Heavy | Super List Words: He is known as the "Book Union Holy Hand" and is good at dragon changes

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Heavy | Super List Words: He is known as the "Book Union Holy Hand" and is good at dragon changes

He Shaoji Xingkai 'Bangu Dabin Drama' album.

He Shaoji (1799-1873) was a native of Daozhou, Hunan. Zi Zhen, the number of the Ya Shu. The book is from Yan Zhenqing, which is integrated with the law, changes the horizontal pen, and the ups and downs, which is extremely romantic. Lishu uses a pen to be ethereal, and the structure is sloppy and solid. He Shaoji once said: "The cantilever is copied, so that the strength of the waist and the force of the waist can be known to the fingertips." He put into practice this scholarly proposition. Study the inscription as Mr. Qi Gong said: "Look at the pen through the blade." Li Zhimin commented: "He Shaoji has become a family of his own, and he has gained a lot from Wei Bei. ”

He Shaoji's calligraphy forged the ancients and became a family of its own. Cursive is particularly good at it. He Shaoji's calligraphy takes the broad and broad atmosphere of the Yan character knot, and also incorporates the Northern Dynasty inscriptions and the dangerous and dense characteristics of the calligraphy of Ouyang Qing and Ouyang Tong, as well as the spirit of the "Epitaph of Zhang Heinu" and the "Daoyin Stele", which makes his calligraphy extraordinary.

He Shaoji's Xiaokai is also based on the calligraphy tradition of the Jin Dynasty, the pen meaning is implicit, the cursive calligraphy is integrated, belonging to a furnace, Junfa is strong and strong, and has a unique appearance. His seal book, centered with a pen, and can be mixed with the pen, while with a line of cursive gestures, it is a style of its own.

He Shaoji's calligraphy, in his early years, was beautiful and smooth, hovering between Yan Zhenqing, Li Yong, Wang Xizhi and the Northern Dynasty inscriptions, and there was a kind of clean and rigid atmosphere; middle-aged and gradually becoming old, the penmanship was indulgent and super-strong, sometimes there was a trembling pen, mellow and flavorful; in his later years, He Shaoji's calligraphy was already perfect. Jinan Daming Lake Calendar Pavilion Yang Lian Du Fu famous sentence "The sea right this pavilion is ancient, Jinan famous scholars", that is, he wrote. The east wall of the Lixia Pavilion still has its stone carvings of "Rebuilding the Lixia Pavilion".

He shi is proficient in Jinshi calligraphy and painting, and is famous for his calligraphy, known as the first in the Qing Dynasty. Initially learning Yan, middle-aged bo to study the Southern and Northern Dynasties, strong brushwork, this period of the work has been passed down very little. After the dedication to subordination, The Han and Wei famous carvings, all of which are deeply studied and closed, and copied up to a hundred copies. Even if it is a small seal, it does not care about the customary form, it will be frustrated by a sudden, and it is better to be clumsy than coincidental. Twilight eye disease, writing a book with intentions, the pen is light and dry, not as calm and handsome as middle age, every time there is a pen that has not arrived and the meaning of the mind. In particular, lan hui bamboo stone is written by the seal method, and there are only a few strokes, and the golden stone scrolls are full of atmosphere. Ho is erudite and talented, especially in poetry. There is the "Dongzhou Caotang Collection". In his later years, He died in Wu County and was buried in Shirenchong, a southern suburb of Changsha.

He Shaoji said: "Yu Xueshu has been studying for more than forty years, and it has been traced back to the source of the seal. The Law of Kai was divided into true Kai from the Northern Dynasty. "He was extremely specialized in writing Han tablets, and he wrote "Zhang Qianbei" and "Ceremonial Instrument Monument" more than a hundred times, without seeking similarity, all out of his own mind. Furthermore, "the grass, the seal, the division, and the line melt into one furnace, and the dragon changes and is unpredictable." "As of 2019, there are still many surviving copies. The middle-aged man immersed himself in the North Monument and wrote a very personalized word with a different wrist method than ordinary people.

His book "specializes in Yan Qingchen's inquiry, accumulating decades of skill, exploring the source of the seal, the divine realm of the gods, and in his later years he was particularly diligent in his own lessons, copying "Heng Xingzu" and "Zhang Gongfang" many books, gods and traces, and hundreds of years of calligraphy yu Si Zhen." "Writing books in ordinary lives, there are many works of liante, rather than general social works, books are focused, and the art of books is very high, and it is known as the "holy hand of the book union". He is the author of "Dongzhou Caotang Jinshi Bao", "Dongzhou Caotang Poetry and Wen Banknote", "Xi Dao Wei Zhai Jing Shu", "Saying Passage Annotation Correction" and so on.

"Deng Shiru Epitaph", written in the fourth year of Tongzhi (1865). Ink on paper. regular script. Seven openings, each opening 30.6 cm in length and 30.3 cm in width. Collection of the Palace Museum. He Shaoji's calligraphy began with Ouyang Tong's "Daoyin Stele", and later extensively wrote the Six Dynasties Stele Edition and Yan Zhenqing's Kaishu, etc., and worked the most on the "Tomb of Zhang Xuan". This piece by He Shaoji is an epitaph written by Deng Shiru, showing a dignified and open positive image of Yanzi. He advocated starting from the seal and naturally solving the best way to solve the "middle cowardice". Therefore, technically, he chose the back-wrist penmanship. He Shi was nearly old when he wrote Deng Shiru's epitaph, but he was able to effectively avoid the fluttering of lines caused by his technical peculiarities, making this work more subtle.

He Shaoji Xingkai's "Bangu Answering Guest Drama" album super list word appreciation

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