Introduction: After the broadcast of Triga Ultraman, we have ushered in three new dark giants, they are the Carl Mira trio, compared to the Camilla trio of the year, the plot of the three of them will be more abundant, but unfortunately the screenwriter has portrayed Kalmila as a sick woman who is crazy for love, resulting in a very poor look and feel later in the story, but Kamisaka is really fragrant. It is precisely because there are two generations of dark giants, Kuroda Asahi also drew the evolutionary route of the two dark camps, and the two major stages of Carmira are also among them.
The origin of all things is from the evil gods of the Cthulhu myth, and both The strange form of Carmila and Camilla have a certain relationship with it. Therefore, in the eyes of Kuroda Asahi, he is the origin of everything, and the painted image also has the feeling of a monster in the Cthulhu myth, and the upside-down face is matched with the corresponding tentacles, so that many fans can feel the horror of this behemoth. The next branch is the Dark Triumvirate, led by Camilla, where Kuroda asahi also draws a light version of the image for them, perhaps that is their essence. This is followed by camilla's strange form born after absorbing the power of the evil gods.
Here we focus on Camilla's strange form, which is a new form born after a fusion of negative forces and the power of evil gods, named Dimogjee. Kuroda redrawn her image, surrounded by fallen wings made of eyes and resentment that surrounded the body. And in the core position we can see Kalmi after becoming a strange person, this shape will remind us of the so-called Lord of a Thousand Eyes, which is really a nightmare for the audience.
After that, it's Kalmila's side, and the focus is on Carmila's weird form. Unlike Camilla, in the play, Carmila has two stages of the strange form, named Megajee. The megajee in the first form not only adds to the overall sense of biomass, but actually fuses a variety of monsters to give birth to a new form, the design of the legs is similar to the blooming light of Zijra, and the design of the face still retains the characteristics of Carmila, but it has become relatively distorted at this time.
Finally, there is the second stage of Megajee, the ultimate form born after absorbing the two great Trega must kills in the play. Kuroda's depiction of her is a fusion of two elements, one is the shell of the evil god, and the other is the upside-down body, which is a tribute to Diga Ultraman. There is also a detail here, that is, the design of the second stage is also integrated into the ideal of the first stage, and we also see the monster hidden in front of us by Carmila holding her hands.
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