is swept away, the vulgarity is removed, the authenticity is direct, the plain and innocent, and the fragrance of the classical is thick and long.

The inscription poem is the most essential part of Nie Xinsen's ink painting. Nie Xinsen believes that the integration of poetry, calligraphy and painting can be seen as a combination of literature and art. A painting, blessed with a literary inscription, the picture is more rich and vivid. Nie Xinsen's inscription poems echo with real life, or lament the world, or pinpoint the shortcomings of the times, or carry forward lofty ideals and ethics. He painted morning glory flowers and inscribed: "Two or three leaves, one or two flowers, life ignites a hundred zhangxia." Only for the warrior to be strong, not to blow a small trumpet. He painted chicken crown flowers and inscribed poems, satirizing bureaucrats who did not do practical things for the people: "Embroidered brocade is new in color, and the hedge plays the autumn wind all day long." The crimson top is annoying and does not make half a sound for the folk. ”

Nie Xinsen's "Jinzhu Tu" 68cm X 60cm

This picture of Jinzhu, he is accompanied by mountain stones, orchids, and sparrows, and is endowed with an inscription: "Yuanyuan East Wind Knows All Things, Shi jian bamboo Jincao flowers." The literary world is already full of spring light, and Zi Yanhong is full of poetry. "Its taste, its spirituality, its interest.

Introduction of Xinsen

Xinsen, a native of Xiangtan. Gong poetry, good calligraphy and painting, fine appreciation. He is a member of the Chinese Writers Association and a librarian of the Hunan Provincial Research Museum of Literature and History. Graduated from Lu Xun College of Literature and Peking University Chinese Department writer class. He was the vice chairman and honorary chairman of the Hunan Writers Association. He has published more than 60 novels, short and medium story collections, poetry collections, prose essay collections, and cultural monographs, and has won dozens of awards such as "Zhuang Chongwen Literature Award", "Mao Zedong Literature Award", "Hundred Flowers Award" and "Lifetime Achievement Award for Small Novel Creation", and his works are popular at home and abroad. His large-scale freehand paintings of flowers and birds are praised by contemporary writers, and at the invitation of newspapers and magazines such as the People's Literature Publishing House, many of his cultural monographs, illustrations and ink paintings in books and newspapers were created by himself.

Appreciation of Ye Zhizhen's copper seal works

Among contemporary Chinese writers, those who are strict in the discipline of the seal can be several people, and the person who can control the copper seal with the sword, take the rhyme and high elegance, and obtain the magic of the qin and Han ancient tastes, is actually Ye Zhizhen alone. Brother Zhizhen carved a bronze Buddha statue seal for the fool, ya has no clumsy and vulgar form, and the right is not the habit of ingenuity and flattery. Mr. Said, the Han Copper Seal is wonderful, not mottled but thick. If you are thick in learning, you are full of wrist strength. Zhi Zhen is a fitter's origin, the internal force of the hammer is precise, the force is everywhere, the hand should fall, the strength is strange, the more clumsy the more ancient, it is not easy to look. The writer is ingenious, the Buddha is embedded in the copper seal, and the single-eyed Qiankun is more interesting to the knifeman. There is a poem by Nie Xinsen's "Gift to the Old Friend" as evidence:

Do not sharpen the knife repeatedly because of the killing, and engrave the copper and be bold.

How many seals of the small test carving worm? Frequent cold drums and finally night.

Shaohua iron fist clamp fortifications, old realm crazy book courtyard banana.

Beckoning adjacent to no more roads, singing to drink three scoops.

"Praying for the Birthday of the Buddha for the Seven Ranks of the Crane Brothers" Ye Zhizhen / Work

"Shou Er Kang" Ye Zhi Zhen / work

Introduction to Ye Zhizhen

He graduated from Lu Xun College of Literature of Peking University in 1986. In 1982, he joined the Chinese Writers Association. There are famous works such as "We Jianguo Lane" and "We Are Young". The copper seal made by Zhi Zhen, the spring wind magic pen, the senran has light, the large vertical and horizontal row, the big opening and closing, the small place wants to be suppressed first, the containment is not revealed, the tension is undulating, the style is especially literary and wild, empty and alive,

Appreciation of Sun Sports's ink oil paintings

The ink freehand works of the old painter Sun Gong, old spicy, refined, and refined, interpret the Chinese context and life atmosphere in the paintings, poetic and picturesque, and all living beings are vivid. The process of artistic creation is the projection of the author's mind, through which the author's spirituality, experience, literacy and wisdom can be fully felt, and the creation is also a complete synthesis and integration of these elements. Borrowing zhu Guangqian's famous poem to comment on the ink freehand painting of the brother of the movement: "The relationship between poetry and life and life is that the beauty lies in not being separated." "No is" is to let go with the fate, there is no bondage, no escape; "not to leave" is no joy, no dispute, no reluctance. The difference between technology and art is that technology can be achieved by hand, and art needs to rely on the depth of cultivation.

Sun Sports works 129cm X 60cm

Introduction to Sun Movement

Sun Gong, whose ancestral home is Anhui, loved to paint since he was a teenager, first learning comic strips, then attacking printmaking and gouache, oil painter Chongchen and Professor Xi, and Chinese landscape painting under Mr. Deng Mingliang. Mainly engaged in landscape oil painting, ink landscape, side and characters, sketches, etc., good at finding the extraordinary in the ordinary, can grasp the "strange place" of objects, carefully managed, make it unique. His works focus on the rhythm of traditional Chinese line drawing, and at the same time integrate the rich color vocabulary of Western painting, forming a distinct personal art style with a strong atmosphere of the times.

Appreciation of Zhang Ruhui's calligraphy and painting works

Zhang Ruhui's dignified calligraphy and lishu are full of vigorous sense of strength, warm and fierce, with the maturity of men, one stroke at a time, precipitating the world. The pursuit of art has also upgraded from the external shape, gorgeous, and good-looking to the inner spiritual world, and it is also wrapped in a little confusion and rebellion of adolescence. Less without vulgar rhyme, sex loves Qiushan. This state of mind allowed him to live outside the world, "picking chrysanthemums under the eastern fence, leisurely seeing the South Mountain." The mountain atmosphere is good day by day, and the birds are in harmony with the leisurely life of "returning."

Zhang Ruhui works 60cm X 60cm

Zhang Ruhui Profile

Stage name Zhang Rufei, Shuzhai Xiangyulu, a native of Zhuzhou City, Hunan Province. He is a member of the Chinese Calligraphers Association and a student of the first calligraphy and seal engraving training class of the Hunan Calligraphers Association, and was awarded the title of "Outstanding Chinese Artist" by the World Stamps and the National Artistic Talent Big Data, and was rated as a National Senior Calligraphy Artist by the National Art Committee in October 2021.

Appreciation of Zhongwu's calligraphy works

Zhongwu is constantly trying to soften the hard-edge language of woodcut into calligraphy, and his calligraphy is passionate, the rhythm is bright, and the writing is thick, heavy, deep, sonorous, giving people a symphony of popular rhymes and unforgettable feelings. His words do not lie in astonishment, but in touching, feeling the truth, feeling its authenticity, feeling its proximity, feeling its beauty.

Zhongwu works 60cm X 60cm

Introduction of Zhongwu

Zhongwu, a native of Zhenjiang, Jiangsu Province. Word solved. Scatter the hall. He studied calligraphy with his father since childhood. In 2016, he began to study Lishu under the famous calligrapher and seal engraver Mr. Zhang Ji.

Appreciation of Liu Ruosui's bamboo and wood carvings

Liu Ruosui is a person who plays pen and ink in sexual spirits. The hundred flowers of spring, the cool breeze of summer, the crooked moon of autumn, the residual snow of winter, and all kinds of wonderful things in nature can be appreciated and appreciated by him. His calligraphy, like the root sculptures he created, speaks broadly and subtlely in the midst of great ups and downs. This vastness is the vast realm, the vast momentum, and the spirit of the spirit in it; this subtlety is the embodiment of natural interest in natural objects. People have interest, things have interest, and natural scenery has natural interest. Interesting people, with one heart, and everything that makes people happy and happy, is not fun.

Liu Ruosui bamboo wood carving

Introduction of Liu Ruosui

Liu Ruosui, born in 1953, has the luxury of studying, primary school diploma, and has known since childhood that only he can play with himself. There are four years of tempering in the countryside and more than 40 years of railway work in Liuyang Dawei Mountain. When he was a child, he liked to play with mud, and when he grew up, he was fascinated by playing with bamboo. A life light, do some craftsmanship to make up for the rice cooking also.

Appreciation of Feng Binqiang's calligraphy works

"Chant into five words, twist off several whiskers." Poetry is a difficult art, not a painstaking effort, not easy to do well. The same goes for calligraphy. "A long day is only a piece of ink." Calligraphy is creation, it is made out of nothing, it is to create contradictions. But there are always people who like to write all their lives, such as Zeng Guofan and Li Hongzhang, who write almost every day, never stopping. Feng Binqiang learned from Li, no matter how busy his official duties were before retirement, every time he was happy, he had to write. After retirement, his calligraphy, such as honey made by bees and silk spitting silk, was melted and brewed, through the "heart", to get "fun", and already had the hills and ravines of "clouds coming to the air to connect the long wu mountains, and the moonrise cold through the snow mountains white".

Feng Binqiang's woodcut works

Feng Binqiang profile

Jiangsu Lianyungang people, the word Runxiang, xiangbo, Suixintang lord. Since childhood, he likes calligraphy and painting, and when he was a teenager, he visited Yan Liu. In the past ten years, I have been in contact with some of my peers, many of whom have been in the Wei and Jin Dynasties, taking the inscriptions as a teacher, interacting with my peers, and using calligraphy to escape, there is no luxury and no hope! The engraved work "Ten Thousand Mountains and Red All Over" was included in the Fourth National Exhibition of Calligraphers' Great Calligraphy Works with Hard Pens.

Appreciation of Mo Hequn's calligraphy and painting works

There are no taboos for Mo Hequn to write and paint, everything goes naturally. You see, the flowers, birds, insects, and grasses outside the window are all born in accordance with nature, and all of them are beautiful. Just like a lively and healthy person, who has its own beauty, there is no need to "have the appearance of Nanwei, but can be discussed in Shuyuan" also! Mo Hequn learned to paint at the age of 64, and his skills are similar to those of children, but his paintings have calligraphic lines as a paving, as well as the accumulation of many years of reading paintings, "literal nature is Midas", there is a thorough understanding of self-nature and soul exploration, so most of his paintings have The Taoist, Shi, Zen outlook on life and cultural mentality, "but nothingness is real", the poet Chen Shanyuan said, Hequn's paintings, the picture is kind. Poetry is passed on by painting, and it is a very elegant literati painting.

Mo Hequn calligraphy and painting works 60cm X 60cm

Introduction to Mo Hequn

Hunan Yiyang people, the word Xiangkong, the number of sanjiang hugging cloud landlord. He has served as the president and editor-in-chief of a newspaper, the editor-in-chief of a magazine, and the chief editor of a series of books. He likes to draw, write, and write art reviews, and he calls himself "a peaceful life and a heart of the rivers and lakes, and chats in the ink pool." Runzhi leads my way, Huai Su is my fool. Scattered ear seat guest, right army department often think. Itabashi I love, and Winter Heart knows it. Hundreds of schools can learn, and there is no time to choose the most important. ”

Appreciation of Tan Lijun's calligraphy and painting works

Writing should be bookish, and painting should be painted. Not biochemical is boring, and biochemistry can be beyond the image. Watching Tan Lijun write cursive has a feeling of soaring in a fairyland and transcending the world. His cursive writing grasps the "degree" of the row spacing evacuation treatment, the quality of the pen and ink line is like a bone, the strength is strong, and the rhythm of the interline space is quite rich. Sometimes driven by high emotions, some stretched lines inadvertently invade the space between the words of the neighboring lines, so that the flow of the space between the lines is blocked, and, meandering into the space between the words, the rhythm of the space between the lines becomes euphemistic, delicate and full of eroticism, so that the subject of the performance gets the most prominent, most concentrated, the most open visual effect, forming its own unique aesthetic system and cursive direction.

Tan Lijun works 139cm X 60cm

Introduction of Tan Lijun

Hunan Yanling people, members of the Chinese Democratic League, members of the Chinese Calligraphers Association, vice chairman of the Zhuzhou Calligraphers Association, members of the Fifth Chinese Studies Class of the China Book Association, and specially appointed calligrapher and painter of the Li Keyan Academy of Fine Arts of Hunan University of Technology. Calligraphy works were exhibited in the Exhibition of National Excellent Calligraphy Works of the Chinese Art Festival held by the China Book Association and the Ministry of Culture and Tourism, the 11th and 12th National Exhibition of Calligraphy and Seal Engraving, the 2nd National Album Calligraphy Exhibition, the 2nd National Hand-scroll Calligraphy Exhibition, the 8th National Calligraphy Exhibition of the 8th Yanglian Calligraphy Exhibition, the 1st Wang Xizhi Prize National Calligraphy Exhibition, the National Calligraphy Exhibition of The Sacrifice nephew manuscripts, the Excellence Award of the First Cursive Calligraphy Exhibition of Hunan Province, the Excellence Award of the 2nd Young and Middle-Aged Calligraphy Exhibition of Hunan Province, and other exhibitions and awards.

The above is as far as the shallow view is concerned, and the discussion is one or two, and it may not be judged, and the beggar rope is correct.

Spring in February. Sanjiang Baoyun Lou Lord Mo HequnJi.