Guo Degang abandoned Teacher Yu Qian and opened a program of his own, commenting on books and talking about the Three Kingdoms.
As soon as the long coat was worn and the fan was taken, the shocked wood slapped on the table, and it was indeed like that.
Teacher Guo Degang was 9 years old and learned to talk about crosstalk, and before stepping into the crosstalk door, he had already studied storytelling with the old man for two years.
After many years of picking up the shock wood, Guo Degang can also be regarded as a return to the "old line".
Guo Degang said that the level of the book is indeed still there, and the level of the manifest white and the main text are all there, which is no worse than the previous "Pit King Driving To".
"Three Kingdoms" is a big book, and there are too many twists and turns that need to be broken and kneaded, and it is too troublesome to say.
Even in the 1930s and 1940s, when the culture of storytelling was at its most prosperous, there were fewer famous people talking about the Three Kingdoms, and now, even fewer talk about the Three Kingdoms.
One is trouble, the other is that the cultural level of the audience is relatively high today, buy a set of Three Kingdoms in the bookstore, everyone knows what a story is, and it is easy to be scolded if a detail is not good.
For example, at the end of the Qing Dynasty and the beginning of the People's Republic, Mr. Storyteller told a story that this sword was stabbed into the stomach of a person and pulled out, and after stabbing three people in a row, the sword could not be used.
Why did the audience ask?
Mr. Storyteller said: The human body temperature is thirty-seven degrees, poke one thirty-seven degrees, stab two seventy-four degrees, and then stab the third, the sword will melt!
This was put in the year, just a sentence of "human body temperature thirty-seven degrees" coaxed the listener to be stunned, who questioned?
If this story had been told now, the audience would have scolded Mr. To death long ago.
Listening to Guo Degang's book is still a pleasure, listening to him gossip.
"Lao Guo YouXinfan" currently has four more issues, divided into upper and lower parts, a total of 8 episodes.
The amount of information that Guo Degang broke in these 8 episodes is not generally large, and his own little bottom, the little "unspoken rules" of the music and art world, were all crushed by him and stuffed in the slit about "Three Kingdoms".
Come up and squeeze yourself first, saying that you are "waste".
Why?
Because in his life, he will do three things: talk about book scenes and crosstalk, and nothing else works.
After brushing 8 episodes of the program, there are still some feelings, nothing else, but on the matter of "why is Guo Degang so popular", there is a new understanding.
Throwing aside what God gave him, Guo Degang really has the capital of red.
People who know a little about the art of qu know that there is no shortcut to doing this line of work, and the three elements are indispensable.
Talented, hardworking, interested.
Talent and diligence are said too much, leaving aside for the time being, just talking about interest.
In the show, Guo Degang said that he had not returned to the time when he lay in bed at night in all these years, and he could always remember some of the previous situations.
At the entrance of the library in winter, there is a large cotton door curtain hanging to the ground. Reaching inside, what came into sight was a large stove with water sitting on it.
The old man in the room, Guo Degang, a child. Everyone gathered around the storyteller, sniffing melon seeds while hearing gossip.
Hearing him say this, people are immediately dragged into this environment. He was really good at this mouth, otherwise he wouldn't have been able to paint this scene so vividly after so many years.
Nowadays, the literary and art circles have entered the era of pan-entertainment, and the old rules in the music and art circles are always a little unworkable.
In this regard, Guo Degang is the first to understand.
In the era of pan-entertainment, young audiences no longer like your "art", but your "people".
If the music artists really want to step off the stage and enter the times, they must first understand this - what you sell on the stage is not only your skills, but also your "personal charm".
The relationship between the artist and the audience is often like living a life.
If the audience loves your people, you can be right. You have no planks to sing, you have forgotten your words, and the audience thinks you are cute.
If the audience looks at you awkwardly, you just sing well, and people won't buy it.
Deyun Society has become better and better over the years, almost single-handedly reversing the trend of "aging" of audiences in the music and art circles, and there is no shortage of reasons for this.
Although many people have criticized the "idolization" road of Deyun Society, it has to be said that this is indeed a "road to success" that is twisted with the times.
In Guo Degang's own words, there is no point in arguing whether Zhang San is better or Li Si is better, or Wang Ermazi is better, and art cannot be compared.
If you really want to talk about the high, then let the two people open in the same theater for three days, and whoever sells the most tickets is "the best".
Guo Degang is also not afraid to expose his old brother.
He has been walking in the rivers and lakes for so many years, what is the most painful "scar" on his body?
——" Guo Degang's videotape stole from the old artist of Tianjin to make a fortune" Ah!
This is actually such a thing before and after.
Around 1999, at the Zhonghe Theater in Beijing, someone approached Guo Degang and asked if he could invite the old artists of Tianjin Xiangsheng to hold a few shows.
There are two undertakers of this matter, one is Guo Degang, and the other is an old artist, Fan Zhenyu, Mr. Gao Feng's teacher.
Guo Degang went to Tianjin to find someone, at that time it was 100 yuan per teacher per show, and the car and horse fare back and forth was returned to the middle and theater, and everyone was quite satisfied.
There are also rules that cannot be overturned, that is, in the performances on these days, the programs performed by everyone cannot be heavy, so as not to affect the attendance rate.
At the beginning, everyone agreed, they were all old people in the industry, and the program reserves were sufficient.
This thing is bad for one person - Shandong Fast Book artist Jin Wensheng.
Mr. Kim Man Sung (middle)
Guo Degang is the undertaker of this matter, and he starts each performance and serves as the host.
Behind him was Mr. Kim Boon-sung.
At that time, no one in the Tianjin qu art circle could think that some people in Shandong could say that shandong could be said to be like this, the burden was shaking, and the audience at the bottom laughed and shook with the chair.
The old artists who directly put on the stage behind them could not perform.
What is this concept, friends, if you have watched "Talk Show Conference", you can probably figure it out.
It is almost that Zhang Weiwang Mian took the guitar and bounced on the stage one by one, and after the audience's emotions were mobilized, it was meaningless to watch any shows in the back.
The audience in Beijing doesn't give you face either, and looks at you ⬇️ from beginning to end
In order to be good, the old artists had to come up with a show of the housekeeper.
After one performance after another, the inventory is not enough. After about eight performances, everyone felt that they had to "turn over".
This overturning of the stage, the seat dropped, and slowly the performance stopped.
At that time, there was a pair of brothers and sisters surnamed Li on the stage, each of whom held a small DV record, and later went back to carve it into a disc, leaving the program with big laughter and washing the program with small laughter.
At the end of the performance, Guo Degang was given a disc, in fact, not only Guo Degang was sent, but many artists who performed received this set of discs.
But it got backstage, and the other artists stopped doing it. As these words spread, they became "Guo Degang's videotape stealing from Tianjin is always art."
Is this a knot in Guo Degang's heart?
It really is.
One year he went to the northeast to perform and met an actor who spoke cross-talk in Heilongjiang. Originally, Guo Degang admired him very much and felt that this person should eat this meal.
The two of them ate about dinner, and after three rounds of drinking, the man said this: "You see that you are so capable, this is all the people who stole people from Tianjin to say cross-talk." ”
As soon as these words were uttered, Guo Degang felt the same as eating maggots. He felt that since this man had said such a thing after drinking, he was taking it seriously.
After leaving the door, Guo Degang told his agent that he would not meet this person again in this life.
His "bottom" was shaking, and he was not carrying the "bottom" of the music and art world.
The mouth of the play, the water of the bathhouse. If the artist wants to bite you twice, it is really dirty and smelly.
This wants to toss you, that is, a hand-turning matter.
Among all the cultural and entertainment projects, the music and art industry has the most rules, and the elderly and young are the most strict.
From the beginning of your career, there are one rule after another waiting for you.
The line of storytelling is the saddest in the "entry" level of the music art world.
When other professions are introduced, they have masters teaching you sentence by sentence and in duplicate.
There is no book of doctrine, you want to learn, it is like a normal audience sitting at the bottom and listening, but also pay attention to adding water to the master at any time, handing over towels.
After listening to this for three months, the master will ask you? If you can't answer, then the master will directly let you go and tell you that you are not the material for learning this.
There are "historical reasons" for the fact that it is so difficult to get into the industry.
In the past, whether it was talking about crosstalk or singing opera, it didn't earn as much as talking about books.
There was an old gentleman who told books to catch up with the era of "picking up the ground" of storytelling, that is, mr. shuffling on the side of the road.
At that time, the old gentleman was young and an apprentice. If you are not qualified to start the game yourself, you can't share the money.
The money he gets every day is the small change left over after everyone has been divided, or it is a broken ticket, and no one wants it, so it goes into his pocket.
In this case, how much money could this old gentleman earn every day?
At that time, the strong man who pulled a foreign car on the road earned enough money a day to eat and drink enough for the whole family of seven or eight people. The "change" that the old man gets every day is equivalent to a month's worth of a strong man pulling a foreign car.
Such a profitable industry, it certainly can't be learned by everyone, everyone can speak.
This time and again, there is an "unspoken rule" in the industry that "it is difficult to enter the industry".
Let's talk about the rules of "respecting the elderly and the young and respecting the inferior" in the music and art world.
How strict are the rules in the music industry? Even opening a letter is exquisite.
You receive a letter in your hand, and if it is from a junior, open it from the envelope and slip it out.
If it was sent by the elders, open it from under the envelope and invite it out.
If it is sent by the same generation, the brother is from the right and the brother is from the left. Because in the qu art industry, the right is respected, and the left is humble.
If it was sent by a loved one, turn the letter over and open it along the envelope's original seal.
The "past events" of those old predecessors in the qu art world, Guo Degang did not say less.
It is said that there is such an old predecessor in the Tianjin qu art circle, nicknamed "full of horizontal".
Why is it full of horizontal?
Because in the past, everyone went to listen to him, and if the number of people was less than ten, then the old man's attitude was excellent, and everyone was very well served.
There are many people who come to listen to the book, and mr. money has earned enough, and the energy will come up, and it is not good to take care of people.
You tell him that sir has worked hard, and it's as if you haven't heard.
Listening to Guo Degang's book is still quite interesting, and the main text gossip is not less listening.
If you are a viewer of "Pit King Driving", you must also like this show "Lao Guo Has New Fan".
Guo Degang himself said in the program that he signed four big books with the platform, and this time it should really not be "pitted".
Have you heard Guo Degang's book? Compared with the traditional storytelling form, which one does everyone like more?