The art of ink painting is a form of expression of Chinese painting, which generally refers to paintings made with water and ink. Rich changes are produced by the scorched, thick, heavy, light and clear ink color, and the expression of objects has a unique artistic effect. Northern Song Dynasty Shen Kuo's "Picture Song": "Jiangnan Dongyuan chuan is huge, light ink light lan as one." "That's what ink painting is about. For a long time, ink painting has occupied an important position in the history of Chinese painting.
In his artistic creation, the layout of the chapters on the composition, the combination of dots and lines in the detail processing, the gradient and layering of colors, the extension and extension of narrative, and the taste and beauty of the whole picture are presented. Not deliberate, inadvertent, not deliberate, but it makes people feel very harmonious. He is Liu Xinhe's teacher.
Liu Xinhe image photo
Biography
Liu Xinhe is the vice president and director of the Qingmei Art Committee of the China Social Art Association, a member of the China Artists Association, the Guangdong Artists Association, the director of the Chinese National Painters Association, the painter of the Chinese Academy of Painting, a first-class artist, a visiting professor of the Shanghai Academy of Chinese Painting, a visiting professor of hongde College of Inner Mongolia Normal University, and a researcher of the Ningxia Museum of Culture and History.
As an artist, Liu Xinhe organically leads rationality and sensibility to the cultural dimension, and gives the culture of ink full of emotion to rational space and time charm. The ink imagery in the pen is under this unconscious rational advocacy, which is depressed and frustrated, and ripples with the interest of ink painting. In his paintings, he reveals the natural beauty and the design of the shape, which has both ink characteristics and strong modernity. The harmony of external form and inner spirit exists in his ink art all the time.
Today, we invited Liu Xinhe and teacher to create a new Tibetan woman's ink figure painting "A Beautiful Life".
Children who learn happily in school, beautiful new homes all over the snowy plateau, spectacular railways across the plateau, sweet smiles in farm yards... They are all materials for the creation of figure paintings; they want to express the spiritual outlook of the people in the new Tibet, a socialist new Tibet with scientific development, harmony and stability, improvement of people's livelihood, and national unity. Of course, it is inseparable from the figure of tense and orderly labor everywhere. Countless people are working hard for a better dream, fighting for a happy life, and creating a better new life with their hands.
The next painting to be created, "The Beautiful Life", depicts Tibetan characters in the picture, one of the scenes of a woman working hard, working hard, running towards a better life.
First, the manuscript is written with charcoal strips, and the picture shows Tibetan women pounding ghee. The teacher first draws the hair, and then draws the face, and when drawing the face, the facial features are very critical, and the moisture should be controlled when dipping in ink, otherwise it is easy to pour out and affect the beauty of the picture.
Drawing lines can be concise, and sketches are not the same as the main body creation. The creation of the main body needs to go through a lot of lines, ink, mechanisms, etc. to deliberate, and the sketch can be a little more casual.
When painting the hand, it should be expressed around its structure and form, and the thickness of the line changes. If you draw a line that does not change, it becomes a complete white drawing or line drawing. The lines of the freehand figure painting should have a change in thickness and thickness, twisting and turning. Use the pen to live a little, scratch the hook line. Although Chinese painting pays attention to rubbing and dyeing, the character picture uses more wrinkles and hook lines.
The ground can be simply hooked with some grass, and the grass will be dense. The teacher emphasized that the ink draft is very critical, and if the painting is good, it will be much more convenient to color later.
When coloring, the teacher used to use zhu zhen plus potato red and then add some garcinia and ink, because the color does not jump after adding ink. When painting Tibetan women, the skin color is slightly darker due to the local climate. The most important thing is to paint the Buddha beads, because Tibetan children, the elderly, and the girls all have to bring the Buddha beads. The belt teacher painted red, which is more eye-catching. It is okay to write a pen name or a name, and then stamp it.
This painting belongs to the sketch, so the picture is concise, the teacher background does not paint anything, if you want to go deeper, you can paint yaks, painting and women-related scenes. This freehand character painting "Good Life" is here, I hope you like it!
Appreciation of works
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