The Internet age is always full of contradictions and dramas, and in the final analysis, it is a carnival under identity anxiety. After the "beat the workers", "Versailles literature" suddenly arose. For a time, two high-frequency words swept the screen network, but it seems that the people who use these two words are the same wave of people. Yesterday it was still using "hit workers" to laugh at itself, and tomorrow it will begin to shape the "fanxue" persona.
The most advanced is to package the "Fanxue" people into "hit worker" copywriting. Highlight your "low-key" and "high-level" without a trace. Among the film and television works in which trafficization, capitalization and bubbles prevail, "Versailles literature" is not unusual.
"From the huge PRADA bag I just bought, I took out a smoked marlin sandwich wrapped in high-grade eco-friendly paper, all in French."
Slammed the door hard, took two steps, turned around, and kicked the carved wooden door worth 190,000 yuan.
Many years ago, Guo Jingming used the "Fanxue" mode to shoot four "Small Times" movies. Pompous and luxurious, from the lines to the characters can be called the "mortal learning" template. Guo Jingming's "Little Times" marks the beginning of the full capitalization of the mainland film and television circle. Those "suspension dramas" that are not grounded are the "apprentices" of "Little Times". It has made many young people have the illusion that the life of the original "paper drunk gold fan" is at hand and so close to themselves.
The recent rise of "Fanxue" on the Internet, but from the image and back to the text, from the film and television area back to the Network, still represents the "small era" of the concept of money, consumption, values, the language is full of ridicule, by everyone word of mouth to imitate.
The "Fanxue" on the Internet was brought up by the big V@ small milk balls, and was recently carried forward by netizens @ Meng Qiqi77, and the "Versailles Literature" that quickly brought fire.
@Meng Qiqi77's blog posts are all "fanwen". She is keen to update some YY paragraphs every day, to create a handsome and domineering and affectionate perfect husband Mr. Bu, fantasy female interns and nannies coveting her husband, daily active in beijing SKP's major sharp goods counters, wearing 77,000 glasses.
The "fake" drama that can be seen through at a glance, the false love story has quickly harvested many fans. Because of his low-key boastful tone, he was named a new generation of "Versailles literature" mentors by fans. As a result, the "Ancestor of Fanxue" @ Little Milk Ball wrote an article entitled "Tribute to the Death of Fanxue" to express dissatisfaction. She used "all words and words" to mourn the entry of this niche culture into thousands of households, and said sourly: "We have seen the abuse and distortion of Fanxue, and my tears have flowed into the Seine River in my hometown."
In fact, @ Little Milk Ball has long defined "Fanxue", which is used to refer to those "circle of friends aristocrats" who seem to be careless but deliberately showing off, this kind of literary works that pretend to be modest and boastful in social networks, open and derogatory and implicit praise, and hard-concave aristocrats, are "Versailles literature", referred to as "Fanxue".
The public uses "fanxue" to package themselves and highlight their niche and high-end elite temperament, but in fact, it is just a disguised X.
@Little Milk Ball emphasizes: "Versailles originates from a mentality of longing for the recognition of others and the desire for others to witness their superiority, because they are too eager for others to see themselves, so they cannot be reasonably modified and converged in expression." ”
The "fanxue" of "Little Times" seems to be too blunt now, and even some are too "net red", which is not advanced, and there is basically no irony. In fact, the real "mortal learning" master, and made irony and ridicule is Still Woody Allen.
The Brooklyn-born "talking" guru has used one film after another to ridicule the middle-class pretense. Among them, "Blue Jasmine" is the most understandable, the most ironic, and the most ornamental model of "anti-Versailles literature".
The film won the Oscar and Golden Globe Award for Best Actress for Kate Blanchett, who starred in the heroine Jasmine, who was the quintessential heroine of "Versailles literature". From the first act, the film highlights her paranoia and vulnerability, and she cannot accept that she has fallen from the circle of the rich to the bottom.
The film tells the story of her life as a wealthy person through multiple interludes, while at the same time comparing her current life under the fence.
This ingenious structural contrast gives us a glimpse of the source of anxiety in Versailles literature, namely the dissonance of self-identity.
British writer Alain De Botton mentioned in the book "The Anxiety of Identity" that people have an innate uncertainty about their own value judgments, and our understanding of ourselves depends largely on what others think of us, and our self-perception and self-identity are completely subject to the evaluation of others.
Jasmine's anxiety and neuroticism in the film, as well as her high dependence on alcohol, many unrealistic thoughts and behaviors are anxiety about her identity, and she cannot accept the fall from the aristocratic Kotai to the middle-aged woman in the workplace.
Although she lives in the home of her sister at the bottom, she still can't quit the aristocratic way of life, and she is scornful of the life of all ordinary classes. She still wears her "little fragrance" costume, carefully dressed, maintaining a superficial appearance; although she is in the front stage of the private clinic, she still talks to others about the Broad Lifestyle.
Join the party just to tune in to the Golden Turtle Son-in-Law. She used her appearance and lies to attract diplomats from well-off families. The two soon fought fiercely, to the point where they were about to get married.
But "the paper package can't hold the fire", the ex-husband is a financial fraudster, and there is a son who left her, one lie after another is punctured, the diplomat is devastated, and the two quickly break off relations.
Jasmine's desire to return to aristocratic life is shattered, and she is once again trapped in a frenzied mood of insanity.
Jasmine's two "rich" lives are actually "subject to others", his "cheater" ex-husband, or the diplomat who was deceived by her. According to her sister, Jasmine's only strength was her appearance, and she met her first husband in a vague way. But what she didn't realize was that her husband was nothing more than a liar and was messing with trouble everywhere.
Friends around her knew the truth, but she was in the dark. Later, knowing the truth, she actually took the initiative to expose her husband's crimes, but it was not that her conscience was discovered and her relatives were destroyed, but she could not bear the imperfection of her own identity. She couldn't stand what her friends thought of her, "a poor woman who couldn't tie her husband back" to her.
"Blue Jasmine" gives us a glimpse into the hypocritical sides of "Versailles" life. Especially after the decline of jasmine's class, it is even more ironic that the part that still has to be hard-recessed is ironic. But in the end, we can't help but sympathize with her.
Because when the mirage of "Versailles" disappears, the remaining desolation and depression are enough to make the parties and others feel extremely desolate.
Most of the people with real economic strength are obscure, and what they can't stop is false vanity. And after we puncture the vanity of "mortal learning", the carnival should become introspection.
After all, Rousseau, the representative of the orthodox "Versailles literature", said that it is not at all necessary to disrespect oneself in order to please others.