Text/Knife II
<h1 class="pgc-h-arrow-right" data-track="2" ></h1>
In 1991, Wang Zhiwen had already won the "Golden Panda" Award for Best Actor for "Journey to the South".
But the little girlfriend Xu Fan is still "confused", and she does not know when she can wait for the "female number one" to hit.
Finally, a "Great Eunuch Li Lianying" pulled Xu Fan out of the trough of his career.
Trying to catch up with Wang Zhiwen's pace.
Because of the role of "Zhenfei", Xu Fan is running on the edge of the film and television circle,
It was also the first time that he had a relationship with the "fifth generation director", and that person was Tian Zhuangzhuang.
At that time, Tian Zhuangzhuang had already ridden the dust and sat on the throne of the famous guide.
He has served as a soldier, he has gone to the countryside, and he is still a native of the courtyard,
A debut film " Our Corner " caused quite a stir in the literary and art world.
When Tian Zhuangzhuang became famous, Feng Xiaogang still followed Wang Shuo's ass and was jokingly called "Feng Pants".
The entertainment industry in the nineties did not have the term "unspoken rules".
There is still "true affection" between the actress and the director.
But wait and wait, Xu Fan did not wait for Tian Zhuangzhuang to give his next "heroine",
He also ended his love affair with Wang Zhiwen in that broken rental house.
Just when Xu Fan wanted to step into the world of "fifth-generation directors",
Her untold scandalous relationship with Tian Zhuangzhuang once again turned into an innocuous episode.
It really fulfilled Li Shaohong's words: "After filming, you two have to disperse." ”
So Xu Fan took a sum of money and continued to go to the next appointment.
In 1992, Feng Xiaogang walked into the theater with the script of "The Great Satan".
And Xu Fan is precisely the heroine of this play.
After reading the script, Feng Xiaogang was very satisfied with everything,
It's just that he said: "It's all very good, that is, this heroine almost means it." ”
And Xu Fan, who was said to be "almost meaningless", was sitting behind him at the moment.
As soon as Feng Xiaogang turned his head, he saw Xu Fan, who was looking down.
And Xu Fan's impression of him is not good,
Wearing leather pants, riding a motorcycle, the appearance is not satisfactory, and it is unreliable at first glance.
At that time, Feng Xiaogang did not expect that cow dung could one day be planted on flowers.
Most importantly, Feng Xiaogang's position of good match had already been promised to Zhang Di, and the two also gave birth to a daughter.
But who would have thought that this pair of people who did not like each other and had their own stories,
In the end, they bore the infamy together and entered the marriage.
In order to catch up with Xu Fan, Feng Xiaogang has a sense of "strong buying and strong selling".
Pointing at Xu Fan in front of the outside world, he said, "This is my girlfriend."
With the help of Wang Shuo, He also "tricked" Xu Fan into eating far away, which made Xu Fan furious.
In a series of coincidences, Feng Xiaogang issued an exclamation of "all providence",
Since then, Xu Fan has realized his "heroine dream",
From "Never Lose My Love", "Party A and Party B" to "Not Seen, Not Scattered",
Feng Xiaogang successfully sat on the throne of the fifth generation of directors.
And Xu Fan also squeezed into the array of first-line actresses in the entertainment industry, squeezing out Zhang Di, who had been hidden for five years.
As soon as Zhang Di's front foot left, Feng Xiaogang couldn't wait to welcome Xu Fan into the house.
As for their combination, Feng Xiaogang's evaluation is: "Flowers are finally planted on cow dung." ”
But it is undeniable that after getting married, the two careers reached their peak at the same time.
In 1997, Feng Xiaogang became famous with "Party A and Party B".
In that era when movie tickets cost two dollars a piece, it earned 36 million at the box office.
Since then, Feng Xiaogang has brought the first Chinese New Year film in the history of Chinese cinema.
Became the only director of that era who could make money through commercial films.
As a result, he became one of the "fifth generation directors",
And in each of his works, there is a figure of Xu Fan.
But at this time, Xu Fan did not have the scenery of "competing for curiosity and beauty" in the past.
Instead, he blessed all the glory on Feng Xiaogang's body.
When a group of actors made Feng Xiaogang's films for fame and fortune, Xu Fan's efforts seemed to be only to add luster to Director Feng.
When the movie is good, the credit is all Feng Xiaogang's,
When the movie was not satisfactory, Xu Fan thought that his acting skills dragged his feet.
In short, Xu Fan became Feng Xiaogang's shield.
When Feng Xiaogang and a number of actresses from the outside world spread gossip and threatened to divorce,
Xu Fan took retreat as an advance, and also talked about it on the "Venus Show":
"Our family is a man, it is not us who suffer losses" classic famous sentence.
Or even say:
"If I don't shoot a scene, I will go and be a nanny for Feng Xiaogang" and "Feng Xiaogang adopted my soul" these words.
And Feng Xiaogang praised Xu Fan's forbearance and dedication:
"Men in the world are the same, marriage does not need the truth, women must understand the overall situation."
In terms of forbearance and retreat, Feng Xiaogang believes that Xu Fan does not have any shortcomings.
But this sentence "no shortcomings" also makes Xu Fan's status pitifully low,
And this pair of "old husbands and young wives" also let the world see some cruel reality truths.
Some people said: "Xu Fan does have thunderous means and fierce vision."
Otherwise, how could He hold Feng Xiaogang, who was wandering in the flowers, with a handle in his hand.
But Feng Xiaogang, who transformed from a poor boy all the way to a famous director,
In the end, it was not able to escape the fate of the merry life.
There are more accidents and opportunities than ordinary people in his story.
At the beginning of the grand cause of life, Feng Xiaogang has already figured out the laws of strength and weakness in the world.
And his story also starts from the mysterious "big yard boy".
<h1 class="pgc-h-arrow-right" data-track="73" >2</h1>
Ye Jing once said:
Feng Xiaogang longs for success, and in order to succeed, he can put down anything.
Even Ma Weidu, who later created "The Story of the Editorial Department", commented on Feng Xiaogang in this way:
"This man is extremely clever, he doesn't have to listen to things much, and after listening to a few words, he immediately understands what you are going to do."
And such a Feng Xiaogang is mostly because of a poor family of teenagers.
When Feng Xiaogang was only one year old, Feng's father was labeled as a political problem officer.
Later, his mother divorced him and pulled him and his sister up alone.
In this part of Beijing, his family of origin could not provide him with any support.
When recalling his childhood story, Feng Xiaogang once said such a sentence:
"When I was a child, these children in the hospital, when I was with them,
It belongs to the one that my grandmother does not love my uncle,
In one piece of these children, no one has taken you seriously. ”
From the bottom, there was a low posture, and the heart that did not want to give in since childhood, so that Feng Xiaogang was not willing to be like this all his life.
But no matter how much rhetoric, no matter how much,
In the face of status and ability, it is still not worth mentioning.
At that time, he was also an artist in the crew directed by Chen Kaige.
No background, no strength, just a behind-the-scenes person.
He can only do small bows, observe the color to please others.
At the beginning of 1989, Ma Weidu, Wang Shuo, Mo Yan, Haiyan, Shi Tiesheng and others established the "Haima Film and Television Creation Center" in Beijing.
Began to draw a grand blueprint for the film and television industry, so that literature and art and business hooked up.
Wang Shuo was the legal person and chairman of the board at that time.
In 1991, "The Story of the Editorial Department" was born from Wang Shuo's hands.
After the script was written, it was sent several times before it was reviewed, and I was about to start shooting, when I suddenly found that the script was lost.
But in addition to Wang Shuo, Ma Weidu, Ge Xiaogang, and Wei Ren all had jobs.
No one wants to put in the same effort to the script.
But just when Wang Shuo was in a bad mood, Feng Xiaogang, who was doing miscellaneous work in the crew, introduced himself,
Staring at Wang Shuo, he said: I hope to finish this book with you.
In the end, the two worked together to rewrite the script.
In 1992, "The Story of the Editorial Department" was broadcast and became a generation of classics, and Feng Xiaogang also appeared in it.
But his biggest gain was to get closer to Wang Shuo.
In 1994, Feng Xiaogang, Wang Shuo and Ge You set up a good dream company and began to make movies, hoping to make a lot of money.
But the joy has not yet subsided, and tragedy has come.
Later, Wang Shuo's works and films were criticized as "promoting grayism."
At that time, Wang Shuo could not stay in China at all, and it happened that a New York publisher invited him to publish an English book.
So with an English dictionary, Wang Shuo went to the United States.
Before leaving, he also said to Feng Xiaogang: "Let's separate, you have a chance to live, don't die together." ”
It can be seen that Wang Shuo still had a friendship with Feng Xiaogang at that time.
In Wang Shuo's heart, Feng Xiaogang has always been: a capable and intelligent being.
But when Wang Shuo left, Feng Xiaogang was not idle,
Instead, he began filming Wang Shuo's last work, "Party A and Party B".
After the box office sold 36 million yuan, Feng Xiaogang sent someone to send 50,000 yuan, but Wang Shuo did not want,
At this time, he has already passed the peak of the movie, and he does not want to mix those things in the circle anymore.
Later, Wang Shuo could no longer get used to some of Feng Xiaogang's ways of dealing with the world.
And the core of cooperation is the interest,
The gradual separation of the two eventually came down to the money.
Later, Wang Shuo's iron porcelain Ye Jing also laughed at Wang Shuo:
"Why did you help him write the script in the first place?"
Wang Shuo added:
"If a guy slaps you on the ass every day, you can't be in a hurry with him, right?"
In the same year, "Party A and Party B" was released,
This drama Feng Xiaogang personally got 1.17 million,
At that time, it was equivalent to the 300-square-meter Grand Leap In Beijing Chaoyang.
No one expected that the 39-year-old Feng Xiaogang, who was not proud, finally waited for his "spring".
And Feng Xiaogang's success is indeed more routine than Wang Shuo's "proud son of heaven".
But in the days of failure to succeed, Feng Xiaogang did not cry less,
Later Ye Jing once said:
"He often cried bitterly in front of Wang Shuo, and there were several times in front of me alone."
This statement is exactly in line with the clown Feng pants in "Days Related to Youth",
The person who cried and begged Bai Lai to follow Wang Shuo was none other than Feng Xiaogang, who was the mirror.
But Feng Xiaogang's greatest intelligence is to be good at using smarter people
Because for a poor child who is ordinary to no background,
Want to eat in the chaotic Beijing circle,
In addition to the luck of being pitied by the heavens, it is the monstrous ability and emotional intelligence.
It was precisely Feng Xiaogang who chose the second option without hesitation, and there was only this one option in front of him.
<h1 class="pgc-h-arrow-right" data-track="138" >3</h1>
And 1998 was the year of Feng Xiaogang's reversal,
This year, Wang Zhonglei and Wang Zhongjun founded Huayi Brothers and officially entered the film industry.
Invested in a movie called "Endless" for Feng Xiaogang.
As soon as it was released, it refreshed the box office records of domestic films and imported films released that year.
Without the interference of the children of the big courtyard, Feng Xiaogang became a well-known director.
At this time, he has long lost his low-key and stoic little brother posture,
Start walking farther and farther down the path of flying.
And his films have repeatedly refreshed the "lower box office limit",
In 2016, "I Am Not Pan Jinlian" earned 480 million at the box office.
In 2017, "Fanghua" grossed 1.42 billion, but it was only a quarter of "Wolf Warrior".
Some people keep questioning, Feng Xiaogang's film days are over?
But Feng Dao's words threw the pot on the audience:
There are so many garbage movies in the country because there are a lot of garbage audiences.
Not only that, because of "I Am Not Pan Jinlian", the scheduling rate in Wanda was too low.
And a scolding war with Wang Sicong.
But Wang Sicong, who had a poisonous tongue, immediately replied: "No one can't get along with money." ”
In other words, the film that satirizes Feng Xiaogang has been exhausted by Jiang Lang.
And look at the second half of Feng Xiaogang's life,
Caught in the whirlpool of capital, round after round of scolding war with Xiao Cui,
After turning Fan Moubing into Fan Jiuyi,
Feng Xiaogang turned the danger into a disaster and continued to shout in the entertainment industry: "Do you understand movies?" ”
And Feng Xiaogang's before and after differences are far more than this,
When "Tangshan Earthquake" was a big hit, Xu Fan failed after competing for the Golden Horse Shadow.
Feng Xiaogang immediately posted: "The people's Golden Horse Awards judges hate you too late, how can they give you awards." ”
But when "I Am Not Pan Jinlian" won the award,
Feng Xiaogang changed his face and said: "Thank you for the Golden Horse Award's heart, let me see justice." ”
"Two-Faced Man" Feng Xiaogang completely broke the filter of the early years,
Tossing and turning in the name of the master and the profit of the merchant.
However, the nobility of wanting to be famous and the pleasure of profit also accelerated the collapse of Feng Dao's reputation.
Look at the first half of his life,
Grassroots counterattack relies on the brain's inspiration and willing determination to do matching,
But looking at the second half of his life,
Feng Xiaogang, who has achieved fame and wants to cross the mountains and the sea, was finally overthrown by the times.
Not only did it not gain the recognition of the audience, but also lost 235 million yuan in the VAM contract with Huayi,
And this is not an accident, it is an inevitability.
Presumably, until now, Feng Xiaogang did not understand why his movies were not popular.
Perhaps in his opinion, the audience who "does not understand aesthetics" is the biggest problem.
Nowadays, Wang Shuo, who once sent Feng Xiaogang to a high position, has rarely appeared in front of the public.
His story has been paused.
And Feng Xiaogang behind him is still angry in the entertainment industry,
It is bound to seek justice for yourself.
But such a Feng Xiaogang is not difficult to understand:
Crawling out of the mud, I never wanted to climb back.
Once upon a time, Feng Xiaogang was also like what Wang Shuo said:
Look forward, just around the corner, look back, the wind is fast.
But today's Feng Dao, perhaps, only wants to look at "money".
After reading it, remember to pay attention to @文刀贰 Image source network intrusion and deletion
Past wonderful: 18-year-old lost father, 21-year-old widowed husband, 30-year-old backwards chased the second marriage husband is still cheating, what happened to Wu Yongwei?
The "Revenge" of Cao Yunjin